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Category:Dussek, Jan Ladislav.
A list of works in the composer category that are not included here can be found on this page.
Please consult the manual of style for creating composer work lists.
Source: Palazzolo, Luca. Il tocco cantante: Jan Ladislav Dussek, compositore e virtuoso tra Mozart e Clementi. (Bologna: Akademos, 1992)
See also: Craw, Howard Allen: A biography and thematic catalog of the works of J.L. Dussek (1760-1812)
Works listed by opus number
Many opus numbers were used by multiple publishers. Publisher indicated in parentheses. For piano/keyboard solo unless otherwise indicated.
- C — Catalog number from Howard Allen Craw (A biography and thematic catalog of the works of J.L. Dussek (1760-1812)"; University of Southern California, dissertation, 1964).
- Op.1 (B. Hummel) - 3 Concertos for Piano/Harpsichord (1783)
- C Major
- E-flat Major
- G Major
- Op.1 (J.J. Hummel) - 3 Sonatas for Piano/Harpsichord and Violin (1782)
- B-flat Major
- G Major
- D Major
- Op.1 (Dussek) - 3 Sonatas for Piano and Violin (1787)
- C Major
- B-flat Major
- F Major
- Op.1 (Dussek, in "Mercure de France") - 3 Sonatas for Piano, Violin and Basso Continuo (1787)
- Op.2 (B. Hummel) - 3 Sonatas for Piano/Harpsichord and Violin (ca. 1786)
- C Major
- F Major
- D minor
- C major
- B-flat major
- E minor
- C Major
- F Major
- B-flat Major
- C Major
- D Major
- G Major
- F Major
- E-flat Major
- F minor 'L'amante disperato'
- G Major
- D Major
- C Major
- For Piano and Violin in G Major
- For Piano and Violin in B-flat Major
- For Piano [No.29] in A-flat Major
- L'amour est enfant tompeur
- Romanze de Nina
- Chantons l'Hymen
- Babet chantait
- O ma tendre musette
- Chanson du Nord
- Op.7 - 3 Sonatas for Piano/Harpischord and Flute (1789)
- C Major
- G Major
- E-flat Major
- C major
- A major
- F major
- Op.9 - 3 Sonatas [Nos.1-3] (ca. 1789)
- B-flat Major
- C major
- D major
- Op.10 - 3 Sonatas [Nos.4-6] (ca. 1789)
- A Major (ca. 1789)
- G minor (ca. 1789)
- E Major (ca. 1789)
- B-flat major
- D major
- G minor
- C Major
- G Major
- F Major
- C major
- F major
- G major
- Op.16 (Boosey & Hawkes, nos.1-6 only)/Op.32 (Corri, Dussek & Co) - 12 Leçons progressives (1794)
- Op.16 (Artia) - 12 Etudes Melodiques (Fortschreitende Übungen) - this is the same work as the 12 Leçons progressives.
- Op.17 - Concerto No.4 for Piano/Harpsichord in F Major (ca. 1792)
- Op.18/19 (Boosey & Hawkes) - 3 Sonatas (ca. 1792)
- B-flat Major
- A minor [No.7]
- E-flat Major
- Op.19 (Longman & Broderip)/20(Simrock) - 6 Sonatinas for Piano/Harpsichord (1793)
- G Major
- C Major
- F Major
- A Major
- G Major
- E-flat Major
- C major
- A major
- F major
- F major
- D major
- B-flat major
- F major (Also Op.25 (Balls))
- D major (Also Op.26 (Balls))
- G major (Also Op.27 (Balls))
- F major
- D major
- Sonata in B♭ Major, C. 132
- Sonata [No.10] in D major C.133
- Sonata in C Major, C. 134
- Prelude in B♭ Major, C.135
- Prelude in D Major, C.136
- Prelude in C Major, C.137
- E-flat major
- B-flat major
- B-flat Major [No.11]
- G Major [No.12]
- C Major [No.13]
