List of works by Franz Danzi

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Category:Danzi, Franz.

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Contents

List of works, by Pechstaedt numbers

P. 1—46 - Stage Works

  • P. 1 - Cleopatra, duodrama in 1 act (text : Johann Leopold Neumann); 1st performance : Mannheim, Hoftheater, 30 January 1780.
  • P. 2 - Azakia, singspiel in 3 acts (text : Christian Friedrich Schwan); 1st performance : Mannheim, Hoftheater, 6 June 1780. Lost.
  • P. 3 - Der Sylphe, singspiel in 1 act (text : Friedrich Ludwig Wilhelm Meyer); 1st performance : Mannheim, Hoftheater, 1788. Lost.
  • P. 4 - Der Triumph der Treue, singspiel in 3 acts (text : Johann Friedrich Binder von Krieglstein); 1st performance : Munich, Hoftheater, February 1789. Lost.
  • P. 5 - Der Quasimann, comic oper in 2 acts (text : Matthias Georg Lambrecht); 1st performance : Munich, Hoftheater, August 1789. Only 1 aria extant.
  • P. 6 - Die Mitternachtsstunde, comic oper in 3 acts (text : Matthias Georg Lambrecht); 1st performance : Munich, Hoftheater, April 1798.
  • P. 7 - Der Kuß, tragicomic opera in 3 acts (text : Matthias Georg Lambrecht); 1st performance : Munich, Hoftheater, 27 June 1799.
  • P. 8 - El Bondocani, singspiel in 1 act (text : Matthias Georg Lambrecht); 1st performance : Munich, Hoftheater, 20 August 1802.
  • P. 9 - Iphigenie in Aulis, opera-seria in 3 acts (text : Karl Reger); 1st performance : Munich, Hoftheater, 27 January 1807. Only 2 arias and 2 marches extant.
  • P. 10 - Deucalion et Pirrha, opera in 1 act (text : Jean-Jacques d’Hogguer from German by François Poullain de Saint-Foix); 1st performance unknown c.1810.
  • P. 11 - Dido, melodrama in 1 act (text : Georg Reinbeck); 1st performance : Stuttgart, Hoftheater, 18 December 1811.
  • P. 12 - Camilla und Eugen oder Der Gartenschlüssel, singspiel in 1 act (text : Franz Karl Hiemer); 1st performance : Stuttgart, Hoftheater, 15 March 1812.
  • P. 13 - Der Berggeist oder Schicksal und Treue, romantic opera in 2 acts (text : Karl Philipp von Lohbauer); 1st performance : Karlsruhe, Hoftheater, 19 April 1813.
  • P. 14 - Malvina, singspiel in 3 acts (text : Georg Christian Römer); 1st performance : Karlsruhe, Hoftheater, 26 December 1814. Music destroyed in 1942.
  • P. 15 - Turandot, singspiel in 2 acts (text : Carlo Gozzi); 1st performance : Karlsruhe, Hoftheater, 26 December 1816.
  • P. 16 - L'Abbé de l'Attaignant oder Die Theaterprobe, singspiel in 1 act; Karlsruhe, Hoftheater, 14 September 1820.
  • P. 17 - Music for Cimarosa's Gli Orazi e i Curiazi for the Munich performance in 1806.
  • P. 18 - Recitative and Aria for Generali's Die Bacchanten; 1st performance : Karlsruhe, 10 January 1819. Music destroyed in 1942.
  • P. 19 - Der Tod des Orpheus, ballet in 4 acts; 1st performance : Munich, 10 October 1784. Lost.
  • P. 20 - Der Teufel in allen Ecken, ballet in 1 act; 1st performance : Munich, 28 January 1785. Lost.
  • P. 21 - L'Enlèvement de Proserpine, ballet; 1st performance unknown. Music lost but for the arrangements for piano 4 hands in 'Délassement musical' No. 3—7.
  • P. 22 - Die Zauberhöhle oder Arlequins Triumph, pantomime in 2 acts; 1st performance : Karlsruhe, 6 June 1819. Music destroyed in 1942.
  • P. 23 - Music for Schletter's play Die Wiederkauf (songs and duets); most likely performed in Munich in 1780. Lost.
  • P. 24 - Music for Brandes' play Der Schriffbruch (overture, marches and entr'actes); 1st performance : Mannheim, 4 March 1781.
  • P. 25 - Music for Iffland's play Albert von Thurneisen oder Liebe und Pflicht im Streit (overture and entr'actes); 1st performance : Mannheim, 28 May 1781.
  • P. 26 - Music for d'Arien's play Laura Rosetti (songs); 1st performance : Mannheim, 15 August 1781.
  • P. 27 - Music for Schiller's play Die Räuber (entr'acte); 1st performance : Mannheim, 13 January 1782.
  • P. 28 - Music for Plümecke's play Lanassa (choruses); 1st performance : Mannheim, 29 December 1782.
  • P. 29 - Music for Gotter's play Der Liebhaber ohne Namen (overture, entr'actes and choruses); 1st performance : Mannheim, 20 January 1783.
  • P. 30 - Music for von Klein's play Franz von Sickingen (entr'actes); 1st performance : Mannheim, 27 February 1783.
  • P. 31 - Music for Iffland's Liebe um Liebe (?); 1st performance : Mannheim, 20 November 1785.
  • P. 32 - Overture in E major to von Babo's play Die Strelitzen; 1st performance : Munich, April 1789.
  • P. 33 - March for Maier's play Der Sturm von Boxberg; 1st performance : Mannheim, 19 April 1781. Music destroyed in 1942.
  • P. 34 - March in D major for Törring-Guttenzell's play Agnes Bernauerin; 1st performance : Mannheim, 6 January 1781.
  • P. 35 - Two pieces for Kotzebue's play Die Hussiten vor Naumburg (chorus and entr'acte); 1st performance : Leipzig, September 1802.
  • P. 36 - Music for Schiller's play Wilhelm Tell (overture, songs and marches); 1st performance : Munich, 11 September 1806.
  • P. 37 - Music for Klingemann's play Columbus (overture, choruses and marches); 1st performance : Stuttgart, 21 July 1809.
  • P. 38 - Wedding March in G major for the play Medea (author unknown); 1st performance unknown. Only its arrangement for piano 4 hands survived in 'Délassement musical' No. 8.
  • P. 39 - Music for Robert's play Die Tochter Jephtas (march and choruses); dated 1812. Music destroyed in 1942.
  • P. 40 - Music for Kotzebue's play Mädchenfreundschaft (ballet and aria); dated c.1815. Music destroyed in 1942.
  • P. 41 - Music for Klingemann's play Faust (?); 1st performance : Karlsruhe, 21 March 1817. Music destroyed in 1942.
  • P. 42 - Chorus for von Auffenberg's play Die Spartaner; 1st performance : Karlsruhe, 7 March 1819. Music destroyed in 1942.
  • P. 43 - Entr'acte in E major for Töpfer's play Der Tagesbefehl; dated 1820. Music destroyed in 1942.
  • P. 44 - Music for von Auffenberg's play Die Flibustier (song and march); 1st performance : Karlsruhe, 13 June 1820. Music destroyed in 1942.
  • P. 45 - Music for Shakespeare's play Romeo und Julia (menuetto and allegretto for winds); dated c.1822. Music destroyed in 1942.
  • P. 46 - Music for von Auffenberg's play Viola (overture, entr'actes, march and song); 1st performance : Karlsruhe, 31 August 1823.

