The catalogue is organized thematically, not chronologically, and contains over 700 individual pieces.
Z
|
Title
|
Key
|
Date
|
Genre
|
Scoring
|
Notes
|
001
|
Awake, put on thy strength
|
|
1682–85 ca.
|
Anthems
|
|
|
002
|
Behold, I bring you glad tidings
|
|
1687
|
Anthems
|
|
|
003
|
Behold now, praise the Lord
|
|
1680 ca.
|
Anthems
|
|
|
004
|
Be merciful unto me
|
|
1683 or before
|
Anthems
|
|
|
005
|
Blessed are they that fear the Lord
|
|
1688
|
Anthems
|
|
|
006
|
Blessed be the Lord my strength
|
|
1679 or before
|
Anthems
|
|
|
007
|
Blessed is he that considereth the poor
|
|
1688 ca.
|
Anthems
|
|
|
008
|
Blessed is he whose unrighteousness is forgiven
|
|
1688-92 ca.
|
Anthems
|
|
|
009
|
Blessed is the man that feareth the Lord
|
|
1688 ca.
|
Anthems
|
|
|
010
|
Blow up the trumpet in Sion
|
|
1679 or before
|
Anthems
|
|
|
011
|
Bow down thine ear, O Lord
|
|
1680-82 ca.
|
Anthems
|
|
|
012
|
Give sentence with me, O Lord
|
|
1681 or before
|
Anthems
|
|
|
013
|
Hear me, O Lord, and that soon
|
|
1680-82 ca.
|
Anthems
|
|
|
013
|
Hear me, O Lord, and that soon
|
|
1680-82 ca.
|
Anthems
|
|
2 arrangements are Z.13A and Z.13B
|
014
|
Hear my prayer, O God
|
|
1683 or before
|
Anthems
|
|
|
015
|
Hear My Prayer, O Lord
|
C minor
|
1683 or before
|
Anthems
|
chorus
|
|
016
|
In thee, O Lord, do I put my trust
|
|
1682 ca.
|
Anthems
|
|
|
017
|
In the midst of life
|
|
1682 or before
|
Anthems
|
|
2 arrangements are Z.17A and Z.17B
|
018
|
It is a good thing to give thanks
|
|
1682-85 ca.
|
Anthems
|
|
|
019
|
I was Glad when They Said unto Me
|
G major
|
1682-83 ca.
|
Anthems
|
chorus
|
|
020
|
I will give thanks unto Thee, O Lord
|
|
1682-85 ca.
|
Anthems
|
|
|
021
|
I will give thanks unto the Lord
|
|
1680-82 ca.
|
Anthems
|
|
|
022
|
I will sing unto the Lord
|
|
1679 or before
|
Anthems
|
|
|
023
|
Let God arise
|
|
1679 or before
|
Anthems
|
|
|
024
|
Let mines eyes run down with tears
|
G minor
|
1682 ca.
|
Anthems
|
chorus, continuo
|
|
025
|
Lord, How Long wilt Thou be Angry?
|
G minor
|
1680-82 ca.
|
Anthems
|
chorus
|
|
026
|
Lord, who can tell how oft he offendeth?
|
|
1677 ca.
|
Anthems
|
|
|
027
|
Man that is born of woman
|
|
1680-82 ca.
|
Anthems
|
|
|
028
|
My Beloved Spake
|
F major
|
1677 or before
|
Anthems
|
chorus, strings
|
|
029
|
My heart is fixed, O God
|
|
1682-85 ca.
|
Anthems
|
|
|
030
|
My heart is inditing
|
|
1685
|
Anthems
|
|
|
031
|
My song shall be alway
|
|
1690
|
Anthems
|
|
|
032
|
O consider my adversity
|
|
|
Anthems
|
|
|
033
|
O give thanks unto the Lord
|
|
1693
|
Anthems
|
|
|
034
|
O God the King of Glory
|
B minor
|
1679 or before
|
Anthems
|
chorus
|
|
035
|
O God, thou art my god
|
|
1680-82 ca.
|
Anthems
|
|
|
036
|
O God, thou has cast us out
|
|
1680-82 ca.
|
Anthems
|
|
|
037
|
O Lord God of hosts
|
|
1680-82 ca.
|
Anthems
|
|
|
038
|
O Lord, grant the King a long life
|
|
1685
|
Anthems
|
|
|
039
|
O Lord Our Governor
|
C minor
|
1679 or before
|
Anthems
|
voices (5), chorus, continuo
|
|
040
|
O Lord, rebuke me not
|
|
|
Anthems
|
|
|
041
|
O Lord, Thou art my God
|
|
1680-82 ca.
|
Anthems
|
|
|
042
|
O praise God in his holiness
|
|
1682-85 ca.
|
Anthems
|
|
|
043
|
O praise the Lord, all ye heathen
|
|
1681 or before
|
Anthems
|
|
|
044
|
O sing unto the Lord
|
|
1688
|
Anthems
|
|
|
045
|
Out of the deep have I called
|
|
1680 ca.
|
Anthems
|
|
|
046
|
Praise the Lord, O Jerusalem
|
|
1689
|
Anthems
|
|
|
046(a)
|
Praise the Lord, ye servants
|
|
1689
|
Anthems
|
|
fragment
|
047
|
Praise the Lord, O my soul, and all that is within me
|
|
1682-85 ca.
|
Anthems
|
|
|
048
|
Praise the Lord, O my soul, O Lord my God
|
|
1687
|
Anthems
|
|
|
049
|
Rejoice in the Lord Alway
|
C major
|
1682–85 ca.
