Te Deum in C major, K.141/66b (Mozart, Wolfgang Amadeus)

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Editor First edition
Language Latin / German
Translator Christian August Heinrich Clodius (1772–1836), German text
Publisher. Info. Leipzig: Breitkopf und Härtel, n.d.[1803].
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Misc. Notes Sächsische Landesbibliothek, Dresden (D-Dl): RISM A/I M 4124
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Editor Gustav Nottebohm (1817–1882)
Publisher. Info. Mozarts Werke, Serie III, Bd.1, No.13 (pp.133-43)
Leipzig: Breitkopf & Härtel, 1880. Plate W.A.M. 141.
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Misc. Notes Originally scanned at 300dpi grayscale, converted to 600dpi monochrome.
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Parts

Editor Claudio Nazar
Publisher. Info. Claudio Nazar
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Vocal Scores

Arranger Franz Xaver Gleichauf (1801–1856), piano reduction
Language Latin
Publisher. Info. Augsburg: Anton Bohm, n.d.(ca.1915).
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Editor Daniel Van Gilst (b. 1942)
Publisher. Info. Daniel Van Gilst, 2017.
Copyright
Misc. Notes Entstanden Salzburg, vermutlich vor Ende 1769
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General Information

Work Title Te Deum
Alternative. Title
Composer Mozart, Wolfgang Amadeus
Opus/Catalogue NumberOp./Cat. No. K.141 ; K⁶.66b
Internal Reference NumberInternal Ref. No. IWM 591
Key C major
Movements/SectionsMov'ts/Sec's 3 sections (no break)
  1. Te Deum laudamus. (Allegro, 63 bars)
    Te ergo quæsumus. (Adagio, bars 64-69)
  2. Aeterna fac cum sanctis tuis. (Allegro, bars 70-142)
  3. In te, Domine, speravi. (Allegro, bars 143-227)
Year/Date of CompositionY/D of Comp. 1769 probably
First Publication. 1803 - Leipzig: Breitkopf und Härtel (score)
Language Latin
Average DurationAvg. Duration 7 minutes
Composer Time PeriodComp. Period Classical
Piece Style Classical
Instrumentation mixed chorus (SATB), orchestra*
InstrDetail 4 trumpets, 3 trombones, timpani, strings (no violas), continuo (bassoon, organ)
Manuscript Sources Mss parts (lacking vn 1, org, 3 tbn), ca.1770. A-Sd, A 1126
External Links NMA score
NMA report (German)
Extra Information *Mozart's manuscript is lost. The earliest set of mss parts (Salzburg, ca.1770) includes 2 clarini and 2 trumpets, with other contemporary sets designating the clarini (a term usually employed for high trumpets) as clarinet or oboe parts, with bassoons doubling the bass. Haslinger issued the first parts edition ca.1827; Breitkopf published a piano reduction in 1847.