Violin Concerto No.1 in B-flat major, K.207 (Mozart, Wolfgang Amadeus)

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Performances

Recordings

Performer Pages Walter Goehr (conductor)
Amsterdams Philharmonisch Orkest (orchestra)
Publisher Info. Paris: Guilde Internationale de Disque, n.d.(ca.1953)
Performers Manoug Parikian (violin)
Reissue Schattdorf: Gagnaux Collection
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MMS2206cv.jpg
Performer Pages Arthur Grumiaux (violin)
London Symphony Orchestra (orchestra)
Colin Davis (conductor)
Publisher Info. Philips “Trésors classiques”, 1962. L 02.253 L.
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TN-PMLP3118-Concerto pour violon n° 1 , K. 207 (Wolfgang Amadeus Mozart) Philips L 02.253 L-6140.jpg

Allegro moderato (No.1)

For 4 or More Accordions and Bass Accordion (De Bra)

Performer Pages Paul De Bra (4 Accordions, Bass Accordion)
Arranger Paul De Bra (b. 1959)
Publisher Info. Paul De Bra, 2021.
Performers Professor P (Paul De Bra playing 4 different accordions and bass accordion)
Copyright
Misc. Notes arrangement available from this page
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Naxos

Sheet Music

Full Scores

Publisher. Info. Holograph manuscript, 1773.
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Editor Ernst Rudorff (1840–1916)
Publisher. Info. Mozarts Werke, Serie XII, Bd.1, No.1 (pp.1-26)
Leipzig: Breitkopf & Härtel, 1877. Plate W.A.M. 207.
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Editor Christoph-Hellmut Mahling (1932–2012)
Publisher. Info. Neue Mozart-Ausgabe, Serie V, Werkgruppe 14 [NMA V/14/1] (pp.3-54)
Kassel: Bärenreiter-Verlag, 1983. Plate BA 4582.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States.

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Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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Misc. Notes scan: score scanned at 600dpi (High Quality Scanning)
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PDF scanned by Unknown
Feduol (2024/3/26)

Editor Frank Reinisch (b. 1955)
Publisher. Info. Breitkopf & Härtels Partitur-Bibliothek, No.5138
Wiesbaden: Breitkopf & Härtel, 1989. Plate Wq. 2012.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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Editor Moris Haim
Publisher. Info. Moris Haim
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Misc. Notes Transcribe with Photoscore and Sibelius 7.
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Parts

Violin Solo
Editor Paul Waldersee (1831–1906)
Publisher. Info. Leipzig: Breitkopf & Härtel, n.d. Plate V.A. 2431.
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Editor Paul Waldersee (1831–1906)
Publisher. Info. Leipzig: Breitkopf & Härtel, n.d. Plate V.A. 2431.
Reprinted Moscow: Muzgiz, n.d. Plate M 12378 Г.
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Editor Maxim Jacobsen (1887–1973)
Hans Sitt (1850–1922), cadenzas
Publisher. Info. Leipzig: Edition Peters, No.2193e, n.d.(ca.1915). Plate 9980.
Copyright
Misc. Notes False copyright 1956 claim.
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Orchestra

5 more: Horns 1, 2 (B, E♭) • Violins I • Violins II • Violas • Cellos/Basses

Publisher. Info. Breitkopf & Härtels Orchester-Bibliothek, No.5138
Wiesbaden: Breitkopf & Härtel, 1989. Plate Wb. 2012.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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Editor Ezequiel Diz (b. 1977)
Publisher. Info. Ezequiel Diz
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Arrangements and Transcriptions

For Violin and Piano (Jacobsen)
Editor Maxim Jacobsen (1887–1973)
Hans Sitt (1850–1922), cadenzas
Publisher. Info. Leipzig: Edition Peters, No.2193e, n.d.(ca.1915). Plate 9980.
Copyright
Misc. Notes False copyright claim 1956.
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For Violin and Piano (Petri)
Editor Henri Petri (1856–1914)
Publisher. Info. Wien: Universal Edition, n.d.(ca.1904). Plate U.E. 793.
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For Violin and Piano (Waldersee)

Allegro moderato (No.1)

For 4 or More Accordions and Bass Accordion (De Bra)
Arranger Paul De Bra (b. 1959)
Publisher. Info. Paul De Bra, 2021.
Copyright
Misc. Notes It is best to have at least 2 players for the 2nd, 3rd and 4th voices.
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General Information

Work Title Violin Concerto No.1
Alternative. Title
Name Translations Hegedűverseny No. 1 (Mozart); Violin Concerto No. 1; Concierto para violín n.º 1; Concerto pour violon nº 1 de Mozart; Concerto per violino e orchestra n. 1; [8 more...]ヴァイオリン協奏曲第1番; Fiolinkonsert nr. 1 av Mozart; Violinkonsert nr 1; 第1號小提琴協奏曲; کنسرتو ویلن شماره ۱ موتسارت; Concert per a violí núm. 1; Vioolconcerto nr. 1 (Mozart); Concerto cho violin số 1 (Mozart)
Name Aliases Violin Concerto No. 1 in B-flat major; K. 207
Authorities WorldCat; Wikipedia; VIAF: 180247254; LCCN: n84104587; GND: 300109113; [2 more...]BNF: 139149850; NLA: 35598537
Composer Mozart, Wolfgang Amadeus
Opus/Catalogue NumberOp./Cat. No. K.207
I-Catalogue NumberI-Cat. No. IWM 631
Key B-flat major
Movements/SectionsMov'ts/Sec's 3 movements:
  1. Allegro moderato (B major, 181 bars)
  2. Adagio (E major, 116 bars)
  3. Presto (B major, 372 bars)
Year/Date of CompositionY/D of Comp. 1773
First Publication. 1870 – Offenbach: Johann André (in an edition by Alard, as op.127)
Monatsbericht (1870), p.178
Average DurationAvg. Duration 20 minutes
Composer Time PeriodComp. Period Classical
Piece Style Classical
Instrumentation violin, orchestra
InstrDetail 2 oboes, 2 horns, strings
External Links Wikipedia article
NMA score
NMA report (German)

Navigation etc.

[hide]Concertos and concertante works by Wolfgang Amadeus Mozart
Woodwind Concertos Horn Concertos String Concertos
Piano Concertos by Wolfgang Amadeus Mozart
Arrangements of Other Composers
 3 Piano Concertos, K.107, after JC Bach, Sonatas Op.V/2–4
  1. Piano Concerto in D major
  2. Piano Concerto in G major
  3. Piano Concerto in E major