Quemadmodum (Taverner, John)

Movements/SectionsMov'ts/Sec's 2 movements
Genre Categories Pieces; For 6 instruments; Scores with open instrumentation; For 6 players; For 6 viols; Scores featuring the viol; Latin language

Contents

Performances

Naxos

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Synthesized/MIDI

 Synthesized Performance
#414592 - 0.01MB - 3:48 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 99×⇩ - MID - Marc lanoiselee

MID file (audio/video)
Marc lanoiselee (2016/3/9)

Publisher Info. Marc Lanoiselée
Performers Marc Lanoiselee
Copyright
Creative Commons Attribution-NonCommercial 4.0 [tag/del]
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Sheet Music

Scores and Parts

 Complete Score
#840023 - 1.09MB, 5 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 33×⇩ - Feduol

PDF scanned by Unknown
Feduol (2023/2/14)

Editor Richard Runciman Terry (1865–1938)
Publisher. Info. Tudor Church Music, Vol.3 (pp.117-121)
London: Oxford University Press, 1924.
Copyright
Public Domain [tag/del]
Misc. Notes This file is part of the Submission Project.
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 Complete Score
#414587 - 0.53MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 1522×⇩ - Marc lanoiselee

PDF typeset by editor
Marc lanoiselee (2016/3/9)

⇒ 4 more: Complete Parts • Complete Score (transposed) • Complete Parts (transposed) • Engraving files (Lilypond)

 Complete Parts
#414588 - 0.15MB, 18 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 359×⇩ - Marc lanoiselee

PDF typeset by editor
Marc lanoiselee (2016/3/9)

 Complete Score (transposed)
#414589 - 0.09MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 365×⇩ - Marc lanoiselee

PDF typeset by editor
Marc lanoiselee (2016/3/9)

 Complete Parts (transposed)
#414590 - 0.15MB, 18 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 238×⇩ - Marc lanoiselee

PDF typeset by editor
Marc lanoiselee (2016/3/9)

 Engraving files (Lilypond)
#414591 - 0.01MB, ? pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 92×⇩ - Marc lanoiselee

ZIP typeset by editor
Marc lanoiselee (2016/3/9)

Editor Marc Lanoiselée
Publisher. Info. Marc Lanoiselée
Copyright
Creative Commons Attribution-NonCommercial 4.0 [tag/del/mrg]
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
Purchase
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 Complete Score with Editorial Underlay
#491620 - 0.11MB, 13 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 1092×⇩ - Gervais O Frykman

PDF typeset by Gervais Frykman
Gervais O Frykman (2017/9/4)

Editor Gervais Frykman, after TCM
Publisher. Info. TCM
Copyright
Creative Commons Attribution-NonCommercial 4.0 [tag/del]
Misc. Notes This moving and beautiful piece is presumably a setting of the first two verses of Ps 42, and is presented here with editorial underlay. The piece is important in the transition from the florid pre-reformation style to the imitative Renaissance style, and was the head of an entire genre of bipartite psalm motets stretching to Gibbons' O Clap Your Hands of 1622, but only here is the bipartite form explained by the two verses being set. The cleffs imply upward transposition, of a tone in this case, and a further transposition is necessary because of the higher pitch, here a semitone. The alto parts are singable by tenors. The counter tenor did not appear in England until the 17th Century.
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General Information

Work Title Quemadmodum
Alternative. Title
Composer Taverner, John
I-Catalogue NumberI-Cat. No. IJT 7
Movements/SectionsMov'ts/Sec's 2 movements
Librettist Psalm XLII
Language Latin
Composer Time PeriodComp. Period Renaissance
Piece Style Renaissance
Instrumentation 6 instruments, most likely viol consort , also vocal as above
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