P. 47—162 - Sacred Works

  • P. 47 - Abraham auf Moria, oratorio in 2 parts; 1st performance : Stuttgart, 1 January 1808.
  • P. 48 - Preiss Gottes (Danket dem Herrn), cantata; dated 1803.
  • P. 49 - Psalm 6, Op. 60 for soli (SATB), choir (SATB) & organ; dated 1803.
  • P. 50 - Psalm 32 in E major for SATB & organ; dated c.1820.
  • P. 51 - Herr Gott dir loben wir!, choral in C minor.
  • P. 52 - Nun enden sich die schweren Leiden, choral in D minor.
  • P. 53 - Klagelied : Selig sind die..., choral in D major.
  • P. 54 - Hymne an Gott : Singt Lob dem Herrn in E major, for male choir (TTBB), brass (2 horns, 3 trombones) or piano.
  • P. 55 - Mass in E major for soli (SATB), choir (SATB) & orchestra; No. 5 in Missae completae del Sig. Francesco Danzi.
  • P. 56 - Mass in G minor for soli (SATB), choir (SATB) & continuo; dated 1798, No. 2 in Missae completae del Sig. Francesco Danzi.
  • P. 57 - Mass No. 1 in B{f{lat}} major for soli (SATB), choir (SATB) & organ (Offenbach: André), No. 3 in Missae completae del Sig. Francesco Danzi.
  • P. 58 - Mass No. 2 in D major for soli (SATB), choir (SATB), orchestra & organ (Offenbach: André), No. 7 in Missae completae del Sig. Francesco Danzi.
  • P. 59 - Mass in G major for soli (SATB), choir (SATB), 2 horns, strings & organ (München: Falter), No. 8 in Missae completae del Sig. Francesco Danzi.
  • P. 60 - Mass in B major for SATB, orchestra & organ, No. 4 in Missae completae del Sig. Francesco Danzi.
  • P. 61 - Mass in C minor Missa solemnis aulica for soli (SATB), choir (SATB), orchestra & organ, No. 6 in Missae completae del Sig. Francesco Danzi.
  • P. 62 - Mass in D minor for SATB, orchestra & organ, No. 1 in Missae completae del Sig. Francesco Danzi.
  • P. 63 - Requiem in D minor for soli (SATB), chorus (SATB), orchestra & organ, dated 1810.
  • P. 64 - Christus factus est, gradual in F major for SATB, winds & organ.
  • P. 65 - De profundis, gradual in E major for SATB & organ.
  • P. 66 - Laetatus sum, gradual in A major for SATB & continuo.
  • P. 67 - O salutaris hostia, gradual in E major for SATB & organ.
  • P. 68 - Qui sedes Domine super Cherubim, gradual in D minor for SATB a capella.
  • P. 69 - Ad te levavi, tract in G minor for SATB, continuo & organ.
  • P. 70 - Confitemini Domino, tract in E major for SATB, continuo & organ.
  • P. 71 - Qui confidunt in Domino, tract in G minor for SATB, strings & organ.
  • P. 72 - Qui habitat in adjutorio, tract in E major for SATB, continuo & organ.
  • P. 73 - Saepe expugnaverunt me, tract in D minor for SATB, continuo & organ.
  • P. 74 - Ave verum corpus, canticle in G minor for soprano & organ.
  • P. 75 - Stabat mater, canticle in G minor for SATB, 2 horns, strings & organ; 1st performance : Stuttgart, Good Friday 1808.
  • P. 76 - Stabat mater, canticle in C minor for SSATTB & orchestra; 1st performance : Vienna, Good Friday 1827.
  • P. 77 - Beati omnes qui timent Dominum, offertory in E major for SATB & orchestra.
  • P. 78 - Benedixisti Domine, offertory in G major for SATB, continuo & organ.
  • P. 79 - Bonum est confiteri, offertory in B major for SATB, continuo & organ.
  • P. 80 - Confitebor tibi Domine, offertory in F major for SATB, continuo & organ.
  • P. 81 - Dextera Domini fecit, offertory in D minor for SATB & organ.
  • P. 82 - Introibo in domum tuam, offertory in G major for 2 tenors, orchestra & organ.
  • P. 83 - In te speravi Domine, offertory in B major for SATB, orchestra & organ
  • P. 84 - Jubilate Deo omnis terra, offertory in C major for tenor solo, choir (SATB), orchestra & organ.
  • P. 85 - Justitiae Domini rectae, offertory in F major for soli (SATB), choir (SATB), continuo & organ.
  • P. 86 - Laetamini in Deo coelites, offertory in G major for SATB & orchestra.
  • P. 87 - Laudate Dominum, offertory in G major for SATB, strings & organ.
  • P. 88 - Laudate Dominum, offertory in A major for SAT, continuo & organ.
  • P. 89 - Laudate Dominum, offertory in B major for SATB, strings & organ.
  • P. 90 - Levavi oculos meos, offertory in C major for soprano solo, choir (SATB), orchestra & organ.
  • P. 91 - Meditabor in mandatis tuis, offertory in C major for SATB, continuo & organ.
  • P. 92 - Non mortui laudabunt te Domine, offertory in D minor for SATB, orchestra & organ.
  • P. 93 - Qui timent Dominum, offertory in E major for soli (ST), choir (SATB), orchestra & organ.
  • P. 94 - Scapulis suis obumbrabit tibi, offertory in D minor for SATB, continuo & organ.
  • P. 95 - Victimae paschali laudes, offertory in B major for SATB, orchestra & organ.
  • P. 96 - Illumina faciem tuam, communio in E major for SATB, continuo & organ.
  • P. 97 - Jerusalem quae aedificatur, communio in E major for SATB, continuo & organ.
  • P. 98 - Magnificat in C major for SATB, orchestra & organ.
  • P. 99 - Magnificat in D major for SATB, orchestra & organ.
  • P. 100 - Te Deum in C major for soli (SATB), choir (SATB), orchestra & organ; 1st performance : Munich, 14 January 1806.
  • P. 101 - Te Deum in D major for soli (SATB), choir (SATB), orchestra & organ.
  • P. 102 - Te Deum in E major for SATB, orchestra & organ. Lost.
