Piano Sonata No.14, Op.39 No.1 (Dussek, Jan Ladislav)

Movements/SectionsMov'ts/Sec's 2 movements
Genre Categories Sonatas; For piano; Scores featuring the piano; For 1 player

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Sheet Music

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Publisher. Info. Paris: Pleyel, n.d.[1799] Plate 284.
Copyright
Public Domain
Misc. Notes Cleaned, de-skewed, margins reduced and converted to monochrome. Re-sampled to 600 dpi.
Split from the set of 3 Sonatas Op.39.
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Publisher. Info. London: Longman Clementi & Co, n.d.
Reprinted The London Pianoforte School, Vol.6
New York: Garland
Copyright
Public Domain
Misc. Notes Monochrome scan: re-sampled to 450 dpi, Temperley's small edits deleted, set uniform margins.
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Editor Louis Winkler (1813?-1886)
Publisher. Info. Braunschweig: Henry Litolff's Verlag, n.d.[1868]. Plate 2432.
Copyright
Public Domain
Misc. Notes Split from Sonates pour piano by Jan Ladislav Dussek
Measure numbers added. Fingerings removed.
Allegro: meas. 104, r.h. change last note into G.

This file is part of the Sibley Mirroring Project.

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 Complete Score
#09913 - 0.94MB, 16 (#111-126) pp. -  9.6666666666667/10 2 4 6 8 10 (3) - V*/V*/V* - 1378×⇩ - Mcroskell

PDF scanned by Unknown
Mcroskell (2007/7/15)

Publisher. Info. Prague: SNKLHU, 1961, Plate H 3289.
from Musica Antiqua Bohemica, Vol. 53.
Copyright
Public Domain
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Other

Copyist Pierre Charles Cior (1769–after 1838)
Publisher. Info. Portrait of a Girl at a Pianoforte
Oil on canvas, 1820.
Copyright
Public Domain
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General Information

Work Title Piano Sonata No.14
Alternative. Title
Composer Dussek, Jan Ladislav
Opus/Catalogue NumberOp./Cat. No. Op.39 No.1
Internal Reference NumberInternal Ref. No. IJD 51
Key G major
Movements/SectionsMov'ts/Sec's 2 movements:
  1. Allegro
  2. Andantino ma moderato e con espressione - Allegro ma non troppo - Tempo I - Allegro
Dedication Mrs. Apreece
Average DurationAvg. Duration 12 minutes
Composer Time PeriodComp. Period Romantic
Piece Style Classical
Instrumentation piano
External Links All Music Guide

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Like many of Dussek's sonatas this is in 2 movements (or three in this case, the Andantino going attacca into the Allegro), though in this case with no real movement breaks (at least in the 1961 edition) and an odd, fantasiacal finale

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