- G Major [No.14]
- C Major [No.15]
- B-flat Major [No.16]
- B-flat Major [No.19]
- G Major [No.20]
- D Major
- C major
- F major
- B-flat major
- C major
- D major
- G major
- Op.47 (Broderip & Wilkinson) - 2 Sonatas (1801)
- D Major [No.21]
- G Major [No.22]
- G Major
- D Major
- C Major
- Op.52 - 6 Gesänge (Canzonettas) for Voice and Piano (1804)
- Sehnsucht der Liebe "Lass in der Wehmut" = Or che un istante, O Fille = Now while the moment I enjoy
- Klafe der liebe "Einsam am Ufer" = A che congiuri = Dearly I love thee
- Hoffnung "Süsse Hoffnung, Göttergabe" = Dolce speme del ciel dono = Hope, thou first, thou greatest blessing
- Das Warum "Warum verschmäht ihr, o reizende Nymphen" = Leggiadre ninfe = With nymphs who wander
- Dauer der Liebe 'lass uns der sel'gen Stunden" = Placa quell'ira, o cara = Dearest Anna, cease thy sheperd to reprove
- Eigensinn der Liebe "Eitel sind der Liebe Schmerzen" = Che vorresti, o pastorello? = Shepherd, cease thy fond reproaches
- G major
- B-flat major
- E-flat major
- D major
- G minor
- F major
- C major
- F major
- B-flat major
- B-flat Major (Also published as Op.74)
- E-flat Major (Arrangement of Op.72 (Boosey & Hawkes))
- F Major (Also published as Op.73)
- Op.69 (Boosey & Hawkes)/Op.72 (Cianchettini & Sperati) - 3 Sonatas (1811)
- For Piano and Violin in B-flat major
- For Piano and Violin in G major
- For Piano in D major [No.25]
- Air de troubadour
- Air de Mr. Dottor
- Amusez-vous, belles
- Il étoit un petit homme
- Air vive Henry Quatre
- Marche from Tamerlan
- For Piano and Violin in B-flat Major
- For Piano and Violin in G Major
- For Piano in D major [No.25]
Works listed by C. number
Based on: Craw, Howard A. A Biography and Thematic Catalog of the Works of J.l. Dussek, 1760-1812. , 1964.
Here for the actual dissertation online: Craw, Howard Allen: A biography and thematic catalog of the works of J.L. Dussek (1760-1812)
C.1-50
- C.1 - Piano Concerto in B-flat Major (1779)
- C.2 - Piano/Harpsichord Concerto in C Major (1783) Op.1, No.1 (B. Hummel)
- C.3 - Piano/Harpsichord Concerto in E-flat Major (1783) Op.1, No.2 (B. Hummel)
- C.4 - Piano/Harpsichord Concerto in G Major (1783) Op.1, No.3 (B. Hummel)
- C.5 - Sonata for Piano/Harpsichord and Violin in B-flat Major (1782) Op.1, No.1 (J.J. Hummel)
- C.6 - Sonata for Piano/Harpsichord and Violin in G Major (1782) Op.1, No.2 (J.J. Hummel)
- C.7 - Sonata for Piano/Harpsichord and Violin in D Major (1782) Op.1, No.3 (J.J. Hummel)
- C.8 - Ouverture du Droit d'ainesse, Piano/Harpsichord and Violin (1783)
- C.9 - Ouverture de Zemir et Azor, Piano/Harpsichord and Violin (1783)
- C.10 - General Suwarrow's original military march, Piano (1783)
- C.11-13 - 3 Sonatas for Piano, Violin and Basso Continuo (1786)
- C.14 - Sonata for Piano/Harpsichord and Violin in C Major (ca. 1786) Op.2, No.1 (B. Hummel)
- C.15 - Sonata for Piano/Harpsichord and Violin in F Major (ca. 1786) Op.2, No.2 (B. Hummel)
- C.16 - Sonata for Piano/Harpsichord and Violin in D minor (ca. 1786) Op.2, No.3 (B. Hummel)
- C.17 - Sonata for Piano/Harpsichord and Violin in C Major (ca. 1786) Op.3, No.1 (J.J. Hummel), Op.46, No.1 (Boosey & Hawkes)
