The tables and lists below gives the following information for works by Hector Berlioz (where applicable):
H | Op. | OBE | NBE | Title | Forces | Key | Date | First publ. | Genre | Notes |
---|---|---|---|---|---|---|---|---|---|---|
1 | — | — | — | Potpourri concertant sur des thèmes italiens | fl hn 2vn va db | — | 1817–18 | — | Chamber | Lost |
2 | — | — | — | Quintet No.1 for Flute and String Quartet | fl 2vn va db | — | 1818–19 | — | Chamber | Burned |
3 | — | — | — | Quintet No.2 for Flute and String Quartet | fl 2vn va db | — | 1818–19 | — | Chamber | Burned |
4 | — | — | — | Romances | v pf | — | 1818–19 | — | Vocal | Lost |
5 | — | — | 22b: 3 | Accompaniment to Fleuve du Tage | v gtr | A major | 1819 ca. | 2004 | Vocal | Melody by Jean-Joseph-Benoît Pollet (1753–1818) |
6 | — | — | 16: 194 | Je vais donc quitter pour jamais | v (gtr/pf?) | C minor? | 1819 ca. | 1971 | Vocal | Reconstructed by Nicholas Temperley |
7 | — | 17: 2–5 | 15: 3–4 | Le dépit de la bergère | v pf | D major | 1819–23 ca. | 1820–23 ca. | Vocal | |
8 | — | — | 22b: 4–28 | Recueil de romances (25) | v gtr | — | 1819–22 ca. | 2004 | Vocal | |
9 A | — | — | 15: 5-6 | Le maure jaloux | v pf | A major | 1819–21 | 2005 | Vocal | 1st version of H 9B |
9 B | — | 17: 12–17 | 15: 7–10 | Le maure jaloux | v pf | A major | 1819–21 | 1822 | Vocal | 2nd version of H 9A |
10 A | — | — | 15: 11–13 | Amitié, reprends ton empire | sop alt ten pf | A major | 1819–21 | 2005 | Vocal | First version of H 10B |
10 B | — | 16: 156–61 | 15: 13–16 | Amitié, reprends ton empire | 2sop bass pf | F major | 1819–21 | 1823 | Vocal | Second version of H 10A |
11 | — | 16: 286–93 | 15: 17–18 | Pleure, pauvre Colette | 2vv pf | C major | 1822 ca. | 1822 | Vocal | |
12 | — | — | — | Le cheval arabe | vv orch | — | 1822 | — | Stage | Lost |
13 | — | — | — | Canon for 3 Voices | 3vv? | — | 1822 | — | Vocal? | Lost |
14 | — | 16: 180–85 | 15: 19–23 | Canon libre à la quinte | alt bass pf | C major | 1822 ca. | 1822 | Vocal | |
15 | — | 16: 162–79 | 15: 24–35 | Le montagnard exilé | 2vv pf/hp | E♭ major | 1823 ca. | 1823 | Vocal | |
16 | — | 17: 6–11 | 15: 36–38 | Toi qui l'aimas verse des pleurs | v pf | G major | 1823 ca. | 1823 | Vocal | |
17 | — | — | — | Estelle et Némorin | vv ch orch? | — | 1823 | — | Stage | Burned |
18 | — | — | — | Le passage de la mer rouge | vv ch orch? | — | 1823–24 | — | Stage | Burned |
19 | — | — | 21: 83 | Beverley | bass orch | — | 1823–24 | 1876 | Vocal | Fragment of 5 bars, burned by Berlioz |
20 A | — | — | 23: 3–257 | Messe solennelle | sop ten bass ch orch | G minor | 1824 | 1994 | Vocal | |
20 B | — | 7: 1–48 | 12a: 5–62 | Resurrexit | ch orch | G minor | 1828 | 1902 | Vocal | 2nd version of H 20A/8 |
21 A | — | 10: 1–106 | 12a: 63–196 | La révolution grecque | 2bass ch orch | A major | 1825–26 | 1903 | Vocal | 1st version of H 21B |
21 B | — | — | 12a: 197–266 | La révolution grecque | 2bass ch orch | G major | 1833 | 1991 | Vocal | 2nd version of H 21A |
22 | — | — | 6: 3–5 | Fugue | 4vv | F major | 1826 | 1998 | Keyboard | |
23 A | — | — | 4: 1–216 | Les francs-juges | 4sop 2ten bar bass ch orch | — | 1825–26 ca. | 2002 | Stage | Fragmentary; partial reconstruction by Ric Graebner and Paul Banks |
23 B | — | — | 4: 126–31 | Mélodie pastorale | 2sop ten ch pf | ? | 1828 | 2002 | Stage | 2nd version of H 23A/7 |
