Performer Pages
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Natan Fiedorowicz (organ, harpsichord, piano, keyboard, harpsichord (synthesised), voice)
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Publisher Info.
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Fidelis, 2025.
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Copyright
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Misc. Notes
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The original handwritten manuscript of this work was eventually given to staff at Melbourne Recital Centre, while applying to perform music unpaid at that venue (for i had been forbidden from employment/earnings by hospital people). While introducing myself to them, after handing them it, and alongside it a way to contact me, i basically needed to leave because i felt that i was about to start to cry, feeling embarrassed to cry in front of the people at the counter, and outside on the street while walking home, i did. Several months passed, they did not bother to respond to my application. i called them, and the person said some excuses and that they don't know and basically had me to leave the conversation and wait for their response, but still there was none, basically i was not good enough to be worthy of a response regarding to perform in my own hometown, having studied to do such for most of my life. Nor was i worthy of being thanked for giving the score, and it made me feel that: probably i should not give anything anymore to anyone. Later i noticed that their management was owned by the local government, the same that had me drugged at their hospital because of a false accusation that their local police took to be true in year 2012 AD, with substances that ruined many years of my life, because those substances prevented me from composing or portraying properly, and basically i was stuck and only recently managed to recover my clarity a little, from their destructive and traumatising treatment, after ceasing the recommended substances. The moral of this story: I never wish to perform at Melbourne Recital Centre anymore.
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