Manuscript, GB-Lbl Add. MS 32377 (Various)

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Performances

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Feduol (2016/3/4)

Publisher. Info. Manuscript, n.d.(ca.1585-90).
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General Information

Work Title Manuscript, GB-Lbl Add. MS 32377
Alternative. Title
Composer Various
I-Catalogue NumberI-Cat. No. None [force assignment]
Movements/SectionsMov'ts/Sec's 75 pieces
  1. Byrd: Browning = The Leaves be Green (f.2r)
  2. Byrd: Praeludium (f.2r)
  3. Byrd: Ground (f.2r-3v)
  4. Ferrabosco Sr.: Fantasia / A Fancy (f.4r-4v)
  5. Parsons: Ut re mi fa (f.5r)
  6. Byrd: Ut mi re (f.5r)
  7. Handl: Le bergier et la bergiere (f.5v)
  8. Anonymous: Non vidette (f.6r-6v)
  9. Lassus: Et d’où venez vous (f.6v–7r)
  10. Ferrabosco Sr.: In nomine III (f.7r–7v)
  11. Parsons: Ut re mi fa (f.7v–8r)
  12. Byrd: In nomine V à 5 (f.8v–9r)
  13. Byrd: In nomine II à 5 (f.9v)
  14. Parsons: In nomine IV (f.10r)
  15. White: In nomine à 7 (f.10v)
  16. Tye: In nomine XVII (f.11r)
  17. White: In nomine V (f.11v)
  18. Brewster: In nomine (f.12r–12v)
  19. Parsons: In nomine V (f.13r)
  20. Tye: In nomine XXI (f.13v–14r)
  21. Parsons: In nomine III (f.14v)
  22. Nayler: In nomine (f.15r–15v)
  23. Poynts: In nomine II (f.15v–16r)
  24. Tye: In nomine XIII 'Trust' (f.16v–17r)
  25. Alcock: In nomine (f.17r–18r)
  26. Strogers: In nomine IV (f.18v–19r)
  27. Strogers: In nomine I (f.19v)
  28. Strogers: In nomineà 5 (f.20r)
  29. Parsley: In nomine (f.20v–21r)
  30. Parsons: De la court (f.21v–22r)
    De la court (f.22r–23r) - duplicate
  31. Sheppard: Magnificat septimi toni a 6
    Esurientes implevit bonis (f.23r–23v)
  32. Mundy: O mater mundi (f.23v–24r)
  33. Mundy: A Solfing Song (f.24v)
  34. Tallis: A Solfing Song (f.25r)
  35. Tallis: Haec dies (f.25v)
  36. White: Precamur, sancte Domine I [Christe, qui lux es] (f.26r)
  37. Tallis: Lamentations
    Plorans ploravit (f.26v)
    Incipit Lamentatio (f.27r)
  38. Sheppard: Deus misereatur (f.27v–28v)
  39. Tallis: Aeterne rex altissime
  40. Sheppard: Scandens tribunal dexterae patris, vs.2 (f.28v)
  41. Tallis: Quod chorus vatum haec Deum (f.29r)
  42. Mundy: Sive vigilem (f.29v–30r)
  43. Byrd: Ne irascaris Domine
    [Pars II. Civitas sancti tui] (f.30v–31v)
  44. Byrd: Cunctis diebus
    [Pars II. Dimitte me ergo] (f.32v–35r)
  45. Byrd: Sponsus amat sponsam (f.35v–36r)
  46. White: Domine quis habitabit III (f. 36v–40r)
  47. Daman: Beati omnes (f.40v–41r)
  48. Mundy: Domine quis habitabit (f.41v–46r)
  49. Ferrabosco Sr.: Da pacem Domine, Ch.28 (f.46v–47r)
  50. Parsons: Credo quod redemptor meus vivit (f.47v–48r)
  51. Sheppard: Haec dies (f.48v–49v)
  52. Sheppard: Kyrie Paschali (f.48v–50r)
  53. Parsons: Jam Christus astra (f.49v–51r)
  54. White: Deus misereatur nostri et benedicat nobis (f.51v–55r)
  55. Lassus: In te Domine speravi
    Pars I. In te Domine speravi non confundar (f.55v–59r)
  56. Anonymous: Spiritus ubi vult (f.59v–61v)
  57. Parsons: Retribue servo tuo (f.60v–62r)
  58. Tallis: Lamentations. De lamentatione Jeremiae (f.62v–65r)
  59. Anonymous: O rex gloriae Domine virtutum (f.65r–65v)
  60. Lassus: Omnia quae fecisti nobis Domine in vero (f.66r)
  61. Parsons: Libera me Domine de morte aeterna (f.66v–67r)
  62. Anonymous: Musica Dei donum optimum (f.67v–68r)
  63. Lassus: Confitemini Domino
    [Pars II. Narrate omnia] (f.68v–69r)
  64. Byrd: De Lamentatione Jeremiae (f.69v–71v)
  65. Tallis: Dum transisset sabbatum /
    Sabbatum, Maria Magdalene / Aromata emerunt (f.71v–72r)
  66. White: Precamur, sancte Domine I [Christe, qui lux es] (f.72v)
  67. Anonymous: Domine non est exaltatum (f.73r–73v)
  68. Lassus: Jerusalem plantabis vineam (f.73v–74v)
    Pars I. Surge Sion convertere ad Dominum Deum
    Pars II. Gaude et laetare Jacob quia de medio
  69. Lassus: Omnia quae fecisti nobis Domine in vero (f.74v–75r)
  70. Anonymous: Upon the plainsong (f.75v)
  71. Lassus: Susanne un jour, LV 98 (f.76r)
  72. Byrd: Domine praestolamur [Pars II. Veni domine] (f.76v–77v)
  73. Conversi: Io vo gridando come spiritato (f.78r–78v)
  74. Conversi: Corri corri mamma doro se non corre (f.78v–79r)
  75. Conversi: Nasce la doglia mia dal vedermi levar (f.79v)
Year/Date of CompositionY/D of Comp. 1585-90
Piece Style Renaissance
Instrumentation unspecified, presumably 4-5 voices or instruments (i.e. viols) - only the Discantus partbook survives from the set.
External Links DIAMM
British Library