  • P. 103 - Te Deum in D major for SATB, wind sextet & organ. Lost.
  • P. 104 - Credo quod redemptor, responsory in F major for SATB, continuo & organ.
  • P. 105 - Domine quanto veneris, responsory in E minor for SATB, continuo & organ.
  • P. 106 - Domine secundum actum, responsory in A major for SATB, continuo & organ.
  • P. 107 - Hei mihi Domine, responsory in G minor for SATB, continuo & organ.
  • P. 108 - Libera me Domine, responsory in D minor for SATB, orchestra & organ.
  • P. 109 - Lumen ad revelationem, responsory in C major for SATB, continuo & organ.
  • P. 110 - Memento mei Deus, responsory in C major for SATB, continuo & organ.
  • P. 111 - Me recorderis, responsory in E minor for SATB, continuo & organ.
  • P. 112 - Peccantem me quotidie, responsory in D major for SATB, continuo & organ.
  • P. 113 - Qui Lazarum resuscitasti, responsory in G minor for SATB, continuo & organ.
  • P. 114 - Alma redemptoris mater antiphon in D major for SATB, orchestra & organ.
  • P. 115 - Ave regina coelorum, antiphon in G major for SATB & organ.
  • P. 116 - Regina coeli, antiphon in C major for SATB, orchestra & organ.
  • P. 117 - Regina coeli, antiphon in D major for soli (ST), choir (SATB), orchestra & organ.
  • P. 118 - Crudelis Herodes, hymn in D minor for SATB, continuo & organ.
  • P. 119 - Haec dies quam fecit, hymn in C major for SATB, continuo & organ.
  • P. 120 - O salutaris hostia, hymn in C major for bass or alto solo with organ or piano ad lib.
  • P. 121 - Pange lingua gloriosa, hymn in D major for SATB a capella.
  • P. 122 - Beatus vir, psalm in C major for SATB, orchestra & organ; 1st performance : Munich, 14 August 1823.
  • P. 123 - Confitebor tibi Domine, psalm in B major for SATB, orchestra & organ; 1st performance : Munich, 14 August 1823.
  • P. 124 - Confitebor tibi Domine, psalm in E major for SATB, orchestra & organ.
  • P. 125 - Credidi propter, psalm (115) in D minor for tenor solo, choir (SATB), strings & organ.
  • P. 126 - De profundis, psalm (129) in E minor for SATB, strings & organ; 1st performance : Munich, 14 August 1823.
  • P. 127 - Dixit Dominus, psalm (110) in C major for SATB, orchestra & organ.
  • P. 128 - Dixit Dominus, psalm (110) in D major for SATB, orchestra & organ.
  • P. 129 - Domine probasti me, psalm (138) in D minor for SATB, strings & organ.
  • P. 130 - In convertendo Dominus, psalm (125) in F major for SATB, strings & organ; 1st performance : Munich, 14 August 1823.
  • P. 131 - In exitu Israel, psalm in E major for SATB, strings & organ; 1st performance : Munich, 14 August 1823.
  • P. 132 - Laetatus sum, psalm in A major for SATB, strings & organ; 1st performance : Munich, 14 August 1823.
  • P. 133 - Lauda Jerusalem, psalm in G major for SATB, strings & organ; 1st performance : Munich, 14 August 1823.
  • P. 134 - Laudate Dominum, psalm (117) in D major for SATB, strings & organ; 1st performance : Munich, 14 August 1823.
  • P. 135 - Laudate pueri, psalm (113) in F major for SATB, strings & organ; 1st performance : Munich, 14 August 1823.
  • P. 136 - Memento Domine David, psalm in E major for SATB, strings & organ; 1st performance : Munich, 14 August 1823.
  • P. 137 - Nisi Dominus, psalm (126) in G major for SATB, strings & organ; 1st performance : Munich, 14 August 1823.
  • P. 138 - Der 128. Psalm, Op. 65 Wohl dem der den Ew'gen fürchtet in E major for SATB & orchestra (Leipzig: Probst) [often with Latin text: Beati omnes]
  • P. 139 - Ave Maria, hymn in F major for SATB & continuo.
  • P. 140 - Benedicat nos Deus, hymn in D minor for SATB & organ.
  • P. 141 - Benedicat nos Deus, hymn in C major for SATB & organ.
  • P. 142 - Benedicat nos Deus, hymn in B major for SATB & organ.
  • P. 143 - Benedicat nos Deus, hymn in E minor for SATB & organ.
  • P. 144 - Benedicat nos Deus, hymn in F major for SATB & organ.
  • P. 145 - Benedicat nos Deus, hymn in E minor for SATB & organ.
  • P. 146 - Benedicat nos Deus, hymn in D major for SATB & organ.
  • P. 147 - Benedicat nos Deus, hymn in A major for SATB & organ.
  • P. 148 - Cantilena pastoralis : Venite pastores in A major for soli (STB), orchestra & organ.
  • P. 149 - Litany in F minor for SATB, orchestra & organ.
  • P. 150 - Litany in E major for SATB, orchestra & organ.
  • P. 151 - Litany in C major for SATB, orchestra & organ.
  • P. 152 - Miserere in C minor for soli (SATB), choir (SATB), orchestra & organ.
  • P. 153 - Miserere in C minor for SATB, strings & organ.
  • P. 154 - Miserere in G minor for SATB, strings & organ.
  • P. 155 - Miserere in F major for SATB, strings & organ.
  • P. 156 - Regina angelorum, antiphon in B major for SATB, orchestra & organ.
  • P. 157 - Salve regina, antiphon in E major for SATB & organ.
  • P. 158 - Sub tuum praesidium, litany in F minor for SATB, orchestra & organ.
  • P. 159 - Sub tuum praesidium, litany in B major for SATB, orchestra & organ.
  • P. 160 - Tantum ergo, hymn in D major for soli (ST), choir (SATB), orchestra & organ.
  • P. 161 - Veni sancte spiritus, sequence in D major for SATB, orchestra & organ.
  • P. 162 - Veni sancte spiritus, sequence in E major for SATB, orchestra & organ.