|
Anthems
|
voices (3), chorus, strings
|
|
050
|
Remember Not, Lord, Our Offences
|
A minor
|
1679–82 ca.
|
Anthems
|
chorus
|
|
051
|
Save me, O God
|
|
1681 or before
|
Anthems
|
|
|
052
|
Sing unto God
|
|
1687
|
Anthems
|
|
|
053
|
The Lord is king, be the people never so impatient
|
|
|
Anthems
|
|
|
054
|
The Lord is King, the earth may be glad
|
|
1688
|
Anthems
|
|
|
055
|
The Lord is my light
|
|
1682-85 ca.
|
Anthems
|
|
|
056
|
The way of God is an undefiled way
|
|
1694
|
Anthems
|
|
|
057
|
They that go down to the sea in ships
|
|
1685
|
Anthems
|
|
|
058
|
Thou know'st, Lord, the secrets of our hearts
|
|
1687
|
Anthems
|
|
2 arrangements are Z.58A and Z.58B, Full anthem Z.58B
|
059
|
Thy righteousness, O God, is very high
|
|
|
Anthems
|
|
|
060
|
Thy way, O God, is holy
|
|
1687
|
Anthems
|
|
|
061
|
Thy word is a lantern unto my feet
|
|
|
Anthems
|
|
|
062
|
Turn thou us, O good Lord
|
|
|
Anthems
|
|
|
063
|
Unto Thee will I cry
|
|
1682–85 ca.
|
Anthems
|
|
|
064
|
Who hath believed our report?
|
|
1679-80 ca.
|
Anthems
|
|
|
065
|
Why do the heathen so furiously rage together?
|
|
1682-85 ca.
|
Anthems
|
|
|
Z
|
Title
|
Key
|
Date
|
Genre
|
Scoring
|
Notes
|
101
|
Joy, mirth, triumphs I do defy
|
|
|
Catches
|
|
|
103
|
Gloria Patri et Filio
|
|
1680 ca.
|
Glorias
|
|
|
104
|
Gloria Patri et Filio
|
|
1680 ca.
|
Glorias
|
|
|
105
|
Gloria Patri et Filio
|
D minor
|
1680 ca.
|
Glorias
|
chorus
|
|
106
|
Gloria Patri et Filio
|
|
1680 ca.
|
Glorias
|
|
|
107
|
Gloria Patri et Filio
|
|
|
Glorias
|
|
|
108
|
Laudate Dominum
|
|
|
Sacred songs
|
|
|
109
|
Misere Mei
|
|
|
Sacred songs
|
|
|
120
|
Chant in A minor
|
A minor
|
|
Chants
|
|
authorship uncertain
|
121
|
Chant in G major
|
G major
|
|
Chants
|
|
authorship uncertain
|
122
|
Chant in G major
|
G major
|
|
Chants
|
|
authorship uncertain
|
123
|
Chant in D minor
|
D minor
|
|
Chants
|
|
authorship uncertain
|
124
|
Chant in G major
|
G major
|
|
Chants
|
|
authorship uncertain
|
125
|
Burford psalm-tune in G minor
|
G minor
|
|
Psalms
|
|
authorship uncertain
|
130
|
Ah! few and full of sorrow
|
|
1680 ca.
|
Sacred hymns
|
|
|
131
|
Beati omnes qui timent Dominum
|
G minor
|
1680 ca.
|
Sacred hymns
|
chorus, continuo
|
|
132
|
Early, O Lord, my fainting soul
|
|
1680 ca.
|
Sacred hymns
|
|
|
133
|
Hear me, O Lord, the great support
|
|
1680-82 ca.
|
Sacred hymns
|
|
|
134
|
In guilty night
|
|
|
Sacred hymns
|
|
|
135
|
Jehovah, quam multi sunt hostes mei
|
A minor
|
1680 ca.
|
Psalms
|
voices (2), chorus, continuo
|
|
136
|
Lord, I Can Suffer Thy Rebukes
|
G minor
|
1680 ca.
|
Sacred hymns
|
voices (4), continuo
|
|
137
|
Lord, not to us, but to thy name
|
|
1680 ca.
|
Sacred hymns
|
|
|
138
|
O all ye people, clap your hands
|
|
1680 ca.
|
Sacred hymns
|
|
|
139
|
O happy man that fears the Lord
|
|
|
Sacred hymns
|
|
|
140
|
O, I'm sick of life
|
|
1680 ca.
|
Sacred hymns
|
|
|
141
|
O Lord our governor
|
|
1680 ca.
|
Sacred hymns
|
|
|
142
|
Plung'd in the confines of despair
|
|
1680 ca.
|
Sacred hymns
|
|
|
143
|
Since God, so tender a regard
|
|
1680 ca.
|
Sacred hymns
|
|
|
144
|
When on my sickbed I languish
|
|
1680 ca.
|
Sacred hymns
|
|
|
181
|
Awake, and with attention hear
|
|
1681 or before
|
Hymns
|
|
|
182
|
Awake, ye dead
|
|
1693 or before
|
Hymns
|
|
|
183
|
Begin the song, and strike the living lyre
|
|
1681 or before
|
Hymns
|
|
|
184
|
Close thine eyes and sleep secure
|
|
1688 or before
|
Hymns
|
|
|
185
|
Full of wrath his threatening breath
|
|
|
Hymns
|
|
|
186
|
Great God and just
|
|
1688 or before
|
Hymns
|
|
|
187
|
Hosanna to the highest
|
|
|
Hymns
|
|
|
188
|
How have I strayed
|
|
1688 or before
|
Hymns
|
|
|
189
|
How long, great God?
