The Maid of Orleans, TH 6 (Tchaikovsky, Pyotr)

Movements/SectionsMov'ts/Sec's 4 acts, 6 scenes
Composition Year 1878–79, revised 1880, 1882
Genre Categories Operas; Theatrical Works; For voices, mixed chorus, orchestra; Scores featuring the voice; Scores featuring mixed chorus; Scores featuring the orchestra; For voices and chorus with orchestra; Russian language

Contents

Performances

Sheet Music

Full Scores

Revised Version (1882)

 Complete Score
#303210 - 89.68MB, 707 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 2447×⇩ - HSB1974

PDF scanned by RUS-Mrg
HSB1974 (2013/11/15)

Editor First edition
Publisher. Info. Moscow: P. Jurgenson, n.d.[1899]. Plate 3950.
Copyright
Public Domain [tag/del]
Misc. Notes Despite the plate number, the full score was not actually issued until 1899.
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Parts

Original Version (1878-79)

 Flute 1 (EU)
#417563 - 6.00MB, 73 pp. -  0.0/10 2 4 6 8 10 (-) - C*/N*/V* - 703×⇩ - Sallen112

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⇒ 30 more: Flute 2 • Flute 3/Piccolo • Oboe 1 • Oboe 2 • English Horn • Clarinet 1 • Clarinet 2 • Bassoon 1 • Bassoon 2 • Horn 1 • Horn 2 • Horn 3 • Horn 4 • Trumpet 1 (Cornet 1) • Trumpet 2 (Cornet 2) • Trumpet 3 (Trumpet 1) • Trumpet 4 (Trumpet 2) • Trombone 1 • Trombone 2 • Trombone 3 • Tuba* • Timpani • Percussion: / Triangle/Tambourine/Castanets/Cymbals/ / Bass Drum/Snare Drum/Tam-Tam/Bell (C) • Organ • Harp • Violins I* • Violins II • Violas • Cellos • Basses

 Flute 2 (EU)
#417564 - 6.06MB, 72 pp. -  0.0/10 2 4 6 8 10 (-) - C*/N*/V* - 300×⇩ - Sallen112

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 Flute 3/Piccolo (EU)
#417565 - 4.57MB, 53 pp. -  0.0/10 2 4 6 8 10 (-) - C*/N*/V* - 288×⇩ - Sallen112

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 Oboe 1 (EU)
#417566 - 5.00MB, 54 pp. -  0.0/10 2 4 6 8 10 (-) - C*/N*/V* - 306×⇩ - Sallen112

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 Oboe 2 (EU)
#417567 - 4.33MB, 50 pp. -  0.0/10 2 4 6 8 10 (-) - C*/N*/V* - 263×⇩ - Sallen112

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 English Horn (EU)
#417568 - 3.75MB, 45 pp. -  0.0/10 2 4 6 8 10 (-) - C*/N*/V* - 286×⇩ - Sallen112

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 Clarinet 1 (EU)
#417569 - 5.66MB, 71 pp. -  0.0/10 2 4 6 8 10 (-) - C*/N*/V* - 353×⇩ - Sallen112

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 Clarinet 2 (EU)
#417570 - 5.26MB, 67 pp. -  0.0/10 2 4 6 8 10 (-) - C*/N*/V* - 273×⇩ - Sallen112

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 Bassoon 1 (EU)
#417571 - 5.33MB, 65 pp. -  0.0/10 2 4 6 8 10 (-) - C*/N*/V* - 271×⇩ - Sallen112

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 Bassoon 2 (EU)
#417572 - 4.86MB, 62 pp. -  0.0/10 2 4 6 8 10 (-) - C*/N*/V* - 253×⇩ - Sallen112

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 Horn 1 (EU)
#417573 - 4.28MB, 51 pp. -  0.0/10 2 4 6 8 10 (-) - C*/N*/V* - 344×⇩ - Sallen112

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 Horn 2 (EU)
#417574 - 4.20MB, 51 pp. -  0.0/10 2 4 6 8 10 (-) - C*/N*/V* - 250×⇩ - Sallen112

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 Horn 3 (EU)
#417575 - 4.15MB, 50 pp. -  0.0/10 2 4 6 8 10 (-) - C*/N*/V* - 265×⇩ - Sallen112

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 Horn 4 (EU)
#417576 - 4.05MB, 50 pp. -  0.0/10 2 4 6 8 10 (-) - C*/N*/V* - 246×⇩ - Sallen112

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 Trumpet 1 (Cornet 1) (EU)
#417577 - 2.64MB, 35 pp. -  0.0/10 2 4 6 8 10 (-) - C*/N*/V* - 336×⇩ - Sallen112

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 Trumpet 2 (Cornet 2) (EU)
#417578 - 2.63MB, 33 pp. -  0.0/10 2 4 6 8 10 (-) - C*/N*/V* - 267×⇩ - Sallen112

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 Trumpet 3 (Trumpet 1) (EU)
#417579 - 2.81MB, 37 pp. -  0.0/10 2 4 6 8 10 (-) - C*/N*/V* - 289×⇩ - Sallen112