- C.18 - Sonata for Piano/Harpsichord and Violin in F Major (ca. 1786) Op.3, No.2 (J.J. Hummel), Op.46, No.2 (Boosey & Hawkes)
- C.19 - Sonata for Piano/Harpsichord and Violin in B-flat Major (ca. 1786) Op.3, No.3 (J.J. Hummel), Op.46, No.3 (Boosey & Hawkes)
- C.20 - Sonata for Piano/Harpsichord and Violin in C Major (ca. 1786) Op.3, No.4 (J.J. Hummel), Op.46, No.4 (Boosey & Hawkes)
- C.21 - Sonata for Piano/Harpsichord and Violin in D Major (ca. 1786) Op.3, No.5 (J.J. Hummel), Op.46, No.5 (Boosey & Hawkes)
- C.22 - Sonata for Piano/Harpsichord and Violin in G Major (ca. 1786) Op.3, No.6 (J.J. Hummel), Op.46, No.6 (Boosey & Hawkes)
- C.23 - Sonata for Piano and Flute/Violin in G Major (ca. 1786) Op.51, No.1
- C.24 - Sonata for Piano and Flute/Violin in D Major (ca. 1786) Op.51, No.2
- C.25 - Sonata for Piano and Flute/Violin in C Major (ca. 1786) Op.51, No.3
- C.26 - Auszug aus einer Oster-Cantate von Hrn. Professor Rammler (1786)
- C.27 - Sonata for Piano and Violin in C Major (1787) Op.1, No.1 (Dussek)
- C.28 - Sonata for Piano and Violin in B-flat Major (1787) Op.1, No.2 (Dussek)
- C.29 - Sonata for Piano and Violin in F Major (1787) Op.1, No.3 (Dussek)
- C.30 - Sonata for Piano, Violin and Basso Continuo in C major (1787) Op.2, No.1 (Dussek)
- C.31 - Sonata for Piano, Violin and Basso Continuo in B-flat major (1787) Op.2, No.2 (Dussek)
- C.32 - Sonata for Piano, Violin and Basso Continuo in E minor (1787) Op.2, No.3 (Dussek)
- C.33 - Piano Concerto in E-flat Major (1787) (Boyer)
- C.34 - Sonata for Piano, Violin and Basso Continuo (1787) Op.1, No.1 (Dussek, in "Mercure de France")
- C.35 - Sonata for Piano, Violin and Basso Continuo (1787) Op.1, No.2 (Dussek, in "Mercure de France")
- C.36 - Sonata for Piano, Violin and Basso Continuo (1787) Op.1, No.3 (Dussek, in "Mercure de France")
- C.37 - Sonata for Piano and Violin in F Major (1787) Op.4, No.1 (Dussek, in "Mercure de France")
- C.38 - Sonata for Piano and Violin in E-flat Major (1787) Op.4, No.2 (Dussek, in "Mercure de France")
- C.39 - Sonata for Piano and Violin in minor (1787) Op.4, No.3 (Dussek, in "Mercure de France")
- C.40 - Sonata for Piano/Harpsichord in G Major (Journal de pièces de clavecin, No.51) (1788)
- C.41 - Sonata for Piano and Violin in G Major (1788) Op.5, No.1
- C.42 - Sonata for Piano and Violin in B-flat Major (1788) Op.5, No.2
- C.43 - Sonata [No.29] in A-flat Major (1788) Op.5, No.3
- C.44 - L'amour est enfant tompeur, Op.6, No.1
- C.45 - Romanze de Nina, Op.6, No.2
- C.46 - Chantons l'Hymen Op.6, No.3
- C.47 - Babet chantait, Op.6, No.4
- C.48 - O ma tendre musette, Op.6, No.5
- C.49 - Chanson du Nord, Op.6, No.6
- C.50 - Sonata for Harpsichord/Piano and Flute in C Major (1789) Op.7, No.1
C.51-100
- C.51 - Sonata for Harpsichord/Piano and Flute in G Major (1789) Op.7, No.2
- C.52 - Sonata for Harpsichord/Piano and Flute in E-flat Major (1789) Op.7, No.3
- C.53 - Concerto for Piano or Harp in E-flat Major (1789)
- C.54 - Sonata for Piano, Violin and Cello in C Major (ca. 1789) Op.8, No.1/Op.21, No.1 (Imbault)