|
|
1688 or before
|
Hymns
|
|
|
190
|
In the black dismal dungeon of despair
|
|
1688 or before
|
Hymns
|
|
|
191
|
Let the night perish
|
|
1688 or before
|
Hymns
|
|
|
192
|
Lord, what is man?
|
|
1693 or before
|
Hymns
|
|
|
193
|
Now that the sun hath veiled his light
|
|
1688 or before
|
Hymns
|
|
|
195
|
Sleep, Adam[, sleep and take thy rest]
|
|
1688 or before
|
Hymns
|
|
|
196
|
Tell me, some pitying angel
|
|
1693 or before
|
Hymns
|
|
|
197
|
The earth trembled
|
|
1688 or before
|
Hymns
|
|
|
198
|
Thou wakeful shepherd
|
|
1688 or before
|
Hymns
|
|
|
199
|
We sing to him, whose wisdom form'd the ear
|
|
1688 or before
|
Hymns
|
|
|
200
|
With sick and famish'd eyes
|
|
1688 or before
|
Hymns
|
|
|
Z
|
Title
|
Key
|
Date
|
Genre
|
Scoring
|
Notes
|
240
|
A health to the nut-brown lass
|
|
1685
|
Catches
|
|
|
241
|
An ape, a lion, a fox and an ass
|
|
1686
|
Catches
|
|
|
242
|
As Roger last night to Jenny lay close
|
|
|
Catches
|
|
|
243
|
Bring the bowl and cool Nantz
|
|
1693-94
|
Catches
|
|
|
244
|
Call for the reckoning
|
|
|
Catches
|
|
|
245
|
Come let us drink
|
|
|
Catches
|
|
|
246
|
Come my hearts, play your parts
|
|
1685
|
Catches
|
|
|
247
|
Down, down with Bacchus
|
|
1693
|
Catches
|
|
|
248
|
Drink on till night be spent
|
|
1686
|
Catches
|
|
|
249
|
Full bags, a brisk bottle
|
|
1686
|
Catches
|
|
|
250
|
God save our sovereign Charles
|
|
1685
|
Catches
|
|
|
251
|
Great Apollo and Bacchus
|
|
|
Catches
|
|
|
252
|
Here's a health, pray let it pass
|
|
|
Catches
|
|
|
253
|
Here's that will challenge all the fair
|
|
1680
|
Catches
|
|
|
254
|
He that drinks is immortal
|
|
1686
|
Catches
|
|
|
255
|
If all be true that I do think
|
|
1689
|
Catches
|
|
|
256
|
I gave her cakes and I gave her ale
|
|
1690
|
Catches
|
|
|
257
|
Is Charleroy's siege come too?
|
|
1693
|
Catches
|
|
|
258
|
Let the grave folks go preach
|
|
1685
|
Catches
|
|
|
259
|
Let us drink to the blades
|
|
1691
|
Catches
|
|
|
260
|
My lady's coachman, John
|
|
1688
|
Catches
|
|
|
261
|
Now England's great council's assembled
|
|
1685
|
Catches
|
|
|
263
|
Of all the instruments that are
|
|
1693
|
Catches
|
|
|
264
|
Once in our lives let us drink to our wives
|
|
1686
|
Catches
|
|
|
265
|
Once, twice, thrice, I Julia tried
|
|
|
Catches
|
|
|
266
|
One industrious insect
|
|
|
Catches
|
|
|
267
|
Pale faces, stand by
|
|
1688
|
Catches
|
|
|
268
|
Pox on you for a fop
|
|
|
Catches
|
|
|
269
|
Prithee be n't so sad and serious
|
|
|
Catches
|
|
|
270
|
Room for th'express
|
|
1694
|
Catches
|
|
|
271
|
Since the duke is return'd
|
|
1685
|
Catches
|
|
|
272
|
Since time so kind to us does prove
|
|
|
Catches
|
|
|
273
|
Sir Walter enjoying his damsel
|
|
|
Catches
|
|
|
274
|
Soldier, soldier, take off thy wine
|
|
|
Catches
|
|
|
275
|
Sum up all the delights
|
|
1688
|
Catches
|
|
|
276
|
The Macedon youth
|
|
1686
|
Catches
|
|
|
277
|
The miller's daughter riding
|
|
1686
|
Catches
|
|
|
278
|
The surrender of Limerick
|
|
1691
|
Catches
|
|
|
279
|
Tis easy to force
|
|
1685
|
Catches
|
|
|
280
|
Tis too late for a coach
|
|
1686
|
Catches
|
|
|
281
|
Tis women makes us love
|
|
1685
|
Catches
|
|
|
282
|
To all lovers of music
|
|
1687
|
Catches
|
|
|
283
|
To thee, to thee and to a maid
|
|
1685
|
Catches
|
|
|
284
|
True Englishmen drink a good health
|
|
1689 ca.
|
Catches
|
|
|
285
|
Under a green elm lies Luke Shepherd's helm
|
|
1686
|
Catches
|
|
|
286
|
Under this stone lies Gabriel John
|
|
1686
|
Catches
|
|
|
287
|
When V and I together meet
|
|
1686
|
Catches
|
|
|
288
|
Who comes there?