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 Trumpet 4 (Trumpet 2) (EU)
#417580 - 2.81MB, 37 pp. -  0.0/10 2 4 6 8 10 (-) - C*/N*/V* - 248×⇩ - Sallen112

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 Trombone 1 (EU)
#417581 - 2.90MB, 38 pp. -  0.0/10 2 4 6 8 10 (-) - C*/N*/V* - 276×⇩ - Sallen112

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 Trombone 2 (EU)
#417582 - 2.93MB, 38 pp. -  0.0/10 2 4 6 8 10 (-) - C*/N*/V* - 231×⇩ - Sallen112

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 Trombone 3 (EU)
#417583 - 3.13MB, 40 pp. -  0.0/10 2 4 6 8 10 (-) - C*/N*/V* - 246×⇩ - Sallen112

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 Tuba* (EU)
#417584 - 2.79MB, 36 pp. -  0.0/10 2 4 6 8 10 (-) - C*/N*/V* - 298×⇩ - Sallen112

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 Timpani (EU)
#417585 - 2.76MB, 37 pp. -  0.0/10 2 4 6 8 10 (-) - C*/N*/V* - 287×⇩ - Sallen112

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 Percussion:
Triangle/Tambourine/Castanets/Cymbals/
Bass Drum/Snare Drum/Tam-Tam/Bell (C) (EU)
#417586 - 1.03MB, 20 pp. -  0.0/10 2 4 6 8 10 (-) - C*/N*/V* - 331×⇩ - Sallen112

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 Organ (EU)
#417587 - 0.62MB, 6 pp. -  0.0/10 2 4 6 8 10 (-) - C*/N*/V* - 264×⇩ - Sallen112

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 Harp (EU)
#417588 - 2.11MB, 24 pp. -  0.0/10 2 4 6 8 10 (-) - C*/N*/V* - 316×⇩ - Sallen112

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 Violins I* (EU)
#417589 - 8.28MB, 107 pp. -  0.0/10 2 4 6 8 10 (-) - C*/N*/V* - 615×⇩ - Sallen112

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 Violins II (EU)
#417590 - 8.25MB, 103 pp. -  0.0/10 2 4 6 8 10 (-) - C*/N*/V* - 316×⇩ - Sallen112

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 Violas (EU)
#417591 - 8.19MB, 92 pp. -  0.0/10 2 4 6 8 10 (-) - C*/N*/V* - 303×⇩ - Sallen112

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 Cellos (EU)
#417592 - 7.04MB, 90 pp. -  0.0/10 2 4 6 8 10 (-) - C*/N*/V* - 340×⇩ - Sallen112

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 Basses (EU)
#417593 - 6.38MB, 80 pp. -  0.0/10 2 4 6 8 10 (-) - C*/N*/V* - 301×⇩ - Sallen112

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Sallen112 (2016/4/2)

Publisher. Info. Kassel: Alkor-Edition, 1967. Plate A.E. 131.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

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Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Public Domain - See notes on copyright status for urtext editions [tag/del/mrg]
Misc. Notes 600 dpi. Page size is 10 x 13 inches. *Missing Pgs. 22-23 in Tuba and Pgs. 66-67 in Violin I parts. All Trumpet parts have included offstage parts. Please contact me on my talkpage for any questions about these parts if they are errors in the parts and need to be fixed.
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Vocal Scores

Revised Version (1882)

 Complete Score
#519229 - 25.32MB, 423 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 222×⇩ - Music Addict

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Music Addict (2018/4/10)

 Act 1-2
#336988 - 14.68MB, 256 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 1173×⇩ - Afp0815

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Afp0815 (2014/7/31)

 Act 3-4
#336989 - 10.54MB, 167 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 368×⇩ - Afp0815

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Afp0815 (2014/7/31)

Editor 2nd edition
Language Russian / German
Publisher. Info. Moscow: P. Jurgenson, n.d.[1884]. Plate 3951-3954.
Copyright
Public Domain [tag/del/mrg]
Misc. Notes This file is part of the Sibley Mirroring Project.
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 Complete Score
#519233 - 41.29MB, 449 pp. -  0.0/10 2 4 6 8 10 (-) - V*/V*/V* - 131×⇩ - Music Addict

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Music Addict (2018/4/10)

⇒ 5 more: Introduction • Act 1 • Act 2 • Act 3 • Act 4

 Introduction
#19628 - 1.32MB, 13 pp. -  0.0/10 2 4 6 8 10 (-) - V*/V*/V* - 2193×⇩ - P.davydov

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P.davydov (2008/7/26)

 Act 1
#19629 - 10.27MB, 123 pp. -  0.0/10 2 4 6 8 10 (-) - V*/V*/V* - 3961×⇩ - P.davydov

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P.davydov (2008/7/26)

 Act 2
#19630 - 10.80MB, 116 pp. -  0.0/10 2 4 6 8 10 (-) - V*/V*/V* - 1440×⇩ - P.davydov

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P.davydov (2008/7/26)

