Performances
Sheet Music
Arrangements and Transcriptions
For Flute, Cello and Harp (or Piano) (Roberts)
For Violin, Cello (or Violin) and Piano (Centano)
Arranger
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Jules Centano (fl.1892-1918)
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Publisher. Info.
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New York: Carl Fischer, 1915. Plate 18683.
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Copyright
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For 2 Violins and Piano (composer)
- See: 6 Morceaux,(No.2)
For Violin and Piano
Arranger
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Unspecified
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Publisher. Info.
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New York: G. Schirmer, n.d.(1910?). Plate 21943.
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Copyright
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For Organ solo (Federlein)
For Piano solo
Editor
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James Francis Cooke (1875-1960)
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Publisher. Info.
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The Etude, Vol.30 No.10 (October 1912) Philadelphia: Theodore Presser, 1912.
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Copyright
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Misc. Notes
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This file is part of the Etude Extraction Project. Possibly public domain in EU and other 70 pma territories.
This item, public domain in its country of origin, is possibly likewise public domain in the EU due to the EU's implementation of Rule of the Shorter Term for non-EU works. This EU ruling might be superseded by bilateral treaties still in force between some EU countries and countries outside the EU (notably the USA). Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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General Information
Work Title
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Au bord d’un ruisseau
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Alternative. Title
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By a Brook. Sérénade champêtre
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Composer
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Boisdeffre, René de
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Opus/Catalogue NumberOp./Cat. No.
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Op.52
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I-Catalogue NumberI-Cat. No.
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IRB 1
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Key
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A major ?
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Movements/SectionsMov'ts/Sec's
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1
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First Publication.
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1898 – Paris: J. Hamelle (or earlier)
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Average DurationAvg. Duration
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4 minutes
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Composer Time PeriodComp. Period
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Romantic
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Piece Style
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Romantic
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Instrumentation
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Orchestra: 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, horn, harp (or piano), strings
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Navigation etc.
Publication noted in the Bibliographie de la France 2e série, 87e année, Nº 21, 21 Mai 1898, p.425, r.2436. - notes publication of Bord d'un ruisseau, sérénade champetre pour orchestre par Boisdeffre.
All the arrangements above seem to agree on A major as a tonic, though this might not be the key of the original work.