Suite No.4, Op.19 No.2 (Atterberg, Kurt)

2 flutes (2nd flute ad lib., 2nd also piccolo), clarinet (also bass clarinet), horn (ad lib.), 2 trumpets (ad lib.),
tam-tam, triangle, castanets, celesta, timbre (piano ad lib.), strings

1. flute, clarinet, horn (ad lib.), celesta, strings
2. piccolo, bass clarinet, horn (ad lib.), 2 trumpets (ad lib.), jeu de timbre (celesta or piano), triangle, castanets, strings
3. flute, bass clarinet, celesta, strings
4. flute, bass clarinet, celesta, tam-tam, strings
5. flute, bass clarinet, horn, 2 trumpets, horn, jeu de timbre (keyboard glockenspiel), triangle, tam-tam, strings

The main melody used in this suite, known as "Air Chinois", is the same used by Carl Maria von Weber and subsequently Paul Hindemith in their "Turandot" works, taken from Jean-Jacques Rousseau's Dictionnaire de musique (1768).

Translation of inscription from score:
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To be included in the program for concert performances:

1: Calaf sees the image of Turandot.

2: Altoum - Truffaldino - March.

3: Chamber in the Seraglio.

4: Calaf's Night in the Seraglio.

5: Turandot - March

In stage performances:
Prelude:

• I from the beginning to the end.
• Calaf sees the image of Turandot: I from A to the end.

Prelude to the second act: II.

• Altoum appears: II.
• Calaf appears: III to F.
• Turandot appears: V.
• Final march: V.

Prelude to the third act: III.
Metamorphosis in the fourth act: III.

• Calaf and Skirina: IV to J.
• Calaf and Zelima: IV from J to K several times.
• Calaf and Truffaldino: IV from L to M several times.
• Calaf and Adelma: IV from N to the end.

Prelude to the fifth act: II.

• Turandot appears: V.
• Turandot's final replica: I from A to the end