Performances
Recordings
Publisher Info.
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New York: Columbia/Philips, 1954. A 01337.
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Performers
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Orchestra selected from Hollywood Film Studios Robert Craft (conductor)
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Reissue
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Schattdorf: Gagnaux Collection
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Copyright
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Misc. Notes
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Recorded February 24, 1954.
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Naxos
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Sheet Music
Full Scores
Publisher. Info.
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Holograph manuscript, n.d.[1908?].
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Copyright
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Misc. Notes
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This file is part of the Submission Project.
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Editor
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First edition
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Publisher. Info.
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Vienna: Universal Edition, 1922. Plate U.E. 7095.
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Copyright
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Publisher. Info.
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Vienna: Universal Edition, 1922.
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Reprinted
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Boca Raton: Edwin F. Kalmus, n.d.(1998). Catalog A8270.
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Copyright
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Misc. Notes
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Seems to be the large score vs. the 50-page study score. Title-page from score below added since music starts on page 2.
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Editor
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Hugo Bouma (b. 1991)
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Publisher. Info.
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Hugo Bouma, 2020.
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Copyright
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Misc. Notes
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Typeset in Dorico
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Publisher. Info.
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Kiev: Muzyka, n.d.(ca.1975?).
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Copyright
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Misc. Notes
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Page 26 is missing (Current page 26 is a duplicate of 25).
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Parts
⇒ 30 more: Flute 1 • Flute 2 • Oboe 1 • Oboe 2 • English Horn • Clarinet 1 (B♭) • Clarinet 2 (B♭) • Bass Clarinet (B♭) • Bassoon 1 • Bassoon 2 • Contrabassoon • Horn 1 (F) • Horn 2 (F) • Horn 3 (F) • Horn 4 (F) • Trumpet 1 (B♭) • Trumpet 2 (B♭) • Trumpet 3 (B♭) • Trombone 1 • Trombone 2 • Trombone 3 • Tuba • Timpani • Triangle/Cymbals/Bass Drum/Tam-Tam • Harp • Violins I • Violins II • Violas • Cellos • Basses
Publisher. Info.
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Vienna: Universal Edition, 1922. Plate U.E. 7096.
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Copyright
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⇒ 13 more: Oboe 1, 2, English Horn • Clarinet 1, 2, Bass Clarinet (B♭) • Bassoon 1, 2, Contrabassoon • Horn 1, 2, 3, 4 (F) • Trumpet 1, 2, 3 (B♭) • Trombone 1, 2, 3, Tuba • Timpani, Triangle/Bass Drum/Cymbals/Tam-Tam • Harp • Violins I • Violins II • Violas • Cellos • Basses
⇒ 30 more: Flute 1 • Flute 2 • Oboe 1 • Oboe 2 • English Horn • Clarinet 1 (B♭) • Clarinet 2 (B♭) • Bass Clarinet (B♭) • Bassoon 1 • Bassoon 2 • Contrabassoon • Horn 1 (F) • Horn 2 (F) • Horn 3 (F) • Horn 4 (F) • Trumpet 1 (B♭) • Trumpet 2 (B♭) • Trumpet 3 (B♭) • Trombone 1 • Trombone 2 • Trombone 3 • Tuba • Timpani • Triangle/Cymbals/Tam-Tam/Bass Drum • Harp • Violins I • Violins II • Violas • Cellos • Basses
Editor
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Hugo Bouma (b. 1991)
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Publisher. Info.
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Hugo Bouma, 2020.
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Copyright
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Misc. Notes
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Typeset in Dorico
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Purchase
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Free Recordings
- Philharmonie Cologne, June 12 2015.
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General Information
Work Title
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Passacaglia für Orchester
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Alternative. Title
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Name Translations
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Passacaglia; パッサカリア; Passacaille; 파사칼리아; Passacaglia (Webern); 帕萨卡利亚
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Name Aliases
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Passacaglia, Op. 1; Passacaglia for orchestra; Passacaille, op. 1
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Authorities
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WorldCat; Wikipedia; VIAF: 185697293; LCCN: no97025996; BNF: 13920833q
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Composer
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Webern, Anton
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Opus/Catalogue NumberOp./Cat. No.
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Op.1
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I-Catalogue NumberI-Cat. No.
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IAW 28
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Key
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D minor
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First Performance.
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1908-11-04 in Vienna, Tonkünstlerverein (private concert)
- Orchestra, Composer (conductor)
1922-06-05 in Düsseldorf, Workers' Symphony Concerts (possibly earlier)
- Workers' Symphony Orchestra, Composer (conductor)
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First Publication.
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1922 - Vienna: Universal Edition
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Average DurationAvg. Duration
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10 minutes
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Composer Time PeriodComp. Period
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Early 20th century
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Piece Style
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Romantic
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Instrumentation
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orchestra
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InstrDetail
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piccolo, 2 flutes, 2 oboes, English horn, 2 clarinets
- bass clarinet, 2 bassoons, contrabassoon
4 horns, 3 trumpets, 3 trombones, tuba timpani, triangle, bass drum, cymbals, tam-tam, harp, strings
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Manuscript Sources
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Morgan Library (possible publisher's copy, unsigned) Moldenhauer Archives, US-Wc (first four pages digitized only)
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External Links
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Wikipedia article All Music Guide Scores at Sheet Music Plus
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Navigation etc.
The Moldenhauer and Morgan manuscripts are definitely not the same (simple example at the beginning: the former fills in the rests in the double bass line, the latter just omits the tacet double bass line (in the first system) entirely. The Morgan Library manuscript seems to be a manuscript copy made for publication in 1922 (and has a copyright on it), whereas the Moldenhauer manuscript, while firmer and cleaner in places (in the 4 pages available online) also seems to have more crossouts like a first-stage holograph would. Also, the Morgan copy is not signed - the appearances of Webern's name are not clearly in his hand- so is not clearly a holograph by definition.