P. 163—217 - Secular Vocal Works

  • P. 163 - Das Freudenfest, cantata for soli (SATB), choir (SATB) & orchestra; 1st performance : Leipzig 7 October 1804.
  • P. 164 - Die Tonkunst trau'rt, cantata for choir (SATB) & piano.
  • P. 165 - Ode an die Freude, cantata for soprano solo, choir (SATB) & piano.
  • P. 166 - Am stillen Pfad der Kindheit, cantata for soprano solo, choir (SATB) & piano.
  • P. 167 - Komm! Bereue deine Schwachheit, song for soprano & piano.
  • P. 168 - Wohl dem Menschen, dem das Blut, song for soprano & piano.
  • P. 169 - Eifersucht, der Liebe Hölle, song for soprano & piano.
  • P. 170 - 6 Italian Canzonette, Op. 13 (Munich 1802), for soprano & piano.
    • No. 1 in D minor. Da gran tempo i mali miei
    • No. 2 in D major. Fra tutte le pene
    • No. 3 in B major. Che fa il mio bene
    • No. 4 in G major. Che chiedi, che brami
    • No. 5 in E major. Ahi sol chi amor provo
    • No. 6 in E minor. Vuoi per sempre
  • P. 171 - 6 German Lieder, Op. 14 (Munich 1804), for soprano & piano.
    • No. 1 in C minor. Lebe wohl, o du der Besten
    • No. 2 in C major. Ach, was ist die Liebe
    • No. 3 in E major. Kennst du das Land
    • No. 4 in A minor. Nur wer die Sehnsucht kennt
    • No. 5 in F major. Du, der ewig um mich trauert
    • No. 6 in G major. Hörst du, wie die Fiedel klingt
  • P. 172 - 6 German Lieder, Op. 15 (Leipzig 1803), for soprano & piano.
    • No. 1 in F major. Selig, wer der Lieb' im Arm
    • No. 2 in E major. Ich liebe dich so inniglich
    • No. 3 in B major. In des Lebens Maientagen
    • No. 4 in E major. O weine nicht!
    • No. 5 in A major. Ob unsre Herzen gleich empfinden
    • No. 6 in E minor. Irr' am Bach ich unter Weiden
  • P. 173 - Sicchè t'inganni o Clori, arietta con variazioni in B major for voice & piano.
  • P. 174 - 6 German Songs, Op. 19 (Munich 1805), for voice & piano.
    • No. 1 in F major. Holde Schönheit, deinem Rechte
    • No. 2 in E major. Trocknet nicht, Tränen der ewigen Liebe
    • No. 3 in D major. Durch stürmende Fluten
    • No. 4 in E major. Oft am Rande stiller Fluten
    • No. 5 in C minor. Wann erwacht der Knabe wieder
    • No. 6 in G minor. Tief unten im einsamen Tale
  • P. 175 - Io d'amore o Dio mi moro, Italian song in E major for voice & piano.
  • P. 176 - Le beau Fernand, prisonier d'un roi, French romance in F major for voice & piano.
  • P. 177 - Schäfers Klagelied : Da droben auf jenem Berge, German song in E major for voice & piano. [also with French text Vous, qui loin d'une amante]
  • P. 178 - Meine Ruh' ist dahin, song in C major for soprano & piano.
  • P. 179 - 8 Volkslieder (text by Christian Friedrich Daniel Schubart) (Leipzig, 1809), for voice & piano.
    • No. 1 in F major. Mein Engel den ich vom Himmel erbat
    • No. 2 in G major. Winterlied eines schwäbischen Bauernjungen : Mädel 's ist Winter
    • No. 3 in B major. Ehlicher Gutermorgen : Guten Morgen groß' und kleine Sorgen
    • No. 4 in E major. Ehliche Gutenacht : Gute Nacht unser Taglauf ist vollbracht
    • No. 5 in G major. Schwäbisches Bauernlied : So herzig wie mein Lisel gibt's halt nichts auf der Welt
    • No. 6 in E major. Wenn aus deinen sanftem Blicken
    • No. 7 in A major. Wo find' ich den Liebling der Seele
    • No. 8 in F major. Das Schwabenmädchen : Ich Mädchen bin aus Schwaben
  • P. 180 - Romance de M. de Ségur Ce que je désire et que j'aime, French romance in D major for voice & piano.
  • P. 181 - 6 German Lieder for voice & piano (Munich 1810)
    • No. 1 in G major. Ich hab' ein Mädchen
    • No. 2 in B major. Sie fliehet fort
    • No. 3 in F major. Soviel ich mich besinnen kann
    • No. 4 in F major. Ich denke dein
    • No. 5 in G minor. Dort jenseits die Bergen
    • No. 6 in D minor. Dir nah, o die ich liebe
  • P. 182 - 6 French Romances for voice & piano (Bonn, 1812/13)
    • No. 1 in C minor. Rien, tendre amour, ne résiste à tes armes
    • No. 2 in C major. Dérobe ta lumière, ô lune trop brillante
    • No. 3 in F major. Je vais revoir la beauté que j'adore
    • No. 4 in G minor. Rosier jadis charmant
    • No. 5 in G major. Lisis avait de la jeunesse
    • No. 6 in F major. Que j'aime à voir les hirondelles
  • P. 183 - 6 German Songs for voice & piano (Leipzig, 1813)
    • No. 1 in F major. Aus des Tales düster'n Auen
    • No. 2 in E minor. Traurig sah ich euch verblühen (= P.188/2, Op. 70 No. 2)
    • No. 3 in F major. Dein gedenk' ich'
    • No. 4 in C minor. Lebenslang, ja lebenslang störst du, Geliebte (= P.188/6, Op. 70 No. 6)
    • No. 5 in C minor. Es ist so angenhem, so süß
    • No. 6 in E major. Wohl ist des Lebens Bahn
  • P. 184 - 12 Italian Canzonette, Op. 40 (Munich 1813), for voice & piano.
    • No. 1 in E minor. Che ciascun per te sospiri
    • No. 2 in F minor. Mi lagnero tacendo
    • No. 3 in B major. Chi mai di questo core
    • No. 4 in G major. Bella fiamma del mio core
    • No. 5 in E minor. Bei labbri che amore
    • No. 6 in C major. Torna in quell'onda chiare sola
    • No. 7 in F major. Chi un dolce amor condanna
    • No. 8 in E major. Per pietà, bell'idol mio
    • No. 9 in F major. Conservati fedele
    • No. 10 in A minor. Se mai turbo il tuo riposo
    • No. 11 in A major. Ch'io mai vi possa
    • No. 12 in E minor. Dal tuo gentil sembiante
  • P. 185 - [6] Ballads and Romances, Op. 46 (Leipzig 1814), for voice & piano.
    • No. 1 in B major. Ich sah einst, im Hain eine liebe Gestalt
    • No. 2 in F major. Ich sehnt' als flinkes Mädchen
    • No. 3 in G minor. An der Quelle saß der Knabe
    • No. 4 in E major. In der Väter Hallen ruhte Ritter Rudolfs Heldenarm
    • No. 5 in C minor. Es stand der Sänger mit trübem Sinn (= P.188/4, Op. 70 No. 4)
    • No. 6 in B major. Ich danke seinem Mut mein Leben
  • P. 186 - 3 Canzonette con variazioni, Op. 65 (Offenbach 1823), for voice & piano.
    • No. 1 in A major. Deh ascolta amata Clori
    • No. 2 in B major. Sol puo dir come
    • No. 3 in A major. Mi sento struggere sospiro
  • P. 187 - 6 German Lieder, Op. 69 (Leipzig 1823), for voice & piano.
    • No. 1 in A major. O, der kindlich schönen Tage meiner Liebe
    • No. 2 in A major. O Geliebte, dein vergessen
    • No. 3 in B major. Purpurfarbig am Hügel Gasar schlummert ein König
    • No. 4 in E minor. Das Jahr ist nun vorüber
    • No. 5 in E major. Was soll ich in der Fremde tun?
    • No. 6 in A major. Verklärtes Bild aus meiner Urzeit
  • P. 188 - 6 German Lieder, Op. 70 (Leipzig 1824), for voice & piano.
    • No. 1 in C major. Leise, leise, kleine Laute
