Variations and Fugue on a Theme by J.A. Hiller, Op.100 (Reger, Max)

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Carolus (2009/10/22)

Publisher. Info. Leipzig: Lauterbach & Kuhn, 1907. Plate L. & K. 329
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Aldona Jones (2012/5/12)

Publisher. Info. Leipzig: Lauterbach & Kuhn, 1907. Plate L. & K. 329
Reprinted Berlin: Bote & Bock, Kleine Orchester-Partitur No.8, n.d. Plate 17091.
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Hobbypianist (2009/11/16)

Publisher. Info. Leipzig: Lauterbach & Kuhn, 1907. Plate L. & K. 329
Reprinted Max Reger: Sämtliche Werke, Band 3: Orchesterwerke III
Wiesbaden: Breitkopf und Härtel, 1959. Plate M.R. 3.
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M.kowalski49 (2021/9/28)

Publisher. Info. Leipzig: Lauterbach & Kuhn, 1907. Plate L. & K. 329
Reprinted Max Reger: Sämtliche Werke, Band 3: Orchesterwerke III
Wiesbaden: Breitkopf und Härtel, 1959. Plate M.R. 3.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

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New York: E.F. Kalmus, n.d.(1933–70). Catalog A7773.
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Parts

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M.kowalski49 (2021/9/28)

13 more: Oboe 1, 2 • Clarinet 1, 2 (A) • Bassoon 1, 2, Contrabassoon • Horn 1, 2, 3, 4 (F) • Trumpet 1, 2, 3 (C) • Trombone 1, 2, 3, Tuba • Timpani • Harp • Violins I • Violins II • Violas • Cellos • Basses

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M.kowalski49 (2021/9/28)

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M.kowalski49 (2021/9/28)

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M.kowalski49 (2021/9/28)

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M.kowalski49 (2021/9/28)

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M.kowalski49 (2021/9/28)

PDF scanned by Unknown
M.kowalski49 (2021/9/28)

PDF scanned by Unknown
M.kowalski49 (2021/9/28)

PDF scanned by Unknown
M.kowalski49 (2021/9/28)

PDF scanned by Unknown
M.kowalski49 (2021/9/28)

PDF scanned by Unknown
M.kowalski49 (2021/9/28)

PDF scanned by Unknown
M.kowalski49 (2021/9/28)

PDF scanned by Unknown
M.kowalski49 (2021/9/28)

PDF scanned by Unknown
M.kowalski49 (2021/9/28)

Publisher. Info. Leipzig: Lauterbach & Kuhn, 1907. Plate L. & K. 329
Reprinted Max Reger: Sämtliche Werke, Band 3: Orchesterwerke III
Wiesbaden: Breitkopf und Härtel, 1959. Plate M.R. 3.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.

New York: E.F. Kalmus, n.d.(1933–70). Catalog A7773.
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Arrangements and Transcriptions

For Piano 4 hands (Singer)

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Peter (2008/3/31)

Arranger Otto Singer II (1863-1931)
Publisher. Info. Berlin: Bote & Bock, 1909. Plate 17228
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General Information

Work Title Variations and Fugue on a Theme of Johann Adam Hiller
Alternative. Title Variationen über ein lustiges Thema von Johann Adam Hiller
Composer Reger, Max
Opus/Catalogue NumberOp./Cat. No. Op.100
I-Catalogue NumberI-Cat. No. IMR 241
Key E major
Movements/SectionsMov'ts/Sec's 13 movements (theme, eleven variations, fugue)
Theme: Andante grazioso ( = 76-80)
Variation 1: Più Andante ( = 100)
Variation 2: Allegretto con grazia ( = 56-60) (non troppo allegro)/Meno allegretto ( = 40) ( = 120)
Andante sostenuto ( = 69)/Largo ( = 40)
Variation 3: Vivace ( = 144-152)/Largo ( = 76)
Variation 4: Poco vivace ( = 116-126) (non troppo allegro)
Variation 5: Andante sostenuto ( = 52-54)/Quasi più andante ( = 64)/
Tempo primo ( = 52-54)/Più lento ( = 96) ( = 32)
Variation 6: Tempo di Minuetto ( = 66-69)/Meno mosso ( = 80)/Tempo primo ( = 66-69)
Variation 7: Presto ( = 176-184) (ma non troppo presto)
Variation 8: Andante con moto ( = 69-72)
Variation 9: Allegro con spirito ( = 88-102)/Poco meno mosso ( = 58-64)/Tempo primo ( = 88-102)
Variation 10: Allegro appassionato ( = 120-126)/Più mosso ( = 144-152)
Variation 11: Andante con moto  = 56-60)/Più lento ( = 42)/Largo ( = 66)/Più largo ( = 58)
Fuge: Allegro moderato (ma con spirito) ( = ungefähr 92-100)/Meno mosso ( = 56)/
Tempo primo Allegro moderato (ma con spirito) ( = 92-100)/Quasi Largo ( = 100)/
Più Largo ( = 60)/( = 80)
Year/Date of CompositionY/D of Comp. 1904–1907 ?
First Performance. 1907 October 15, Köln, composer conducting
First Publication. 1907
Dedication Fritz Steinbach
Average DurationAvg. Duration 40 minutes
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation orchestra
2 flutes, 2 oboes, 2 clarinets (A), 2 bassoons, contrabassoon
4 horns (F), 2 trumpets (C), 3 trombones, tuba, timpani, harp, strings
Related Works Based on a theme from Der Aerndtekranz by Johann Adam Hiller
External Links Wikipedia article

Navigation etc.

  • Wikipedia gives the date of composition as 1904 ; Max-Reger-Institut and Naxos' notes to their recording give 1907. As premiere was set for 1906 but needed postponing, one might conjecture that revision was undertaken at that point and composition date is at least more like 1904 to 1907... there may be better information (though at least here there is some information besides publication date alone.) (Also from Naxos' notes: "The theme itself is taken from the stage-work Der Aernotekranz of the later eighteenth century composer and writer Johann Adam Hiller.")