Prelude in F-sharp minor, BuxWV 146 (Buxtehude, Dietrich)

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IS (2017/7/21)

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IS (2017/7/21)

Editor Philipp Spitta (1841-1894)
Max Seiffert (1868-1948), revision
Publisher. Info. Orgelcompositionen, Band I, No.12 (pp.63-69)
Leipzig: Breitkopf und Härtel, 1903. Plate D.B. I.
Reprinted Organ Works
Mineola: Dover Publications, n.d. - #483193
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Misc. Notes This file is part of the Sibley Mirroring Project.
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IS (2017/7/25)

Editor Charles Tournemire (1870-1939)
Publisher. Info. Passacaile, chacones, préludes et fugues, toccatas, canzonette, No.12 (pp.63-69)
Paris: Éditions Maurice Senart, 1923*. Plate E.M.S. 5272.
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Misc. Notes *Editor's preface is dated 1915. Senart's copyright claim is 1923.
This file is part of the Sibley Mirroring Project.
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IS (2017/7/26)

Editor Josef Hedar (1894-1960)
Publisher. Info. Sämtliche Orgelwerke, Volume II, No.13 (pp.72-78)
Copenhagen: Wilhelm Hansen, No.3922, 1952. Plate 26900.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Fugalicious (2023/1/18)

Editor Klaus Beckmann (b. 1935)
Publisher. Info. Buxtehude: Complete Organ Works, Vol.1 (pp.65–71)
Wiesbaden: Breitkopf und Härtel, 1997. Plate EB 6661.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Misc. Notes 600 dpi, monochrome. Landscape layout, three staves.
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Fugalicious (2024/7/31)

Editor Michael Belotti (b. 1957)
Christoph Wolff (b. 1940), general editor
Publisher. Info. Dieterich Buxtehude: The Collected Works
Volume 15: Preludes, Toccatas, Ciacconas for Organ, Section A (pp.98–106)
New York: The Broude Trust, 1998.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

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Misc. Notes 600 dpi, monochrome. Portrait layout, two staves. Belotti's editorial approach is more conservative than that of Klaus Beckmann in the Breitkopf & Härtel edition.
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Arrangements and Transcriptions

For 4 Accordions and Double Bass (Pasztor)

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Sonoptikon (2021/4/4)

Arranger Ernö Pasztor
Publisher. Info. SONOPTIKON, 2020.
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Misc. Notes Parts and Feedback
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For Piano (Nikolayev)

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Emiles Mern (2020/1/29)

Arranger Leonid Nikolayev (1878-1942)
Editor First edition
Publisher. Info. Moscow: Muzgiz, 1928. Plate M. 8636 Г.
Co-issue - Vienna: Universal Edition, 1928. Plate U.E. 9115.
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For Piano (Stradal)

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Caprotti (2009/3/19)

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Afp0815 (2024/4/2)

Arranger August Stradal (1860-1930)
Publisher. Info. Leipzig: J. Schuberth & Co., n.d. Plate 7715.
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General Information

Work Title Prelude in F-sharp minor
Alternative. Title Prelude and Fugue in F-sharp minor
Composer Buxtehude, Dietrich
Opus/Catalogue NumberOp./Cat. No. BuxWV 146
I-Catalogue NumberI-Cat. No. IDB 145
Key F-sharp minor
Movements/SectionsMov'ts/Sec's 3 sections:
  1. Prelude
  2. Fugue
  3. Toccata
First Publication. 1875-76
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation organ

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Organ Works by Dietrich Buxtehude (BuxWV 136-176, 225)