 Act 3
#19631 - 11.81MB, 125 pp. -  0.0/10 2 4 6 8 10 (-) - V*/V*/V* - 1088×⇩ - P.davydov

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P.davydov (2008/7/26)

 Act 4
#19632 - 7.14MB, 72 pp. -  0.0/10 2 4 6 8 10 (-) - V*/V*/V* - 1285×⇩ - P.davydov

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P.davydov (2008/7/26)

Arranger Pyotr Tchaikovsky [Introduction & Act I]
Yury Messer [Acts I & II]
Yosif Kotek (1855–1885) [Act III]
Editor V. D. Vasilyev (fl. 1941-1969)
Publisher. Info. Complete Collected Works (Полное собрание сочинений), vol.37
Moscow: Muzgiz, 1963. Plate M. 30576 Г.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Reprinted Leningrad: Muzyka, 1979. Plate 2406.
Copyright
Public Domain [tag/del/mrg]
Misc. Notes Text and notes in Russian (Cyrillic)
Preface and appendices omitted in reprint.
Includes original and revised versions of Nos.8, 15, 17, 21, 22)
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General Information

Work Title The Maid of Orleans
Alternative. Title Орлеанская дева
Die Jungfrau von Orleans: Oper in vier Akten
Name Translations Орлеанская дева; La Pucelo de Orleano (opero); A Dama de Orleans; Орлеанська діва (опера); La donzella d'Orleans; Az orléans-i szűz (opera); La Pucelle d'Orléans; La doncella de Orleans; La Pulzella d'Orléans; オルレアンの少女; Orleanska jungfrun; Die Jungfrau von Orléans; Panna orleánská (Čajkovskij)
Name Aliases Orleanskaya Deva; Орлеанська Діва (опера); La Donzella d'Orleans; Orleanskaja deva; オルレアンの乙女; Das Mädchen von Orléans; Panna orleánská (opera); Panna orleánská
Authorities WorldCat; Wikipedia; VIAF: 305991474; LCCN: n83182207; GND: 300033478; BNF: 13926700x
Composer Tchaikovsky, Pyotr
Opus/Catalogue NumberOp./Cat. No. TH 6
I-Catalogue NumberI-Cat. No. IPT 55
Movements/SectionsMov'ts/Sec's 4 acts, 6 scenes
Year/Date of CompositionY/D of Comp. 1878–79, revised 1880, 1882
First Performance. 1881-02-25 — St. Petersburg, Maryinsky Theatre
Mariya Kamenskaya (Joan)
Mikhail Vasilyev III (King)
Wilhelmina Raab (Agnes Sorel)
Fyodor Stravinsky (Dunois)
Ippolit Pryanishnikov (Lionel)
Vladimir Maiboroda (Archbishop)
Fyodor Sokolov (Raimond)
Mikhail Koryakin (Thibaut)
Eduard Nápravník (conductor)
First Publication. 1880-81, 1884, 1899 — Moscow: P. Jurgenson
  • Vocal score, 461 pages. Plates 3951 to 3974 (1880)
  • Piano (arr. Langer, 1881)
  • Vocal score (2nd edition, 1884)
  • Full score, 707 pages. Plate 3950 (1899)
  • Vocal score (3rd edition, 1899)
Librettist Composer, after Vasily Zhukovsky (1783–1852), Friedrich Schiller (1759–1805), Jules Barbier (1825–1901) and Auguste Mermet (1810–1889)
Language Russian
Dedication Eduard Nápravník (1839–1916)
Average DurationAvg. Duration 156 minutes
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation voices, chorus, orchestra
Cast
Joan of Arc (Иоанна д'Арк) (soprano or mezzo-soprano)
King Charles VII (Король Карл VII) (tenor)
Agnès Sorel (Агнесса Сорель) (soprano)
Dunois (Дюнуа), a French knight (baritone)
Lionel (Лионель), a Burgundian knight (baritone)
Archbishop/Cardinal (Архиепископ/Кардинал) (bass)
Raimond (Раймонд), Joan's fiancé (tenor)
Thibaut d'Arc (Тибо д'Арк), Joan's father (bass)
Bertrand (Бертран), a peasant (bass)
Soldier (Воин) (2nd bass)
Lauret (Лоре) (2nd bass)
Angel (Ангел) (soprano)
Mixed Chorus (SATB)
Orchestra
3 flutes (3rd also piccolo), 2 oboes, english horn, 2 clarinets, 2 bassoons
4 horns, 2 cornets, 2 trumpets, 3 trombones, tuba
timpani, triangle, tambourine, side drum, bass drum, tam-tam, bell, organ, harp, strings
Offstage Instruments
3 trumpets, wind band
External Links Tchaikovsky Research
Wikipedia article
Extra Information The vocal score was also arranged by Tchaikovsky with Yosif Kotek and Yury Messer, 1879. In 1880 Tchaikovsky made minor revisions to the opera (incorporated into the 1884 edition of the vocal score, 1884) and in 1882 he transposed Joan's part from soprano to mezzo-soprano (first published in appendices to Jurgenson's full and vocal scores, 1899)

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