    • No. 2 in E minor. Traurig sah ich euch verblühen (= P.183/2)
    • No. 3 in B major. Auf dem wilden Meer des Lebens
    • No. 4 in C minor. Es stand der Sänger mit trübem Sinn (= P.185/5, Op. 46 No. 5)
    • No. 5 in A major. Hast du in meinem Auge nicht gelesen
    • No. 6 in C minor. Lebenslang, ja lebenslang störst du, Geliebte (= P.183/4)
  • P. 189 - Die Nachtigall : O kömmt' ich doch die Nachtigall, German Lied in F major, for voice & piano.
  • P. 190 - 6 Duets, Op. 39 (Offenbach 1818), for soprano, voice (alto?) & piano with Italian and German texts.
    • No. 1 in B major. Ombre amene amiche piante / Holde Ruhe, o kehre wieder
    • No. 2 in D major. Mi giuri che m'ami / Viel gibt es der Schmerzen
    • No. 3 in E major. Vaghe sponde amiche arene / Öffne dich der Freude wieder
    • No. 4 in G minor. Son lungi e non mi brami / Singt oft beim Mondenscheine
    • No. 5 in C major. Felice età dell'oro / Seid ewig ihr entschwunden
    • No. 6 in A major. Mi sento struggere sospiro e peno / Du meines Herzens einzige Wonne
  • P. 191 - 12 Songs for SSB and STB with piano; Op. 16: vol. 1 (Leipzig 1803), for SSB (6 pieces) with German and Italian texts.
    • No. 1 in F major. Lieblich leuchten mir zwei Sterne / Vi conosco amate stelle
    • No. 2 in G major. An ein Brautpaar : O welche süße Tränen / O che felici pianti che amabili martir
    • No. 3 in C major. Nein niemand wird mich sehen / No non vedrete mai
    • No. 4 in A major. Ich hoffe ich kam nicht / Ch'io speri ma come
    • No. 5 in B major. Die Liebe die ich fühle / Mai l'amor mio verace
    • No. 6 in E major. Zu blöde es zu wagen / Da quel sembiante appresi
  • P. 192 - 12 Songs for SSB and STB with piano; Op. 16: vol. 2 (Leipzig 1803) for STB (6 pieces) with German and Italian texts.
    • No. 1 in A major. Liebende trauet nicht / Più non si trovano
    • No. 2 in E major. Ihr beneidenswerten Hirten / Quanto mai felici siete
    • No. 3 in B major. Vor Freude fast trunken / Fra un dolce deliro
    • No. 4 in G major. Ewig nur dich zu lieben / Sempre sarò costante
    • No. 5 in C major. Sei taub bei meiner Klage / Si soffre una tiranna
    • No. 6 in F major. Dich zu sehn ist Augenweide / So non so se amor tu sei
  • P. 193 - 8 German Lieder, Op. 17 (Leipzig 1803), for SSTB & piano.
    • No. 1 in B major. Wer ist ein freier Mann
    • No. 2 in F major. Der Bund : Lieb' und Schweigen ist der Bund
    • No. 3 in B major. Wie schön ist's im Freien
    • No. 4 in A major. Beruf zur Liebe : Unser süssester Beruf
    • No. 5 in G major. Der Frühling : Des Winters Hülle deckte nicht
    • No. 6 in E major. O selig wer sein Leben
    • No. 7 in C major. Grabe wenn's behagt
    • No. 8 in B major. Mütterliche Warnung : Selbst die glücklichste der Ehen
  • P. 194 - S'io t'amo, o Dio, Notturno a 4 voci in E flat major for SSTB & piano.
  • P. 195 - È pena troppo barbara, canon in E minor for 3 voices & piano. Alternative German text : Es ist zuviel Pein
  • P. 196 - Ach ein Blick von der Geliebten, canon in G major for 3 voices & piano.
  • P. 197 - 6 Songs (Bonn 1821), for SSTB & piano with German and Italian texts.
    • No. 1 in B major. Nur Toren schätzen das Glück der Liebe / Del sen gl'ardori
    • No. 2 in G major. In Liebesarmen wähnt man sich glücklich / Se un core annodi
    • No. 3 in E minor. Liebe läßt sich nicht verhehlen / So che presto ogn'un s'avvede
    • No. 4 in F major. Sieh Mädchen was lebet / Se intende, si poco
    • No. 5 in A major. Der nur weiß wie Untreu schmerzt / Sol puo dir come si trova
    • No. 6 in E major. Sind des Liebesgottes Bande / Se per tutti ordisce amore
  • P. 198 - Es lebe Lieb', es lebe Wein, canon in F major for 3 voices & piano.
  • P. 199 - 3 Soldatenlieder, Op. 58 (Offenbach 1823), for TTBB & piano.
    • No. 1 in D major. Feldjägerlied : Mit Hörnerschall und Lustgesang
    • No. 2 in E major. Soldatentreue : Mädchen mit dem grünen Kranze
    • No. 3 in D major. Husarenlied : Husaren sind gar tapfre Krieger
  • P. 200 - Gesänge der Hellenen (text by Christian Bork), Op. 72 (Leipzig 1825) for TTBB & piano.
    • No. 1 in E{{flat} major. Schwertlied : Was ist das Schwert ?
    • No. 2 in A{{flat} major. Abschied vom Liebchen : Lieb' Liebchen wisch die Tränen ab
    • No. 3 in D major. Vor der Schlacht bei Anapoli : Auf ihr Brüder, stoßt ins Horn
    • No. 4 in E major. Nach der Schlacht bei Anapoli : Schlachtfeld sei mir froh willkommen
    • No. 5 in E minor. Der Geist der Vorzeit : Was glüht in des jungen Griechen Brust
    • No. 6 in D minor. Diamanty : Was blickst du hinüber ins Morgenrot
  • P. 201 - 6 German Songs, Op. 74 (Leipzig 1825) for SSTB & piano.
    • No. 1 in E major. Liebe beseligt das Leben
    • No. 2 in B major. Welch unbekannte Macht
    • No. 3 in E major. Wie der Tag mir schleichet
    • No. 4 in C major. Was ist's das mir das Herz in deiner Näh' bewegt
    • No. 5 in B major. Junges Herz voll Zärtlichkeit
    • No. 6 in A major. Gefilde des Todes Gefilde der Ruh'
  • P. 202 - O lieber kleiner Fischer Fidelin, barcarole in G major for SSTB & piano.
  • P. 203 - Ch'io ti lascia...Mi lagnerò tacendo, rectitative and aria for B solo & orchestra (from 'Siroe' by Metastasio)
  • P. 204 - Figlia s'è ver che m'ami...Leon piagato a morte, recitative and aria for B solo & orchestra (from 'Adriano in Siria' by Metastasio)
  • P. 205 - In questa tomba oscura, arietta in C minor, for voice & piano.
  • P. 206 - Nicht meine Tage, aria in E major for soprano or tenor & orchestra.
  • P. 207 - Dunque mi lascia...Ritorna fedele, recitative and aria for S solo & orchestra (alternative German text : So stirbt die Hoffnung...O nah dich dem Herzen)
  • P. 208 - Ah, che in certezza...S'ora fatal s'appressa, recitative and aria for T solo & orchestra.
  • P. 209 - Si Riccardo verrà...Lasciatemi un momento affanni del mio cor, recitative and aria for S solo & orchestra.
  • P. 210 - Frei von Qual und bangem Leiden, aria for S solo & orchestra for Wranitzky's Oberon König der Elfen.
  • P. 211 - [22] Solfeggi for bass (on the text : Amen)
  • P. 212 - [21] Singeübungen, Op. 24 (Leipzig 1804) for S solo & piano. First part consists of 18 exercises without text, second part features 3 exercises with Italian text.
  • P. 213 - [18] Singeübungen, Op. 32 (Leipzig 1806) for B solo & piano.
  • P. 214 - [18] Singeübungen for T solo & piano.
  • P. 215 - [18] Singeübungen, Op. 50 (Berlin 1819), for S solo & piano.
  • P. 216 - [20] Singeübungen for B solo & piano.
  • P. 217 - [20] Singeübungen, Op. 63 (Berlin 1822), for A solo & piano.

