Musette Sonata in A major, Op.13 No.4 (Chédeville, Nicolas)

Authorship Note
This work was formerly attributed to Antonio Vivaldi as RV 57


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Performances

Recordings

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Synthesized/MIDI

For Alto Recorder and Continuo (Harmer)
Publisher Info. Daniel Harmer
Performers MIDI
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Pastorale (No.4)

For 3 Recorders (Tennent)
Publisher Info. R.D. Tennent
Performers PhotoScore
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Misc. Notes These file(s) are part of the Werner Icking Music Collection, and are also included in the Mondrup Recorder Collection. Transposed to G major
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Sheet Music

Scores

Complete

Editor First edition
Publisher. Info. Il pastor fido, Op.13 (pp.19-26)
Paris: Mme. Boivin, n.d.[1737].
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Editor Walter Upmeyer (1876–1961)
Publisher. Info. Hortus Musicus, No.135
Kassel: Bärenreiter Verlag, 1956.
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Misc. Notes Scanned at 600dpi grayscale, improved, converted to monochrome.
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Pastorale

Editor Walter Upmeyer (1876–1961)
Publisher. Info. Nagel's Musik-Archiv, No.18
Hannover: Adolph Nagel's Verlag, 1931.
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Arrangements and Transcriptions

For 3 Recorders (Wehlte)
Arranger Adrian Wehlte
Publisher. Info. Adrian Wehlte
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For Alto Recorder and Continuo (Harmer)
Arranger Daniel Harmer
Publisher. Info. Daniel Harmer
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Pastorale (No.3)

For 3 Recorders (Tennent)
Arranger R.D. Tennent
Publisher. Info. R.D. Tennent
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection, and are also included in the Mondrup Recorder Collection. Transposed to G major
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General Information

Work Title Musette Sonata in A major
Alternative. Title Sonate IV
Composer Chédeville, Nicolas
Opus/Catalogue NumberOp./Cat. No. Op.13 No.4 ; RV 57
I-Catalogue NumberI-Cat. No. INC 16
Key A major
Movements/SectionsMov'ts/Sec's 4 movements:
  1. Preludio. Largo
  2. Allegro ma non presto
  3. Pastorale ad libitum
  4. Allegro
Year/Date of CompositionY/D of Comp. 1737
First Publication. 1737 in Il pastor fido, Op.13 (No.4)
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation musette (or vielle, recorder, flute, oboe, violin), continuo
Extra Information Chédeville made a secret agreement in 1737 with Jean-Noël Marchand to publish a collection of his own compositions as Vivaldi's. Chédeville supplied the money and received the profits, all of which was attested to in a notarial act by Marchand in 1749. Long attributed to Vivaldi, the set of sonatas are actually the work of Chédeville.