|
|
1685
|
Catches
|
|
|
289
|
Wine in a morning makes us frolic and gay
|
|
1686
|
Catches
|
|
|
290
|
Would you know how we meet
|
|
1685
|
Catches
|
|
|
291
|
Young Colin cleaving of a beam
|
|
1691
|
Catches
|
|
|
292
|
Young John the gard'ner
|
|
1683
|
Catches
|
|
|
Z
|
Title
|
Key
|
Date
|
Genre
|
Scoring
|
Notes
|
320
|
Arise my Muse
|
|
1690
|
Odes
|
|
|
321
|
Celebrate this Festival
|
|
1693
|
Odes
|
voices (5), chorus, orchestra
|
|
322
|
Celestial music did the gods inspire
|
|
1689
|
Odes
|
|
|
323
|
Come, Ye Sons of Art Away
|
D major
|
1694
|
Odes
|
voices (4), chorus, orchestra
|
|
324
|
Fly, bold rebellion
|
|
1683
|
Odes
|
|
|
325
|
From hardy climes and dangerous toils of war
|
|
1683
|
Odes
|
|
|
326
|
From those serene and rapturous joys
|
|
1684
|
Odes
|
|
|
327
|
Great parent, hail!
|
|
1694
|
Odes
|
|
|
328
|
Hail, Bright Cecilia
|
D major
|
1692
|
Odes
|
voices (5), chorus, orchestra
|
also referred to as Ode for St. Cecilia's Day 1692
|
329
|
Laudate Ceciliam
|
|
1683
|
Odes
|
|
|
331
|
Love's goddess sure was blind
|
|
1692
|
Odes
|
|
|
332
|
Now does the glorious day appear
|
|
1689
|
Odes
|
|
|
333
|
Of old when heroes thought it base
|
|
1690
|
Odes
|
voices (5), chorus, orchestra
|
also referred to as Yorkshire Feast Song
|
334
|
Raise raise the voice
|
|
1685 ca.
|
Odes
|
|
|
335
|
Sound the Trumpet, Beat the Drum
|
|
1678
|
Odes
|
voices (4), chorus, strings
|
also referred to as Welcome Ode for James II
|
336
|
Swifter, Isis, swifter flow
|
|
1681
|
Odes
|
|
|
337
|
The summer's absence unconcerned we bear
|
|
1682
|
Odes
|
|
|
338
|
Welcome, welcome glorious morn
|
|
1691
|
Odes
|
|
|
339
|
Welcome to all the pleasures
|
|
1683
|
Odes
|
|
|
340
|
Welcome, vicegerent of the mighty king
|
|
1680
|
Odes
|
|
|
341
|
What, what shall be done in behalf of the man?
|
|
1682
|
Odes
|
|
|
342
|
Who can from Joy Refrain?
|
C major
|
1695
|
Odes
|
voices, chorus, orchestra
|
also referred to as A Birthday Song for the Duke of Gloucester
|
343
|
Why, why are all the Muses mute?
|
|
1685
|
Odes
|
|
|
344
|
Ye tuneful Muses
|
|
1686
|
Odes
|
|
|
Z
|
Title
|
Key
|
Date
|
Genre
|
Scoring
|
Notes
|
351
|
Aaron thus propos'd to Moses
|
|
1688
|
Songs
|
|
authorship uncertain
|
352
|
Ah! Cruel nymph, you give despair
|
|
|
Songs
|
|
|
353
|
Ah! how pleasant 'tis to love
|
|
1688
|
Songs
|
|
|
354
|
Ah! Cruel nymph, you give despair
|
|
|
Songs
|
|
|
355
|
Amidst the shades and cool refreshing streams
|
|
1687
|
Songs
|
|
|
356
|
Amintas, to my grief I see
|
|
1679
|
Songs
|
|
|
357
|
Amintor, heedless of his flocks
|
|
1681
|
Songs
|
|
|
358
|
Ask me to love no more
|
|
1694
|
Songs
|
|
|
359
|
A thousand sev'ral ways I tried
|
|
1684
|
Songs
|
|
|
360
|
Bacchus is a power divine
|
|
|
Songs
|
|
|
361
|
Beware, poor Shepherds
|
|
1684
|
Songs
|
|
|
362
|
Cease, anxious world
|
|
1687
|
Songs
|
|
|
363
|
Cease, O my sad soul
|
|
1678
|
Songs
|
|
|
364
|
Celia's fond, too long I've loved her
|
|
1694
|
Songs
|
|
|
365
|
Corinna is divinely fair
|
|
1692
|
Songs
|
|
|
367
|
Cupid, the slyest rogue alive
|
|
1685
|
Songs
|
|
|
368
|
Farewell, all joys
|
|
1685
|
Songs
|
|
|
369
|
Fly swift, ye hours
|
|
1692
|
Songs
|
|
|
370
|
From silent shades and the Elysian groves
|
|
1683
|
Songs
|
|
|
371
|
The Knotting Song
|
|
1695
|
Songs
|
voice, continuo
|
also referred to as Hears not my Phyllis
|
372
|
He himself courts his own ruin
|
|
1684
|
Songs
|
|
|
373
|
How delightful's the life of an innocent swain
|
|
|
Songs
|
|
|
374
|
How I sigh when I think of the charms
|
|
1681
|
Songs
|
|
|
375
|
I came, I saw, and was undone
|
|
|
Songs
|
|
|
376
|
I envy not a monarch's fate
|
|
1693
|
Songs
|
|
|
377
|
I fain would be free
|
|
|
Songs
|
|
|
378
|