P. 218—296 - Instrumental Works

  • P. 218 - Symphony (Overture) in D major
  • P. 219 - Symphony in E major
  • P. 220 - Symphony in D minor, Op. 19/24
  • P. 221 - Symphony in C major, Op. 20/25
  • P. 222 - Symphony No. 3 in B major
  • P. 223 - Symphony No. 4 in D major
  • P. 224 - Sinfonia concertante in E major for flute, oboe, horn, bassoon & orchestra
  • P. 225 - Sinfonia concertante in B major for 2 violins & orchestra
  • P. 226 - Sinfonia concertante in B major, Op. 41 (Offenbach 1813), for flute, clarinet & orchestra.
  • P. 227 - Sinfonia concertante in B major, Op. 47 (Berlin 1818) for clarinet, bassoon & orchestra.
  • P. 228 - Overture (Sinfonia) in D major
  • P. 229 - Piano Concerto in E major, Op. 4 (Munich 1800)
  • P. 230 - Flute Concerto No. 1 in G major, Op. 30 (Leipzig 1805)
  • P. 231 - Flute Concerto No. 2 in D minor, Op. 31 (Leipzig 1805)
  • P. 232 - Flute Concerto No. 3 in D minor, Op. 42 (Leipzig 1813)
  • P. 233 - Flute Concerto No. 4 in D major, Op. 43 (Leipzig 1813)
  • P. 234 - Bassoon Concerto in C major
  • P. 235 - Bassoon Concerto in F major
  • P. 236 - Bassoon concerto in F major
  • P. 237 - Bassoon Concerto in F major; 1st performance : Munich, 14 December 1812.
  • P. 238 - Bassoon Concerto in G minor
  • P. 239 - Horn Concerto in E major
  • P. 240 - Horn Concerto in F major
  • P. 241 - Cello Concerto No. 1 in A major (Zurich 1803). The 3rd movement features variations on Mozart's Là ci darem la mano.
  • P. 242 - Cello Concerto No. 2 in B major (Zurich 1803).
  • P. 243 - Cello Concerto in E minor
  • P. 244 - Concertino for cello & orchestra in D major, Op. 46 (Leipzig 1813)
  • P. 245 - Potpourri for clarinet & orchestra No. 1 in B major, Op. 45 (Leipzig 1813)
  • P. 246 - Potpourri for clarinet & orchestra No. 2 in B major (Bonn 1819)
  • P. 247 - Potpourri for clarinet & orchestra No. 3 in B major (Bonn 1822)
  • P. 248 - Potpourri for violin & orchestra in B major, Op. 61 (Offenbach 1823)
  • P. 249 - 3 Duos for viola & cello, Op. 8 (C major, E major, C minor) (Zurich 1801)
  • P. 250 - 3 Duos for viola & cello, Op. 9 (D major, G minor, F major) (Munich 1802)
  • P. 251 - 6 Cello Sonatas, Op. 1 (A major, C major, D minor, G major, B major, F minor) (Zurich 1803)
  • P. 252 - Sonata in E major for piano & horn, Op. 28 (Leipzig 1805)
  • P. 253 - 24 small duets for cellos on themes by Mozart (Zurich 1805)
  • P. 254 - Sonatina in E minor for piano & flute (or violin), Op. 34 (Munich 1809)
  • P. 255 - Sonata in E minor for piano & horn (or cello), Op. 44 (Leipzig 1813)
  • P. 256 - Sonata in B major for piano & clarinet (Bonn 1819)
  • P. 257 - Sonatina in D major for piano & flute (Munich 1818)
  • P. 258 - Sonata in F major for piano & basset horn (or cello), Op. 62 (Offenbach 1823)
  • P. 259 - 3 Concert duos for flute & cello, Op. 64 (B major, D major, G major) (Offenbach 1824)
  • P. 260 - Piano trio in E major
  • P. 261 - 3 Sonatas for piano, violin & cello, Op. 1 (B major, C major, A major) (Paris 1793)
  • P. 262 - Sonata for 2 pianos & violin in D major, Op. 42 (Offenbach 1814)
  • P. 263 - 3 Trios for flute, violin & cello, Op. 71 (G major, E minor, D major) (Offenbach 1824)
  • P. 264 - 3 String Quartets, Op. 5 (C major, E major, E major) (Munich 1801)
  • P. 265 - 3 String Quartets, Op. 6 (C major, B major, G minor) (Munich 1801)
  • P. 266 - 3 String Quartets, Op. 7 (E major, C minor, F major) (Munich 1802)
  • P. 267 - String Quartet in A major, Op. 16 (Mucih 1803)
  • P. 268 - 3 String Quartets, Op. 29 (C major, A minor, D major) (Leipzig 1804)
  • P. 269 - Quartet in D minor for piano, violin, viola & cello, Op. 40 (Leipzig 1810)
  • P. 270 - 5 Pièces détachées for oboe (or flute), violin, viola & cello (Bonn 1813)
  • P. 271 - 3 Quartets for bassoon, violin, viola & cello, Op. 40 (C major, D minor, B major) (Offenbach 1814)
  • P. 272 - 3 String Quartets, Op. 44 (D major, E minor, B major) (Leipzig 1814)
  • P. 273 - 3 String Quartets, Op. 55 (E major, F minor, E major) (Offenbach 1821)