- C.55 - Sonata for Piano, Violin and Cello in F Major (ca. 1789) Op.8, No.2/Op.21, No.2 (Imbault)
- C.56 - Sonata for Piano, Violin and Cello in A Major (ca. 1789) Op.8, No.3/Op.21, No.3 (Imbault)
- C.57 - Sonata [No.1] in B-flat Major (ca. 1789) Op.9, No.1
- C.58 - Sonata [No.2] in C Major (ca. 1789) Op.9, No.2
- C.59 - Sonata [No.3] in D Major (ca. 1789) Op.9, No.3
- C.60 - Sonata [No.4] in A Major (ca. 1789) Op.10, No.1
- C.61 - Sonata [No.5] in G minor (ca. 1789) Op.10, No.2
- C.62 - Sonata [No.6] in E Major (ca. 1789) Op.10, No.3
- C.63 - Duo for 2 Pianos or Piano and Harp in F Major (ca. 1789) Op.11
- C.64 - Sonata for Harpsichord/Piano and Violin in F Major (1790) Op.12, No.1
- C.65 - Sonata for Harpsichord/Piano and Violin in B-flat Major (1790) Op.12, No.2
- C.66 - Sonata for Harpsichord/Piano and Violin in C Major (1790) Op.12, No.3
- C.67 - Sonata for Piano and Violin in B-flat Major (1790) Op.13, No.1 (Dale)
- C.68 - Sonata for Piano and Violin in D Major (1790) Op.13, No.2 (Dale)
- C.69 - Sonata for Piano and Violin in G Major (1790) Op.13, No.3 (Dale)
- C.70 - Romance de Figaro with sixteen variations (1791)
- C.71 - Sonata in C Major (1791) Op.14, No.1 (Dale)
- C.72 - Sonata in G Major (1791) Op.14, No.2 (Dale)
- C.73 - Sonata in F Major (1791) Op.14, No.3 (Dale)
- C.74 - Sonata for Piano/Harpsichord and Violin in C Major (1791) Op.16, No.1 (Dale)/Op.17, No.1 (Boosey & Hawkes)
- C.75 - Sonata for Piano/Harpsichord and Violin in F Major (1791) Op.16, No.2 (Dale)/Op.17, No.2 (Boosey & Hawkes)
- C.76 - Sonata for Piano/Harpsichord and Violin in G Major (1791) Op.16, No.3 (Dale)/Op.17, No.3 (Boosey & Hawkes)
- C.77 - Concerto for Piano/Harpischord in F Major (1791?) (Lobry
- C.78 - Concerto No.4 for Piano/Harpsichord in F Major (ca. 1792) Op.17
- C.79 - Sonata in B-flat Major (ca. 1792) Op.18, No.1
- C.80 - Sonata [No.7] in A minor (ca. 1792) Op.18, No.2
- C.81 - Sonata in E-flat major (ca. 1792), Op.18, No.3
- C.82 - Air de Calpigi (from Tarare by Antonio Salieri)(ca. 1792)
- C.83 - Variations on "Ainsi qu'une abeille" (from Tarare by Antonio Salieri) (ca. 1792)
- C.84-86 - Aire variés, Book 2 (ca. 1792)
- C.87 - 1793, a new year's gift (God save the King) (1793)
- C.88 - Sonatina for Piano/Harpsichord in G Major (1793) Op.19, No.1 (Longman & Broderip)/Op.20, No.1 (Simrock)
- C.89 - Sonatina for Piano/Harpsichord in C Major (1793) Op.19, No.2 (Longman & Broderip)/Op.20, No.2 (Simrock)
- C.90 - Sonatina for Piano/Harpsichord in F Major (1793) Op.19, No.3 (Longman & Broderip)/Op.20, No.3 (Simrock)
- C.91 - Sonatina for Piano/Harpsichord in A Major (1793) Op.19, No.4 (Longman & Broderip)/Op.20, No.4 (Simrock)
- C.92 - Sonatina for Piano/Harpsichord in C Major (1793) Op.19, No.5 (Longman & Broderip)/Op.20, No.5 (Simrock)
- C.93 - Sonatina for Piano/Harpsichord in E-flat Major (1793) Op.19, No.6 (Longman & Broderip)/Op.20, No.6 (Simrock)
- C.94 - Sonata for Piano, Flute and Cello in C Major (1793) Op.21 (Longman & Broderip)
- C.95 - The rosary (Rondo based on a ballad by W. Shield) (1793)
- C.96 - Sonata [No.8] in B-flat Major (1793) Op.23 (Corri)/Op.24/27 (Longman & Broderip)