If grief has any power to kill
|
|
1685
|
Songs
|
|
|
379
|
If Music be the Food of Love
|
|
1692–1695
|
Songs
|
|
|
380
|
If prayers and tears
|
|
|
Songs
|
|
|
381
|
I Lov'd Fair Celia
|
D minor
|
1694
|
Songs
|
voice, continuo
|
|
382
|
I love and I must
|
|
|
Songs
|
|
|
383
|
Incassum Lesbia, incassum rogas
|
|
1695
|
Songs
|
|
|
384
|
In Cloris all soft charms
|
|
1684
|
Songs
|
|
|
385
|
In vain we dissemble
|
|
1685
|
Songs
|
|
|
386
|
I resolve against cringing
|
|
1679
|
Songs
|
|
|
387
|
I saw that you were grown so high
|
|
1678
|
Songs
|
|
|
388
|
I take no pleasure in the sun's bright beams
|
|
1681
|
Songs
|
|
|
389
|
Leave these useless arts in loving
|
|
|
Songs
|
|
|
390
|
Let each gallant heart
|
|
1683
|
Songs
|
|
|
391
|
Let formal lovers still pursue
|
|
1687
|
Songs
|
|
|
392
|
Love Arms Himself in Celia's Eyes
|
C major
|
|
Songs
|
voice, continuo
|
|
393
|
Love is now become a trade
|
|
1685
|
Songs
|
|
|
394
|
Lovely Albina's come ashore
|
|
|
Songs
|
|
|
395
|
Love's power in my heart shall find no compliance
|
|
1688
|
Songs
|
|
|
396
|
Love, thou canst hear, tho' thou art blind
|
|
1695
|
Songs
|
|
|
397
|
More love or more disdain I crave
|
|
1678
|
Songs
|
|
|
399
|
My heart, wherever you appear
|
|
1685
|
Songs
|
|
|
400
|
Not all my torments can your pity move
|
|
|
Songs
|
|
|
401
|
No watch, dear Celia, just is found
|
|
1693
|
Songs
|
|
|
402
|
O! fair Cedaria, hide those eyes
|
|
|
Songs
|
|
|
403
|
O! how happy's he
|
|
1690
|
Songs
|
|
|
404
|
Olinda in the shades unseen
|
|
|
Songs
|
|
|
405
|
On the brow of Richmond Hill
|
|
1692
|
Songs
|
|
|
406
|
Oh Solitude
|
C minor
|
1687
|
Songs
|
voice, continuo
|
|
407
|
Pastora's beauties when unblown
|
|
1681
|
Songs
|
|
|
408
|
Phyllis, I can ne'er forgive it
|
|
1688
|
Songs
|
|
|
409
|
Phillis, talk no more of passion
|
|
1685
|
Songs
|
|
|
410
|
Pious Celinda goes to prayers
|
|
1695
|
Songs
|
|
|
411
|
Rashly I swore I would disown
|
|
1683
|
Songs
|
|
|
412
|
Sawney is a bonny lad
|
|
1694
|
Songs
|
|
|
413
|
She loves and she confesses too
|
|
1683
|
Songs
|
|
|
414
|
She that would gain a faithful lover
|
|
1695
|
Songs
|
|
|
415
|
She who my poor heart possesses
|
|
1683
|
Songs
|
|
|
416
|
Since one poor view has drawn my heart
|
|
1681
|
Songs
|
|
|
417
|
Spite of the godhead, pow'rful love
|
|
1687
|
Songs
|
|
|
418
|
Sweet, be no longer sad
|
|
1678
|
Songs
|
|
|
420
|
Sylvia, now your scorn give over
|
|
1688
|
Songs
|
|
|
421
|
The fatal hour comes on apace
|
|
|
Songs
|
|
|
422
|
They say you're angry
|
|
1685
|
Songs
|
|
|
423
|
This Poet Sings the Trojan Wars
|
C major
|
1688
|
Songs
|
voice, continuo
|
also referred to as Anacreon´s Defeat
|
424
|
Through mournful shades and solitary groves
|
|
1684
|
Songs
|
|
|
425
|
Turn then thine eyes
|
|
|
Songs
|
|
|
426
|
Urge me no more
|
|
|
Songs
|
|
|
427
|
We now, my Thyrsis, never find
|
|
1693
|
Songs
|
|
|
428
|
What a sad fate is mine
|
|
|
Songs
|
|
|
429
|
What can we poor females do?
|
|
1694
|
Songs
|
|
|
430
|
When first Amintas sued for a kiss
|
|
1687
|
Songs
|
|
|
431
|
When first my shepherdess and I
|
|
1687
|
Songs
|
|
|
432
|
When her languishing eyes said love
|
|
1681
|
Songs
|
|
|
433
|
When I a lover pale do see
|
|
1678
|
Songs
|
|
|
434
|
When my Aemelia smiles
|
|
|
Songs
|
|
|
435
|
When Strephon found his passion vain
|
|
1683
|
Songs
|
|
|
436
|
When Thyrsis did the splendid eye
|
|
1675
|
Songs
|
|
|
437
|
While Thyrsis, wrapt in downy sleep
|
|
1685
|
Songs
|
|
|
438
|
Whilst Cynthia sung, all angry winds lay still
|
|
1686
|
Songs
|
|
|
440
|
Who but a slave can well express
|
|
|
Songs
|
|
|
441
|
Who can behold Florella's charms?
|
|
1695
|
Songs
|
|
|
442
|
Why so serious, why so grave?
