Pupazzetti, Op.27 (Casella, Alfredo)

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Sheet Music

Scores

Publisher. Info. Milan: G. Ricordi & Cie., 1916. Plate 116742.
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Editor Revised edition*
Publisher. Info. London: J. & W. Chester, Ltd., 1921. Plate J. & W.C. 2913.
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Misc. Notes "Nouvelle version 1920"
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Arrangements and Transcriptions

For Orchestra
Arranger Composer
Publisher. Info. London: J. & W. Chester, Ltd., 1921. Plate J. W. C. 29.
Reprinted Vienna: Wiener Philharmonischer Verlag, No.297, n.d.
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Misc. Notes This file is part of the Sibley Mirroring Project.
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13 more: Piccolo 1, 2, Flute 1, 2 • Oboe 1, 2, English Horn • Clarinet 1, 2 (A), Bass Clarinet (B♭) • Bassoon 1, 2 • Cornet (B♭) • Timpani • Xylophone, Glockenspiel, Snare Drum/Bass Drum/Triangle/Tambourine/Cymbals • Piano • Violins I • Violins II • Violas • Cellos • Basses

Arranger Composer
Publisher. Info. London: J. & W. Chester, Ltd., 1921. Plate J. W. C. 29. (score and strings probably)
Manuscript, n.d. (everything else)
Reprinted New York: E.F. Kalmus, n.d.(1933–70). Catalog A3956.
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For Flute, Oboe, Clarinet, Bassoon, 2 Violins, Viola, Cello and Piano
Arranger Composer
Publisher. Info. London: J. & W. Chester, Ltd., 1926. Plate J. W. C. 29.
Copyright
Misc. Notes Same plate as above (29) but different year (26 vs 21?)
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General Information

Work Title Pupazzetti
Alternative. Title Cinque Pezzi Facili
Composer Casella, Alfredo
Opus/Catalogue NumberOp./Cat. No. Op.27
Internal Reference NumberInternal Ref. No. IAC 24
Movements/SectionsMov'ts/Sec's 5 pieces:
  1. Marcietta
  2. Berceuse
  3. Serenata
  4. Notturnino
  5. Polka
Year/Date of CompositionY/D of Comp. 1915 (revised 1920)
First Publication. 1916 – Milan: Ricordi
Dedication Al mio carissimo amico Vincenzo Tommasini
Composer Time PeriodComp. Period Early 20th century
Piece Style Early 20th century
Instrumentation piano 4-hands
External Links Wikipedia article (in Italian)
Extra Information * The most significant change in the revised version from 1920 is that the first piece (Marcietta) was expanded to include a new "middle" section, beginning at bar 33. The composer's orchestral arrangement reflects these revisions.