- C.97 - Piano Concerto in G minor (1793) Op.22 (Corri)
- C.98 - The sufferings of the Queen of France (1793) Op.23 (Corri)/Op.44 (Peters)
- C.99 - O dear what can the matter be (Rondo) (1793)
- C.100 - Rosline castle (Variations) (1793)
C.101-150
- C.101 - Within a mile of Edimburgh [sic] (Scotch song) (1793)
- C.102 - Duo for 2 Pianos or Piano and Harp in F Major (1794) Op.26 (Longman & Broderip)
- C.103 - Lord Howe's hornpipe (1794)
- C.104 - Piano Concerto No.2 in F Major (1794) Op.27 (Corri, Dussek & Co)
- C.105 - Viotti's favorite pollacca (Rondo in A Major)
- C.106-117 - 12 Leçons progressives (1794) Op.32 (Corri, Dussek & Co)/Op.16 (Boosey & Hawkes, nos.1-6 only)
- C.106 - Leçon No.1 in C Major
- C.107 - Leçon No.2 in F Major
- C.108 - Leçon No.3 in C Major (Rondo alla turca)
- C.109 - Leçon No.4 in F Major
- C.110 - Leçon No.5 in C Major (The Empress of Russia's favorite)
- C.111 - Leçon No.6 in F Major (Polacca)
- C.112 - Leçon No.7 in B-flat Major
- C.113 - Leçon No.8 in G Major (In the death of the Night)
- C.114 - Leçon No.9 in B-flat Major (Oak stick, Scotch reel)
- C.115 - Leçon No.10 in G Major
- C.116 - Canzonetta (Dussek, Jan Ladislav) Leçon No.11 in G minor (Romanella)
- C.117 - Leçon No.12 in G major (La retreta, Spanish quick march)
- C.118 - Sonata for Piano and Violin in C Major (1795) Op.28, No.1
- C.119 - Sonata for Piano and Violin in F Major (1795) Op.28, No.2
- C.120 - Sonata for Piano and Violin in B-flat Major (1795) Op.28, No.3
- C.121 - Sonata for Piano and Violin in D Major (1795) Op.28, No.4
- C.122 - Sonata for Piano and Violin in G minor (1795) Op.28, No.5
- C.123 - Sonata for Piano and Violin in E-flat Major (1795) Op.28, No.6
- C.124 - Fal lal la!, Welch air (1795)
- C.125 - Piano Concerto No.3 in C Major (1795) Op.29 (Longman & Broderip)
- C.126 - Sonata in F major (1793) Op.25, No.1
- C.127 - Sonata [No.9] in D major (1793) Op.25, No.2
- C.128 - Sonata in G major (1793) Op.25, No.3
- C.129 - Concerto for Harp or Piano in C Major (1795) Op.30 (Corri, Dussek & Co)
- C.130 - Grand march in Alceste (1795)
- C.131 - Madame Del Cairo's hornpipe (1795)
- C.132 - Sonata in B-flat Major (1795) Op.31, No.1
- C.133 - Sonata [No.10] in D Major (1795) Op.31, No.2
- C.134 - Sonata in C Major (1795) Op.31, No.3
- C.135 - Prelude in B-flat Major (1795) Op.31, No.4
- C.136 - Prelude in D Major (1795) Op.31, No.5
- C.137 - Prelude in C Major (1795) Op.31, No.6
- C.138 - Here's a health to them that's away, Scotch air (ca. 1795)
- C.139 - The royal quick step, Country dance (1796)
- C.140 - The favorite Scythian dance (from Iphigenie en Tauride by Gluck) (1796)
- C.141 - Sonata for Harpsichord/Piano, Violin and Basso Continuo in F Major (1796) Op.24, No.1 (Corri, Dussek & Co.)/Op.29, No.1 (Schott)
- C.142 - Sonata for Harpsichord/Piano, Violin and Basso Continuo in D Major (1796) Op.24, No.2 (Corri, Dussek & Co.)/Op.29, No.2 (Schott)
- C.143 - Sonata for Harpsichord/Piano, Violin and Basso Continuo in B-flat Major (1796) Op.24, No.3 (Corri, Dussek & Co.)/Op.29, No.3 (Schott)
- C.144 - Grand overture (Sonata) for Piano 4-Hands (1796) Op.32 or 33