23 C | — | — | 4: 333–36 | Le cri de guerre du Brisgaw | vv ch orch? | — | 1833–34 | 2002 | Stage | Only libretto extant |
23 D | 3 | 4: 39–86 | 4: 3–64 | Grande ouverture des francs-juges | orch | F minor | 1826 | 1836 | Orchestral | Piano reduction in OBE 18: 98–123 |
24 | — | — | — | Fugue | vv? | — | 1827 | — | Keyboard | Lost |
25 | — | — | 6: 6–60 | La mort d'Orphée | ten 2fch orch | — | 1827 | 1998 | Vocal | Facsimile of manuscript published 1930; destroyed by Berlioz |
26 | 1 | bis4: 1–38 | 20: 3–50 | Overture 'Waverley' | orch | D major | 1827–28 | 1839 | Orchestral | |
27 | — | — | — | Marche religieuse des mages | orch? | — | 1828 | — | Orchestral | Lost |
28 | — | — | — | Fugue | vv? | — | 1828 | — | Keyboard | Lost |
29 | — | 15: 1–60 | 6: 61–136 | Herminie | sop orch | — | 1828 | 1903 | Vocal | |
30 | — | — | — | Variations on Là ci darem la mano | gtr | — | 1828 ca. | — | Chamber | Lost; theme by Wolfgang Amadeus Mozart (1756–1791) |
31 | — | — | 22b: 29 | Nocturne | 2vv gtr | A major | 1830 ca. | 2004 | Vocal | |
32 | — | — | — | Salutaris | 3vv org/pf | — | 1828–29 | — | Vocal | Burned? |
33 | 1 | 10: 107–214 | 5: 1–99 | Scènes de Faust (8) | sop ten bass ch orch | — | 1828–29 | 1829 | Vocal | no.2: extra sop/ten, no.3: extra 2sop alt ten bar bass |
33 A | — | — | 15: 39–40 | Le roi de Thulé | sop pf | G major | 1828 | 2005 | Vocal | 1st version of H 33/6 |
34 | — | — | — | Chanson des pirates | vv pf? | — | 1829 | — | Vocal | Lost; used for H 55/3? |
35 | — | 6: 10–12 | 6: 137–39 | Fugue à 3 sujets | 4vv | C major | 1829 | 1902 | Keyboard | |
36 | — | 15: 61–104 | 6: 140–99 | La mort de Cléopâtre | sop orch | — | 1829 | 1903 | Vocal | |
37 | 2 | 16: 1–18 | 14: 3–9 | Le ballet des ombres | ch pf | C minor | 1829 | 1829 | Vocal | All first editions destroyed; first extant edition published 1904 |
38 | 2 | bis— | — | Mélodies (9) | vv ch pf | — | 1829 | 1830 | Vocal | Contains H 39-47; for OBE/NBE contents, see below |
39 | 2 | bis/117: 24–27 | 15: 41–44 | ten pf | A♭ major | 1829 | 1830 | Vocal | ||
40 A | 2 | bis/216: 194–99 | 15: 45–49 | ten/sop bass/alt pf | G major | 1829 | 1830 | Vocal | 1st version of H 40B | |
40 B | — | 14: 17–22 | 12a: 280–85 | 2ten 2bass orch | G major | 1844 | 1903 | Vocal | 2nd version of H 40A | |
41 | 2 | bis/316: 19–26 | 14: 10–13 | ten bass mch pf | C major | 1829 | 1830 | Vocal | ||
42 A | 2 | bis/417: 18–23 | 15: 50–54 | ten pf | A major | 1829 | 1830 | Vocal | 1st version of H 42B/C/D | |
42 B | — | — | — |
|
2ten 2bass orch | — | 1834 | — | Vocal | Lost; 2nd version of H 42A/B/D |
42 C | — | 15: 105–12 | 13: 3–10 | mez orch | A major | 1842 | 1844 | Vocal | 3rd version of H 42A/B/D | |
42 D | — | — | 13: 132–33 | fch orch | A major | 1851 | 1975 | Vocal | 4th version of H 42A/B/C; orchestral parts identical to H 42C | |
43 | 2 | bis/516: 27–34 | 14: 14–17 | ten mch pf | F major | 1829 | 1830 | Vocal | ||
44 A | 2 | bis/616: 35–40 | 14: 18–25 | ten/sop ch pf | A♭ major | 1829 | 1830 | Vocal | 1st version of H 44B/C | |
44 B | — | 14: 7–16 | 12a: 267–79 14: 26–30 |
ch orch | A♭ major | 1843 | 1844 | Vocal | 2nd version of H 44A/C | |
44 C | — | — | — |
|
6ww | — | 1844 | — | Chamber | Lost; 3rd version of H 44A/B |
45 | 2 | bis/717: 28–33 | 15: 55–59 | sop/ten pf | G major | 1829 | 1830 | Vocal | ||
46 A | 2 | bis/817: 34–39 | 15: 60–65 | ten pf | A♭ major | 1829 | 1830 | Vocal | ||