  • P. 274 - 3 Quartets for flute, violin, viola & cello, Op. 56 (D major, D minor, F major) (Offenbach 1821)
  • P. 275 - Quintet in D minor for piano, oboe, clarinet, horn & bassoon, Op. 41 (Leipzig 1810)
  • P. 276 - 3 Quintets for flute, violin, 2 violas & cello, Op. 50 (E major, B minor, D major) (Offenbach 1818)
  • P. 277 - 3 Wind Quintets, Op. 56 (B major, G minor, F major) (Berlin 1821)
  • P. 278 - Quintet in F major for piano, flute, oboe (violin), clarinet (viola) & bassoon (cello), Op. 53 (Offenbach 1821)
  • P. 279 - Quintet in D major for piano, flute, oboe (violin), clarinet (viola) & bassoon (cello), Op. 54 (Offenbach 1821)
  • P. 280 - 3 String Quintets (with 2 violas), Op. 66 (E major, F minor, A major) (Offenbach 1824)
  • P. 281 - 3 Wind Quintets, Op. 67 (G major, E minor, E major) (Offenbach 1824)
  • P. 282 - 3 Wind Quintets, Op. 68 (A major, F major, D minor) (Offenbach 1824)
  • P. 283 - Sextet in E major for 2 clarinets, 2 horns & 2 bassoons (original version was not published)
    • Arranged as Sextet for oboe (or violin), 2 violas, 2 horns & cello, Op. 10 (Munich 1802)
  • P. 284 - Sextet in E major for 2 violins, 2 horns, viola & cello, Op. 15 (Munich 1803)
  • P. 285 - 3 Piano pieces (A major, E major, E major) (Mannheim 1784)
  • P. 286 - Piano Sonata in F major, Op. 3 (Munich 1800). The Andante of this Sonata is by his wife Margarethe.
  • P. 287 - Piano Sonata in D minor, Op. 12 (Munich 1802)
  • P. 288 - Piano Sonata in F major, Op. 33 (Munich 1807)
  • P. 289 - 6 Waltzes for piano (D major, G minor, G major, C major, D major, F major) (Munich 1807)
  • P. 290 - 6 Waltzes for piano (C major, B major, E major, G minor, E major, G major) (Munich 1807)
  • P. 291 - 6 easy pieces for piano, Op. 73 (D major, G minor, E minor, C major, E major, F major) (Leipzig 1825)
  • P. 292 - Sonata in E major for piano 4 hands (Paris 1795/1796)
  • P. 293 - Sonata in C major for piano 4 hands, Op. 2 (Munich 1799)
  • P. 294 - 3 pièces détachées for piano 4 hands, Op. 11 (F major, D minor, E major) (Munich 1802)
  • P. 295 - Sonata in B major for piano 4 hands, Op. 9 (Leipzig 1806)
  • P. 296 - Potpourri in D minor for piano 4 hands (Munich 1807)

P. 297—310 - Arrangements

  • P. 297 - Mass of St Edmund in B major (London 1870). Not authentic. Kyrie and Gloria are arrangements of P. 57.
  • P. 298 - O salutaris hostia, hymn in C major for S solo & organ. Arrangement of P. 120 by Etienne-Alexandre Choron (1771-1834).
  • P. 299 - Kantate zum Friedenfest for soli (SATB), choir (SATB) & orchestra. 1st & 3rd movements are identical to P. 163. Rest by Johann Gottfried Schade.
  • P. 300 - Kantate zum Kurfeier for choir (SATB) & orchestra; 1st performance : Stuttgart, 9 May 1803. According to Pechstaedt, an earlier version of 'Freudenfest', P. 163.
  • P. 301 - Harpsichord concerto in C major. Not authentic. Theme of 3rd movement taken from P. 5.
  • P. 302 - Harpsichord concerto in D major. Probably authentic. 3rd movement later arranged for piano quintet P. 279.
  • P. 303 - Andante for harpsichord & orchestra in D minor. Authentic. Later arranged as the 2nd movement of piano quintet P. 279.
  • P. 304 - Trio in F major for violin, horn & bassoon, Op. 23 (Munich 1828). Movements 1, 2, 5 & 6 are spurious arrangements of P. 282 No. 2.
  • P. 305 - Oboe quartet. More like a spurious collection of 7 pieces for oboe, violin, viola & cello (E, F, d, C, G, a, F). Pieces 2 & 7 = pieces 2 & 5 of P. 270.
  • P. 306 - Allegretto in G major for wind octet. Arrangement of a duet for Don Gusmann and Bastian in P. 6 by Wilhelm Legrand (1769-1845).
  • P. 307 - 4 Variations in B major for flute & piano on Danzi's arietta Sicchè t'inganni o Clori P. 173. By Josef Nicola Kovacic.
  • P. 308 - 5 Melodies for flute found in 'Recueil d'Ariettes et Romances' (Mainz c. 1812). Not authentic.
  • P. 309 - Arrangement of Mozart's Die Zauberflöte for string quartet (Munich 1797). Authentic.
  • P. 310 - Arrangement of Mozart's Symphony in G minor (KV 183 or 550?) by Danzi, mentionned in Louis Spohr's autobiography. Lost.