- C.145 - A favorite air alla tedesca (ca. 1796)
- C.146 - La Chasse (1796) Op.22 (Pleyel)
- C.147 - Sonata for Harp/Piano, Violin and Basso Continuo in E-flat Major (1797) Op.34, No.1
- C.148 - Sonata for Harp/Piano, Violin and Basso Continuo in B-flat Major (1797) Op.34, No.2
- C.149 - Sonata [No.11] in B-flat Major (1797) Op.35, No.1
- C.150 - Sonata [No.12] in G Major (1797) Op.35, No.2
C.151-199
- C.151 - Sonata [No.13] in C Major(1797) Op.35, No.3
- C.152 - The naval battle and total defeat of the Grand Dutch Fleet by Admiral Duncan on the 11th of October 1797 (Characteristic sonata) (1797)
- C.153 - Piano Concerto in B-flat (Grand Concerto Militaire)(1799) Op.40 (Corri, Dussek)
- C.154 - Sonata for Piano and Violin in C Major (1798) Op.36 (Dale)
- C.155 - Captive of Spilberg, Romance (1798)
- C.156 - A complete & exact delineation of the ceremony from St. James's to St. Paul's on Tuesday the 19th December 1797 (1798)
- C.157 - Tink a tink (from Blue Beard by Michael Kelly), Rondo (ca. 1798)
- C.158 - Piano Concerto in F major (1798?)
- C.159 - Feudal times, Musical drama (ca. 1799)
- C.160 - Sonatina No.1 for Harp in C Major (1799?)
- C.161 - Sonatina No.2 for Harp in F Major (1799?)
- C.162 - Sonatina No.3 for Harp in G Major (1799?)
- C.163 - Sonatina No.4 for Harp in B-flat Major (1799?)
- C.164 - Sonatina No.5 for Harp in F Major (1799?)
- C.165 - Sonatina No.6 for Harp in E-flat Major (1799?)
- C.166 - Sonata [No.14] in G Major (1799) Op.39, No.1
- C.167 - Sonata [No.15] in C Major (1799) Op.39, No.2
- C.168 - Sonata [No.16] in B-flat Major (1799) Op.39, No.3
- C.169 - Piano Trio (Sonata) in E-flat major (1799) Op.37
- C.170 - Duet for Harp and Piano in E-flat Major (1799) Op.38/Op.36 (Naderman)'
- C.171 - Poor Jonas, Variations (1799)
- C.172 - Piano Quintet in F minor (1799) Op.41/Op.47 (Pleyel)
- C.173 - Ouverture & characteristic pieces (originally inserted into Pizarro by Michael Kelly) (1799)
- C.174 - All shall leave their labouring (duet from Feudal Times by Michael Kelly), Rondo (1799)
- C.175 - L'Adieu (Dussek, Jan Ladislav) (duet from Lionell & Clarissa by Michael Kelly) (1799)
- C.176 - Chi serba costanza, Voice and String Orchestra (1799)
- C.177 - Sonata [No.17] in A Major (1800) Op.43 (Longman)
- C.178 - Sonata [No.18] in E-flat Major "The farewell" (1800) Op.44
- C.179 - Sonata [No.19] in B-flat Major (1800) Op.45, No.1 (Clementi/Boosey & Hawkes)
- C.180 - Sonata [No.20] in G Major (1800) Op.45, No.2 (Clementi/Boosey & Hawkes)
- C.181 - Piano Sonata No.21 (Sonata in D major, 1800)(Clementi/Boosey & Hawkes)
- C.182 - Sonata for Michrochordon or Piano (with Drum and Triangle ad lib.) in B-flat Major (ca. 1800) Op.45 (Clementi)
- C.183 - Harp Sonata in F Major (Lass of Richmond Hill) (ca. 1800)
- C.184 - Sonata [No.21] in D Major (1801) Op.47, No.1 (Broderip & Wilkinson)
- C.185 - Sonata [No.22] in G Major (1801) Op.47, No.2 (Broderip & Wilkinson)
- C.186 - Sonata (Duo) for Piano 4-Hands in C major (ca. 1801) Op.48
- C.187 - Piano Concerto No.6 in G minor (1801) Op.49/50
- C.188 - Duet (Polonaise) for Piano 3-Hands in B-flat Major (1802?) Op.50 (Clementi et al.)