|
|
|
Songs
|
|
|
443
|
Ye happy swains, whose nymphs are kind
|
|
1685
|
Songs
|
|
|
444
|
Stript of Their Green Our Groves Appear
|
B-flat major
|
1692
|
Songs
|
voice, continuo
|
|
461
|
Beneath a dark and melancholy grove
|
|
|
Songs
|
|
|
462
|
Draw near, you lovers
|
|
|
Songs
|
|
|
463
|
Farewell, ye rocks
|
|
1685
|
Songs
|
|
|
464
|
Gently shepherds, you that know
|
|
1687
|
Songs
|
|
|
465
|
High on a throne of glitt'ring ore
|
|
1690
|
Songs
|
|
|
466
|
Let us, kind Lesbia, give away
|
|
1684
|
Songs
|
|
|
467
|
Musing on cares of human fate
|
|
1685
|
Songs
|
|
|
468
|
No, to what purpose should I speak
|
|
|
Songs
|
|
|
469
|
Scarce had the rising sun appear'd
|
|
1679
|
Songs
|
|
|
470
|
See how the fading glories of the year
|
|
1689
|
Songs
|
|
|
471
|
Since the pox or the plague
|
|
1679
|
Songs
|
|
|
472
|
What hope for us remains now he is gone?
|
|
1679
|
Songs
|
|
|
473
|
Young Thyrsis' fate, ye hills and groves, deplore
|
|
|
Songs
|
|
|
482
|
Alas, how barbarous we are
|
|
|
Songs
|
|
|
483
|
Come, dear companions of th'Arcadian fields
|
|
1686
|
Songs
|
|
|
484
|
Come, lay by all care
|
|
1685
|
Songs
|
|
|
485
|
Dulcibella, when e'er I sue for a kiss
|
|
1694
|
Songs
|
|
|
486
|
Fair Cloe, my breast so alarms
|
|
1692
|
Songs
|
|
|
487
|
Fill the bowl with rosy wine
|
|
1687
|
Songs
|
|
|
489
|
Go tell Amynta, gentle swain
|
|
|
Songs
|
|
|
490
|
Haste, gentle Charon
|
|
|
Songs
|
|
|
491
|
Has yet your breast no pity learn'd?
|
|
1688
|
Songs
|
|
|
492
|
Hence, fond deceiver
|
|
1687
|
Songs
|
|
|
493
|
Here's to thee, Dick
|
|
1688
|
Songs
|
|
|
494
|
How great are the blessings 'A Health to King James'
|
|
1686
|
Songs
|
|
|
495
|
How sweet is the air and refreshing
|
|
1687
|
Songs
|
|
|
496
|
In all our Cynthia's shining sphere
|
|
|
Songs
|
|
|
497
|
In some kind dream
|
|
1687
|
Songs
|
|
|
498
|
I saw fair Cloris all alone
|
|
1687
|
Songs
|
|
|
499
|
I spy Celia, Celia eyes me
|
|
1687
|
Songs
|
|
|
500
|
Julia, your unjust disdain
|
|
1687
|
Songs
|
|
|
501
|
Let Hector, Achilles and each brave commander
|
|
1689
|
Songs
|
|
|
502
|
Lost is my quiet forever
|
|
1691
|
Songs
|
|
|
503
|
Nestor, who did to thrice man's age attain
|
|
1689
|
Songs
|
|
|
504
|
O dive custos Auriacae domus
|
C minor
|
1695
|
Songs
|
voices (2), continuo
|
|
505
|
Oft am I by the women told
|
|
1687
|
Songs
|
|
|
506
|
Oh! what a scene does entertain my sight
|
|
|
Songs
|
|
|
507
|
Saccharissa's grown old
|
|
1686
|
Songs
|
|
|
508
|
See where she sits
|
|
|
Songs
|
|
|
509
|
Sit down, my dear Sylvia
|
|
1685
|
Songs
|
|
|
510
|
Soft notes and gently raised
|
|
1685
|
Songs
|
|
|
511
|
Sylvia, thou brighter eye of night
|
|
|
Songs
|
|
|
512
|
Sylvia, 'tis true you're fair
|
|
1686
|
Songs
|
|
|
513
|
There never was so wretched lover as I
|
|
|
Songs
|
|
|
514
|
Though my mistress be fair
|
|
1685
|
Songs
|
|
|
515
|
Trip it, trip it in a ring
|
|
|
Songs
|
|
|
516
|
Underneath this myrtle shade
|
|
1692
|
Songs
|
|
|
517
|
Were I to choose the greatest bliss
|
|
1689
|
Songs
|
|
|
518
|
What can we poor females do?
|
|
|
Songs
|
|
|
519
|
When gay Philander left the plain
|
|
1984
|
Songs
|
|
|
520
|
When, lovely Phyllis, thou art kind
|
|
1985
|
Songs
|
|
|
521
|
When Myra sings
|
|
1695
|
Songs
|
|
|
522
|
When Teucer from his father fled
|
|
1686
|
Songs
|
|
|
523
|
While bolts and bars my days control
|
|
|
Songs
|
|
|
524
|
While you for me alone had charms
|
|
|
Songs
|
|
|
525
|
Why, my Daphne, why complaining?