P. 311—346 - Works of uncertain authorship

  • P. 311 - 3 Fragments for an unknown opera (intrumental piece, duet for ST, aria for S).
  • P. 312 - La destra ti chiedo, duetto for ST & orchestra (text from Metastasio's 'Demofoonte')
  • P. 313 - Ruhig schlug hier im Busen, recitative and aria for Paul Wranitzky's opera Oberon, König der Elfen. 1st performance : 6 April 1811. Destroyed in 1942.
  • P. 314 - Die Blumenfee, prologue; 1st performance : Karlsruhe 29 September 1812. Lost.
  • P. 315 - March for Kotzebue's play Ubaldo. Mentioned in Danzi's letter to Joseph von Morigotti dated 24 June 1813. Lost.
  • P. 316 - Bard Chorus for the play Hermann by an unknown author. Mentioned in Danzi's letter to Joseph von Morigotti dated 14 August 1814. Lost.
  • P. 317 - Der Schiffskapitän oder Die Unbefangenen, vaudeville in 1 act; 1st performance : Berlin 8 June 1817. Lost.
  • P. 318 - 2 Entr'actes. No. 4 and 5 of a collection of 25 entr'actes by various composers.
  • P. 319 - Instrumental pieces & chorus for a cantata celebrating the wedding of Margrave Leopold von Baden and Princess Sophie on 25 July 1819. Lost.
  • P. 320 - 5 Entr'actes for Grillparzer's play Sappho (1819). Lost.
  • P. 321 - 13 Entr'actes. Destroyed in 1942.
  • P. 322 - Vater nur dir zu dienen, middle section of a cantata by J.A. Seitz in C major for SATB & orchestra.
  • P. 323 - Vater unser, hymn in F major for STTB & piano. (Piano part in G major, 1 T part in C major, other voices in F major).
  • P. 324 - Offertory in F major for soli (SB), orchestra & organ. Lost. Referenced in a catalogue without text.
  • P. 325 - Tantum ergo, hymn in C major. Lost. Only trombone I part extant.
  • P. 326 - Tantum ergo, hymn in C major. Lost. Only trombone I part extant.
  • P. 327 - Cantata for the inauguration of the new building of the Karlsruhe 'Museumsgesellschaft'. Performed on 9 December 1814. Lost.
  • P. 328 - Cantata for the celebration of Grand Duke Karl Friedrich von Baden's birthday. Performed on 9 February 1823. Lost.
  • P. 329 - 6 Italian Canzonette for tenor & piano.
    • No. 1 in C major. Senza l'amabile Dio di l'itera
    • No. 2 in F major. Ah che il destino, mio bel tesoro
    • No. 3 in F minor. Mi lagnero tacendo (arrangement of P. 184/2)
    • No. 4 in E minor. Che ciascun per te sospiri (arrangement of P. 184/1)
    • No. 5 in B major. Ogni piacer mi spiace se grato
    • No. 6 in E major. Io d'amore o Dio mi moro (arrangement of P. 175)
  • P. 330 - 6 Songs for piano, Op. 63. (Songs for voice & piano, or purely piano pieces?). Lost.
  • P. 331 - 5 Canons for SATB. All are unfinished and without text. From Louis Spohr's autograph with the note '...Franz Danzi 25 Juny 1816.'
  • P. 332 - Ah, perfido spergiuro...Per pietà, recitative and aria for soprano & orchestra. Performed at the Leipzig Gewandhaus : 3 Nov. 1796, 29 Apr. 1798, 28 Nov. 1799 & 10 Oct. 1802. Lost. (Identical to Beethoven's Op. 65 composed in 1796 ?)
  • P. 333 - Symphony in D major. Destroyed in 1942.
  • P. 334 - Symphony in C minor. Destroyed in 1942. Most likely identical to P. 219.
  • P. 335 - Sinfonia concertante for 2 bassoons. Mentioned in Danzi's letter to Joseph von Morigotti dated 23 March 1809. Performed in Stuttgart 1809, Munich 1812 and Berlin 1824. Lost.
  • P. 336 - Sinfonia concertante for 2 horns. Mentioned in a concert program dated 19 May 1818, Königsberg. Lost.
  • P. 337 - Sinfonia concertante for 2 clarinets. Mentioned in a report of a performance in Vienna 1821. Lost.
  • P. 338 - Piano Concerto in C major. Mentioned in Danzi's letter to Joseph von Morigotti dated 18 April 1808. Maybe identical to P. 301. Lost.
  • P. 339 - Oboe Concerto. Mentioned in a concert program dated March 1818, Stockholm. Lost.
  • P. 340 - Cello Concerto in D major. Labeled 'Nr. 1' in the 1822 catalogue of publisher Nageli (Zurich). Supposedly published in 1809. Lost.
  • P. 341 - Cello Concerto in C major. Labeled 'Nr. 2' in the 1822 catalogue of publisher Nageli (Zurich). Supposedly published in 1809. Lost.
  • P. 342 - Fantasia for oboe. Mentioned in a concert program dated August 1822, Strasburg. Lost.
  • P. 343 - 6 Montferrines for piano. Doutful authorship.
  • P. 344 - 'Marche des Chevaliers de l'Ordre des Séraphims en Suède' in D major for piano (Georg Joseph Vogler)
  • P. 345 - Variations (8) for piano in G major (Carl August Cannabich or Christian Cannabich)
  • P. 346 - Sonata for piano 4 hands, Op. 11. Only mentioned in catalogues. Most likely identical to 'Pièces détachées' P. 294.

List of works, by Opus numbers

Other works