- C.189 - Duettino for Harp and Piano in C Major (ca. 1802)
- C.190 - Duettino for Harp and Piano in F Major (ca. 1802)
- C.191-196 - New Years gift, 6 Waltzes for Piano and Violin or Flute ad lib. (1803)
- C.191 - Waltz No.1 in G Major
- C.192 - Waltz No.2 in B-flat Major
- C.193 - Waltz No.3 in C Major
- C.194 - Waltz No.4 in A Major
- C.195 - Waltz No.5 in B-flat Major
- C.196 - Waltz No.6 in F Major
- C.197 - Piano Quartet in E-flat Major (1803) Op.56/53
- C.198 - Ertönet iaut ihr bebenden Saiten (1804)
- C.199 - Fantasia and Fugue in F minor (1804) Op.55/Op.50 (Erard)
C.200-249
- C.200-205 - 6 Gesänge (Canzonettas) for Voice and Piano (1804) Op.52
- C.200 - Sehnsucht der Liebe "Lass in der Wehmut" = Or che un istante, O Fille = Now while the moment I enjoy
- C.201 - Klafe der liebe "Einsam am Ufer" = A che congiuri = Dearly I love thee
- C.202 - Hoffnung "Süsse Hoffnung, Göttergabe" = Dolce speme del ciel dono = Hope, thou first, thou greatest blessing
- C.203 - Das Warum "Warum verschmäht ihr, o reizende Nymphen" = Leggiadre ninfe = With nymphs who wander
- C.204 - Dauer der Liebe 'lass uns der sel'gen Stunden" = Placa quell'ira, o cara = Dearest Anna, cease thy sheperd to reprove
- C.205 - Eigensinn der Liebe "Eitel sind der Liebe Schmerzen" = Che vorresti, o pastorello? = Shepherd, cease thy fond reproaches
- C.206 - Concerto pour deux pianofortes avec accompagnement de l'orchestre Op.63
- C.207 - Sonata for Piano 4-Hands in C Major (1806)
- C.208 - String Quartet in G Major (1806) Op.60, No.1
- C.209 - String Quartet in B-flat Major (1806) Op.60, No.2
- C.210 - String Quartet in E-flat Major (1806) Op.60, No.3
- C.211 - PSonata [No.24] in F-sharp minor (Elégie harmonique) (1806-7) Op.61 (Pleyel)
- C.212 - La consolation (1807) Op.61/62
- C.213 - Lied in drei Noten, Voice and Piano (1807)
- C.214 - Sonata for Flute, Cello, and Piano (flute and cello ad.lib) (1807) Op.65
- C.215-220 - 6 Canons for 3 and 4 Voices (1807)
- C.215 - Canon No.1 "Ha, ha, ha, ha, ich merke sohl"
- C.216 - Canon No.2 "Venerabilis Barba barba Capucinorum"
- C.217 - Canon No.3 "Weg mit Quart- und folio Bänden"
- C.218 - Canon No.4 "Ach, wie soll ich das gestehen"
- C.219 - Canon No.5 "Mit Mädchen sich vertragen"
- C.220 - Canon No.6 "Der Zornige"
- C.221 - Sonata [No.26] in A-flat Major "Le retour à Paris" (1807) Op.64 (Pleyel)/70 (Boosey & Hawkes)/71 (Cianchettini & Sperati)/77 (André)
- C.222-225 - 2 Anglaises and 2 Waltzes (1807)
- C.222 - Anglaise No.1 in C Major
- C.223 - Anglaise No.2 in G Major
- C.224 - Waltz No.1 in C Major
- C.225 - Waltz No.2 in E-flat Major
- C.226 - Andantino con variazioni (1807)
- C.227 - Fugue No.1 for Piano 4-Hands in C Major (1808) Op.64, No.1 (Boosey & Hawkes)
- C.228 - Fugue No.2 for Piano 4-Hands in G minor (1808) Op.64, No.2 (Boosey & Hawkes)
- C.229 - Fugue No.3 for Piano 4-Hands in F Major (1808) Op.64, No.3 (Boosey & Hawkes)
- C.230 - Sonata (Sonate progressive) for Piano 4-Hands in C Major (1809) Op.66, No.1 (Cianchettini & Sperati)/Op.67, No.1
- C.231 - Sonata (Sonate progressive) for Piano 4-Hands in F Major (1809) Op.66, No.2 (Cianchettini & Sperati)/Op.67, No.2
- C.232 - Sonata (Sonate progressive) for Piano 4-Hands in B-flat Major (1809) Op.66, No.3 (Cianchettini & Sperati)/Op.67, No.3
- C.233 - Notturno for Piano, Violin and Horn in E-flat Major (1809) Op.68/Op.69 (André)
- C.234 - Duo concertante for Harp and Piano, Op. 69 no.1, or Op.74. Also for piano 4 hands, Op. 74.
