Violin Concerto No.1, Op.1 (Spohr, Louis)

Movements/SectionsMov'ts/Sec's 3 movements
Composition Year 1802–03
Genre Categories Concertos; For violin, orchestra; Scores featuring the violin; Scores featuring the orchestra; For orchestra with soloists; For violin, piano (arr); For 2 players (arr); Scores featuring the violin (arr); Scores featuring the piano (arr)

Contents

Performances

Sheet Music

Parts

 Complete Parts
#335169 - 6.38MB, 54 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 677×⇩ - Fynnjamin

PDF scanned by CDN-Lu
Fynnjamin (2014/7/19)

⇒ 8 more: Solo Violin • Flute 1, 2 • Bassoon 1, 2 • Horn 1, 2 (A, E) • Violins I • Violins II • Viola • Cellos and Basses

 Solo Violin
#335637 - 1.74MB, 14 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 1725×⇩ - Sallen112

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Sallen112 (2014/7/22)

 Flute 1, 2
#335638 - 0.67MB, 5 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 195×⇩ - Sallen112

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Sallen112 (2014/7/22)

 Bassoon 1, 2
#335639 - 0.50MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 177×⇩ - Sallen112

PDF scanned by CDN-Lu
Sallen112 (2014/7/22)

 Horn 1, 2 (A, E)
#335640 - 0.47MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 188×⇩ - Sallen112

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Sallen112 (2014/7/22)

 Violins I
#335641 - 0.82MB, 6 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 243×⇩ - Sallen112

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Sallen112 (2014/7/22)

 Violins II
#335642 - 0.78MB, 6 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 163×⇩ - Sallen112

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Sallen112 (2014/7/22)

 Viola
#335643 - 0.48MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 168×⇩ - Sallen112

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Sallen112 (2014/7/22)

 Cellos and Basses
#335644 - 0.76MB, 6 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 221×⇩ - Sallen112

PDF scanned by CDN-Lu
Sallen112 (2014/7/22)

Publisher. Info. Paris: Richault, n.d.(ca.1833). Plate 3115.R.
Copyright
Public Domain [tag/del/mrg]
Misc. Notes PDF split of Fynnjamin's "Complete Parts" file helped by Sallen112. #335169.
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Arrangements and Transcriptions

For Violin and Piano (Composer)

 Complete Parts
#33321 - 2.81MB, 27 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 1896×⇩ - Aldona Jones

PDF scanned by DK-Kk
Aldona Jones (2009/6/24)

Editor First edition
Publisher. Info. Leipzig: Breitkopf und Härtel, n.d.[1803]. Plate 168.
Copyright
Public Domain [tag/del]
Misc. Notes First published in parts and reduction, probably not in full score, so this is a case of a reduction being a first edition.
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 Complete Score
#158148 - 2.74MB, 36 (iii, #2-31), iii) pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 675×⇩ - Massenetique

PDF scanned by US-R
Massenetique (2011/11/29)

 Violin Part
#158149 - 1.16MB, 15 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 2386×⇩ - Massenetique

PDF scanned by US-R
Massenetique (2011/11/29)

Editor Henri Petri (1856-1914)
Publisher. Info. Leipzig: Volksausgabe Breitkopf & Härtel, n.d.(ca.1900). Plate V.A. 1977.
Copyright
Public Domain [tag/del/mrg]
Misc. Notes This file is part of the Sibley Mirroring Project.
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General Information

Work Title Violin Concerto No.1
Alternative. Title
Composer Spohr, Louis
Opus/Catalogue NumberOp./Cat. No. Op.1
I-Catalogue NumberI-Cat. No. ILS 134
Key A major
Movements/SectionsMov'ts/Sec's 3 movements:
I. Allegro vivace
II. Siciliano
III. Polonaise
Year/Date of CompositionY/D of Comp. 1802–03
First Publication. 1803
Dedication Charles Guillaume Ferdinand Duc regnant de Brounsvic et Luneburg
Average DurationAvg. Duration 22 minutes
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation violin and orchestra
2 flutes, 2 bassoons, 2 horns (A, E), strings - or
flute, 2 oboes, 2 clarinets, 2 bassoons
2 horns, trombone, timpani, strings
External Links WorldCat
Extra Locations Solo part also in Vollständige Sammlung der Concert-Compositionen für die Violine

Navigation etc.

  • FLP and Brown (Louis Spohr: A Critical Biography, p.18) have "2 flutes, 2 bassoons, 2 horns, strings" for accompaniment. flute, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, trombone, timpani and strings might belong to a revision?

(Brown notes that this was sold by Spohr to Breitkopf not under what he had considered rather fair conditions- free to them, perhaps in exchange for some free copies - but instead he was required to buy 100 copies at half price. This may not have been that unusual for an interchange with a composer with next to no reputation, as with Spohr in 1803, however...)

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