46 B | — | 17: 40–45 | 15: 66–71 | ten pf | G major | 1829? | 1849 | Vocal | ||
47 | 2 | bis/917: 46–55 | 15: 72–79 | ten pf | E major | 1829 | 1830 | Vocal | ||
48 | 14 | 1: 1–150 | 16: 5–164 | Symphonie fantastique | orch | [C major] | 1830 | 1845 | Orchestral | |
49 | — | — | — | Fugue | vv? | — | 1830 | — | Keyboard | Lost |
50 | — | — | 6: 200–23 | Sardanapale | ten mch orch | ? | 1830 | 1998 | Vocal | Only fragment of fourth movement extant, all other movements destroyed; four-hand piano reduction published 1907 |
51 A | — | 18: 2–21 | 22b: 30–57 | Hymne des Marseillais | 2ch orch | B♭ major | 1830 | 1830 | Vocal | |
51 B | — | — | 22b: 58–66 | Hymne des Marseillais | ten ch pf | B♭ major | 1848 | 1848 | Vocal | Very similar to H 51bis |
51 bis | — | — | 22b: 67–76 | Chant du neuf Thermidor | ten ch pf | B♭ major | 1830 | 2004 | Vocal | Very similar to H 51B |
52 | 14 | bis/613: 64–149 | 7: 70–180 | Ouverture de la Tempête | ch orch | F major | 1830 | 1857 | Vocal | Used in H 55/6 |
53 | 4 | bis4: 87–142 | 20: 51–117 | Overture 'King Lear' | orch | C major | 1831 | 1840 | Orchestral | |
54 | — | 4: 143–210 | 20: 118–200 | Intrata di Rob-Roy MacGregor | orch | D major | 1831 | 1900 | Orchestral | |
55 A | — | 13: 3–149 | 7: 1–180 | Le retour à la vie | 2ten bar ch orch | — | 1831 | 1903 | Vocal | Excerpts and libretto first published 1832/33; 1st version of H 55B |
55 B | 14 | bis13: 3–149 | 7: 1–180 | Lelio, ou le retour à la vie | 2ten bar ch orch | — | 1855 | 1857 | Vocal | 2nd version of H 55A |
56 A | — | — | — | Méditation religieuse | ch 7ww | — | 1831 | — | Vocal | Lost; 1st version of H 56B |
56 B | — | 14: 1–6 | 12b: 69–80 | Méditation religieuse | ch orch | G major | 1849 | 1852 | Vocal | Used in H 119B/1; 2nd version of H 56A |
57 | — | — | — | Chœur | ch? | — | 1831 | — | Vocal | Lost |
58 | — | — | — | Chœur d'anges | ch orch? | — | 1831 | — | Vocal | Lost; perhaps identical to H 59 |
59 | — | 7: 49–64 | 12a: 286–305 | Quartetto e Coro dei Maggi | ch orch | F major | 1832 | 1902 | Vocal | Perhaps identical to H 58 |
60 A | — | 17: 79–84 | 15: 102 | La captive | v pf | E major | 1832 | 1904 | Vocal | Version II in NBE |
60 B | — | — | 15: 103 | La captive | v pf | E major | 1832 | 2005 | Vocal | Version I in NBE |
60 C | — | 17: 85–92 | 15: 104–07 | La captive | v (vc) pf | E major | 1832 | 1833 | Vocal | Version III in NBE |
60 D | — | — | — | La captive | sop orch | E major? | 1834 | — | Vocal | Lost |
60 E | — | — | 15: 108 | La captive | alt/mez orch | E major | 1848 | 2005 | Vocal | Version IV in NBE; only piano reduction published there (after F-Pc ms.1174) |
60 F | 12 | 15: 126–39 17: 93–100 |
13: 11–23 15: 109–17 |
La captive | alt/mez orch | D major | 1848 | 1849 | Vocal | Version V in NBE, second string orchestra ad libitum; piano reduction by Stephen Heller |
61 | — | — | — | Le dernier jour du monde | vv orch? | — | 1831–33 | — | Stage | Incomplete sketches |
62 | — | — | 21: 83–84 | Sketchbook of 1832-36 | — | — | 1832–36 | 1984 | — | First edition facsimile. |
63 | — | — | — | La chasse de Lützow | 10vv str pf | — | 1833 | — | Vocal | Lost; theme by Carl Maria von Weber (1786–1826) |
64 | — | — | 22b: 77 | Sur les Alpes, quel délice! | 10vv (str pf?) | C major | 1833 | 2004 | Vocal | Theme by Ferdinand Huber (1791–1863) |