|
|
1691
|
Songs
|
|
|
541
|
Hark Damon, hark
|
|
|
Songs
|
|
|
542
|
Hark how the wild musicians sing
|
|
|
Songs
|
|
|
543
|
How pleasant is this flowery plain
|
|
1688
|
Songs
|
|
|
544
|
If ever I more riches did desire
|
|
|
Songs
|
|
|
545
|
In a deep vision's intellectual scene 'The Complaint'
|
|
|
Songs
|
|
|
546
|
Tis wine was made to rule the day
|
|
|
Songs
|
|
|
547
|
We reap all the pleasures
|
|
|
Songs
|
|
|
Z
|
Title
|
Key
|
Date
|
Genre
|
Scoring
|
Notes
|
570
|
Abdelazer
|
|
1695
|
Incidental music
|
voice, strings
|
also referred to as The Moor's Revenge
|
571
|
A Fool's Preferment
|
|
1688
|
Incidental music
|
voice, continuo
|
also referred to as The Three Dukes of Dunstable
|
572
|
Amphitryon
|
|
1690
|
Incidental music
|
|
also referred to as The Two Sosias ; authorship uncertain movements 3-9
|
573
|
Aureng-Zebe
|
|
1692
|
Incidental music ; Songs
|
voice, continuo
|
also referred to as The Great Mogul
|
574
|
Bonduca
|
|
1695
|
Incidental music
|
voices, chorus, orchestra
|
also referred to as The British Heroine ; authorship uncertain movements 2-7
|
575
|
Circe
|
|
1690
|
Incidental music
|
|
|
576
|
Cleomenes, the Spartan Hero
|
|
1692
|
Incidental music
|
|
|
577
|
Distressed Innocence
|
|
1694
|
Incidental music
|
strings
|
also referred to as The Princess of Persia
|
578
|
Don Quixote
|
|
1694-95
|
Incidental music
|
|
|
579
|
Epsom Wells
|
|
1693
|
Incidental music
|
|
|
580
|
Henry the Second
|
|
1692
|
Incidental music
|
|
|
581
|
King Richard the Second
|
|
1681
|
Incidental music
|
|
also referred to as The Sicilian Usurper
|
582
|
Love Triumphant
|
|
1693
|
Incidental music
|
|
also referred to as Nature Will Prevail
|
583
|
Oedipus
|
|
1692
|
Incidental music
|
voice, continuo
|
|
584
|
Oroonoko
|
|
1695
|
Incidental music
|
|
|
585
|
Pausanius
|
|
1695
|
Incidental music
|
voices (2), continuo
|
|
586
|
Regulus
|
|
1692
|
Incidental music
|
|
also referred to as The Faction of Carthage
|
587
|
Rule a Wife and Have a Wife
|
|
1693
|
Incidental music
|
|
|
588
|
Sir Anthony Love
|
|
1692
|
Incidental music
|
|
also referred to as The Rambling Lady
|
589
|
Sir Barnaby Whigg
|
|
1681
|
Incidental music
|
|
also referred to as No Wit Like a Woman's
|
590
|
Sophonisba
|
|
1685
|
Incidental music
|
|
also referred to as Hannibal's Overthrow
|
591
|
The Canterbury Guests
|
|
1694
|
Incidental music
|
|
also referred to as A Bargain Broken
|
592
|
The Double Dealer
|
|
1693
|
Incidental music
|
|
|
594
|
The English Lawyer
|
|
1685
|
Incidental music
|
|
|
595
|
The Fatal Marriage
|
|
1694
|
Incidental music
|
|
also referred to as The Innocent Adultery
|
596
|
The Female Virtuosos
|
|
1693
|
Incidental music
|
|
|
597
|
The Gordion Knot Untied
|
|
1691
|
Incidental music
|
strings
|
|
598
|
The Indian Emperor
|
|
1691
|
Incidental music
|
|
also referred to as The Conquest of Mexico
|
599
|
The Knight of Malta
|
|
1691
|
Incidental music
|
|
|
600
|
The Libertine
|
|
1692
|
Incidental music
|
voices (3), orchestra
|
also referred to as The Libertine Destroyed
|
601
|
The Maid's Last Prayer
|
|
1693
|
Incidental music
|
|
also referred to as Any Rather Than Fail
|
602
|
The Marriage-Hater Matched
|
|
1693
|
Incidental music
|
|
|
603
|
The Married Beau
|
|
1694
|
Incidental music
|
|
also referred to as The Curious Impertinent
|
604
|
The Massacre of Paris
|
|
1693
|
Incidental music
|
|
|
605
|
The Mock Marriage
|
|
1695
|
Incidental music
|
|
|
606
|
Theodosius
|
|
1680
|
Incidental music
|
|
also referred to as The Force of Love
|
607
|
The Old Bachelor
|
|
1691
|
Incidental music
|
voice, orchestra
|
|
608
|
The Richmond Heiress
|
|
1691
|
Incidental music
|
|
also referred to as A Woman Once in the Right
|
609
|
The Rival Sisters
|
|
1691
|
Incidental music
|
voice, strings
|
also referred to as The Violence of Love
|
610
|
The Spanish Friar
|
|
1694-95
|
Incidental music
|
|
also referred to as The Double Discovery
|
611
|
The Virtuous Wife
|
|
1694
|
Incidental music
|
strings
|
also referred to as Good Luck at Last
|
612
|
The Wives' Excuse
|
|
1691
|
Incidental music
|
|
also referred to as Cuckolds Make Themselves
|
613
|