- C.235 - Air de troubadour, Variations (1810) Op.71, No.1 (Naderman)
- C.236 - Air de Mr. Dottor, Variations (1810) Op.71, No.2 (Naderman)
- C.237 - Amusez-vous, belles, Variations (1810) Op.71, No.3 (Naderman)
- C.238 - Piano Concerto [No.12] in E-flat major (1810)
- C.239 - Sonata for Piano 4-Hands in E-flat Major (1810) Op.72 (Boosey & Hawkes)
- Arranged as Duo concertante for Harp and Piano Op.69, No.2 (Cianchettini & Sperati)
- C.240 - Sonata for Piano and Violin in B-flat Major (1811) Op.69, No.1 (Boosey & Hawkes)/Op.72, No.1 (Cianchettini & Sperati)
- C.241 - Sonata for Piano and Violin in G Major (1811) Op.69, No.2 (Boosey & Hawkes)/Op.72, No.2 (Cianchettini & Sperati)
- C.242 - Sonata [No.25] for Piano in D major (1811) Op.69, No.1 (Boosey & Hawkes)/Op.72, No.3 (Cianchettini & Sperati)
- C.243 - Duo concertante for Harp and Piano or 2 Pianos in F Major (1810) Op.69, No.3 (Cianchettini & Sperati)/Op.73'
- C.244 - Il étoit un petit homme, Variations (1811) Op.71, No.4 (Boosey & Hawkes)
- C.245 - Air vive Henry quatre, Variations (1811) Op.71, No.5 (Boosey & Hawkes)
- C.246 - Marche for Tamerlan, Variations (1811) Op.71, No.6 (Boosey & Hawkes)
- C.247 - Sonata [No.27] in E-flat Major (1811) Op.75
- C.248 - Fantasie in F major (1811) Op.76
- C.249 - Partant pour la Syrie, Romance (1811)
C.250-287
- C.250-256 - 6 Duos faciles et agréables, 2 Violins (1811) Op.58
- C.256 - Messe solemnelle (1811)
- C.257 - Lewie Gordon, Piano and Harp (1812)
- C.258 - The rising of the sun, Piano and Harp (1812)
- C.259 - Sonata [No.28] in F minor "L'invocation" (1812) Op.77 (Nadermann)
- C.260-261 - 2 Sonatas for Piano and Violin (1812) Op.Posth.
- C.260 - No.1 in E-flat Major
- C.261 - No.2 in B-flat Major
- C.262 - Il esorcismo della Podagra, Canon for 4 Voices
- C.263 - The Brunswick march
- C.264 - Harp Sonata (Concerto?) in B-flat Major (1813)
- C.265 - Harp Concerto No.1 in E-flat Major
- C.266 - Harp Concerto No.2 in F Major
- C.267 - Harp Concerto No.3 in C Major
- C.268-277 - 6 Contredances and 4 Waltzes by Mozart
- C.278 - Fernando's Hochgesang an Clara, Voice and Piano or harp
- C.279 - Liete e amarosi, Tenor and Orchestra
- C.280 - La mia testa, Tenor and Orchestra
- C.281 - Moravian waltz
- C.282 - Piano Sonata (for six-octave piano)
- C.283 - Turkish march
- C.284 - Instructions on the art of playing the piano forte or harpsichord (1796)
- C.285 - Méthode pour le pianoforte (by Pleyel and Dussek) (1799)
- C.286 - Klavierschule (1802)
- C.287 - Pianoforte-Schule (1802)