Violin Concerto No.1, Op.1 (Spohr, Louis)

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Performances

Sheet Music

Parts

8 more: Solo Violin • Flute 1, 2 • Bassoon 1, 2 • Horn 1, 2 (A, E) • Violins I • Violins II • Viola • Cellos and Basses

Publisher. Info. Paris: Richault, n.d.(ca.1833). Plate 3115.R.
Copyright
Misc. Notes PDF split of Fynnjamin's "Complete Parts" file helped by Sallen112. #335169.
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Arrangements and Transcriptions

For Violin and Piano (Composer)
Editor First edition
Publisher. Info. Leipzig: Breitkopf und Härtel, n.d.[1803]. Plate 168.
Copyright
Misc. Notes First published in parts and reduction, probably not in full score, so this is a case of a reduction being a first edition.
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Editor Henri Petri (1856-1914)
Publisher. Info. Leipzig: Volksausgabe Breitkopf & Härtel, n.d.(ca.1900). Plate V.A. 1977.
Copyright
Misc. Notes This file is part of the Sibley Mirroring Project.
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General Information

Work Title Violin Concerto No.1
Alternative. Title
Composer Spohr, Louis
Opus/Catalogue NumberOp./Cat. No. Op.1
Internal Reference NumberInternal Ref. No. ILS 134
Key A major
Movements/SectionsMov'ts/Sec's 3 movements:
I. Allegro vivace
II. Siciliano
III. Polonaise
Year/Date of CompositionY/D of Comp. 1802–03
First Publication. 1803
Dedication Charles Guillaume Ferdinand Duc regnant de Brounsvic et Luneburg
Average DurationAvg. Duration 22 minutes
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation violin and orchestra [more...]
2 flutes, 2 bassoons, 2 horns (A, E), strings - or
flute, 2 oboes, 2 clarinets, 2 bassoons
2 horns, trombone, timpani, strings
External Links WorldCat
Extra Locations Solo part also in Vollständige Sammlung der Concert-Compositionen für die Violine

Navigation etc.

  • FLP and Brown (Louis Spohr: A Critical Biography, p.18) have "2 flutes, 2 bassoons, 2 horns, strings" for accompaniment. flute, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, trombone, timpani and strings might belong to a revision?

(Brown notes that this was sold by Spohr to Breitkopf not under what he had considered rather fair conditions- free to them, perhaps in exchange for some free copies - but instead he was required to buy 100 copies at half price. This may not have been that unusual for an interchange with a composer with next to no reputation, as with Spohr in 1803, however...)