Tyrannic Love
|
|
1694
|
Incidental music
|
|
also referred to as The Royal Martyr
|
Z
|
Title
|
Key
|
Date
|
Genre
|
Scoring
|
Notes
|
730
|
Chacony in G minor
|
G minor
|
1680
|
Chaconnes
|
2 violins, viola, continuo
|
|
731
|
3 Parts upon a Ground
|
D major
|
1680
|
Fantasias
|
3 violins, continuo
|
|
732
|
Fantasy in D minor
|
D minor
|
1680
|
Fantasias
|
|
|
733
|
Fantasy in F major
|
F major
|
1680
|
Fantasias
|
|
|
734
|
Fantasy in G minor
|
G minor
|
1680
|
Fantasias
|
|
|
735
|
Fantasy in G minor
|
G minor
|
1680
|
Fantasias
|
|
|
736
|
Fantasy in B-flat major
|
B-flat major
|
1680
|
Fantasias
|
|
|
737
|
Fantasy in F major
|
F major
|
1680
|
Fantasias
|
|
|
738
|
Fantasy in C minor
|
C minor
|
1680
|
Fantasias
|
|
|
739
|
Fantasy in D minor
|
D minor
|
1680
|
Fantasias
|
|
|
740
|
Fantasy in A minor
|
A minor
|
1680
|
Fantasias
|
|
|
741
|
Fantasia in E minor
|
E minor
|
1680
|
Fantasias
|
4 viols
|
|
742
|
Fantasia in G major
|
G major
|
1680
|
Fantasias
|
4 viols
|
|
743
|
Fantasia in D minor
|
D minor
|
1680
|
Fantasias
|
4 viols
|
|
744
|
Fantasy in A minor
|
A minor
|
1680
|
Fantasias
|
|
incomplete
|
745
|
Fantasia upon One Note
|
F major
|
1680
|
Fantasias
|
5 viols
|
|
746
|
In Nomine of Six Parts
|
G minor
|
1680
|
In nominies
|
6 viols
|
|
746
|
In Nomine
|
G minor
|
1680
|
In nominies
|
|
|
748
|
Pavan in A major
|
A major
|
1680
|
Pavans
|
|
|
749
|
Pavan in A minor
|
A minor
|
1680
|
Pavans
|
|
|
750
|
Pavan in B-flat major
|
B-flat major
|
1680
|
Pavans
|
|
|
751
|
Pavan in G minor
|
G minor
|
1680
|
Pavans
|
|
|
752
|
Pavan in G minor
|
G minor
|
1680
|
Pavans
|
|
|
770(a)
|
Overture in G minor
|
G minor
|
1680
|
Overtures
|
|
|
770(b)
|
Suite for Strings
|
G major
|
1681 ca.
|
Suites
|
strings
|
|
771
|
Overture in D minor
|
D minor
|
|
Overtures
|
|
|
771
|
Overture in G minor
|
G minor
|
|
Overtures
|
|
|
780
|
Trio Sonata in G minor
|
G minor
|
|
Sonatas
|
violin, viola da gamba, continuo
|
|
790
|
Trio Sonata in G minor
|
G minor
|
1680 ca.
|
Sonatas
|
2 violins, bass viol, continuo
|
|
791
|
Trio Sonata in B-flat major
|
B-flat major
|
1680 ca.
|
Sonatas
|
2 violins, bass viol, continuo
|
|
792
|
Trio Sonata in D minor
|
D minor
|
1680 ca.
|
Sonatas
|
2 violins, bass viol, continuo
|
|
793
|
Trio Sonata in F major
|
F major
|
1680 ca.
|
Sonatas
|
2 violins, bass viol, continuo
|
|
794
|
Trio Sonata in A minor
|
A minor
|
1680 ca.
|
Sonatas
|
2 violins, bass viol, continuo
|
|
795
|
Trio Sonata in C major
|
C major
|
1680 ca.
|
Sonatas
|
2 violins, bass viol, continuo
|
|
796
|
Trio Sonata in E minor
|
E minor
|
1680 ca.
|
Sonatas
|
2 violins, bass viol, continuo
|
|
797
|
Trio Sonata in G major
|
G major
|
1680 ca.
|
Sonatas
|
2 violins, bass viol, continuo
|
|
798
|
Trio Sonata in C minor
|
C minor
|
1680 ca.
|
Sonatas
|
2 violins, bass viol, continuo
|
|
799
|
Trio Sonata in A major
|
A major
|
1680 ca.
|
Sonatas
|
2 violins, bass viol, continuo
|
|
800
|
Trio Sonata in F minor
|
F minor
|
1680 ca.
|
Sonatas
|
2 violins, bass viol, continuo
|
|
801
|
Trio Sonata in D major
|
D major
|
1680 ca.
|
Sonatas
|
2 violins, bass viol, continuo
|
|
802
|
Sonata in B minor
|
B minor
|
1680 ca.
|
Sonatas
|
2 violins, bass viol, continuo
|
|
803
|
Sonata in E-flat major
|
E-flat major
|
1680 ca.
|
Sonatas
|
2 violins, bass viol, continuo
|
|
804
|
Sonata in A minor
|
A minor
|
1680 ca.
|
Sonatas
|
2 violins, bass viol, continuo
|
|
805
|
Sonata in D minor
|
D minor
|
1680 ca.
|
Sonatas
|
2 violins, bass viol, continuo
|
|
807
|
Sonata in G minor
|
G minor
|
1680 ca.
|
Sonatas
|
2 violins, bass viol, continuo
|
|
807
|
Sonata in G minor
|
G minor
|
1680 ca.
|
Sonatas
|
2 violins, bass viol, continuo
|
|
808
|
Sonata in C major
|
C major
|
1680 ca.
|
Sonatas
|
2 violins, bass viol, continuo
|
|
809
|
Sonata in G minor
|
G minor
|
1680 ca.
|
Sonatas
|
2 violins, bass viol, continuo
|
|
810
|
Sonata in F major 'Golden Sonata'
|
F major
|
1680 ca.
|
Sonatas
|
2 violins, bass viol, continuo
|
|
811
|
Sonata in D major
|
D major
|
1680 ca.
|
Sonatas
|
2 violins, bass viol, continuo
|
|
850
|
Sonata in D major
|
D major
|
1694
|
Sonatas
|
trumpet, strings
|
|