The following information is given for each work, where available:
Click on the column headings to sort by any of the categories shown.
J. | Opus | Title | Forces | Key | Date | Genre | Notes |
---|---|---|---|---|---|---|---|
J. | 1–6Op. | 1Fughettas (6) | pf | 1798 | Keyboard | ||
J. | 7Op. | 2Variations sur un thème original (6) | pf | C major | 1800 | Keyboard | |
J. | 8Op. | 8Peter Schmoll und seine Nachbarn, opera in 2 acts | vv ch orch | 1801–02 | Stage | Dialogue lost. Overture revised as Grande ouverture á plusieurs instruments, J.54 | |
J. | 9–14Op. | 3Petites pièces faciles (6) | pf4h | 1802–03? | Keyboard | ||
J. | 9Op. | 3 No.1Sonatina | pf4h | 1802–03? | Keyboard | ||
J. | 10Op. | 3 No.2Romance | pf4h | 1802–03? | Keyboard | ||
J. | 11Op. | 3 No.3Menuetto | pf4h | 1802–03? | Keyboard | ||
J. | 12Op. | 3 No.4Andante con Variazioni | pf4h | 1802–03? | Keyboard | ||
J. | 13Op. | 3 No.5Marcia maestoso | pf4h | 1802–03? | Keyboard | ||
J. | 14Op. | 3 No.6Rondo | pf4h | 1802–03? | Keyboard | ||
J. | 15–26Op. | 4Allemandes (12) | pf | 1801 | Keyboard | Nos.1–10 are for solo piano, and Nos.11 and 12 for piano 4 hands. | |
J. | 27— | Die Kerze ("Ungern flieht das süsse Leben"), song | v pf | 1802 | Vocal | ||
J. | 28Op.71 No.4 | Umsonst entsagt’ ich der lockenden Liebe, song | v pf | 1802 | Vocal | ||
J. | 29–34— | Ecossaises (6) | pf | 1802 | Keyboard | ||
J. | 35Op.13 No.6 | Mädchen, ach meide Männerschmeichelein, canon | 3vv | 1802 | Vocal | ||
J. | 36— | Ein Gärtchen und ein Häuschen drin, terzetto | sop ten bass | 1803 | Vocal | ||
J. | 37— | Grablied ("Leis wandeln wir, wie Geisterhauch") | ch | 1803 | Vocal | 1st version | |
J. | 37— | Grablied ("Leis wandeln wir, wie Geisterhauch") | ch ww br | 1804 | Vocal | 2nd version | |
J. | 38— | Entfliehet schnell von mir, song | v pf | 1803 | Vocal | ||
J. | 39— | Samori, arrangement of vocal score to the opera by G. J.Vogler | vv ch pf | 1803–04 | Stage | ||
J. | 40Op. | 5Variations sur l'air de ballet de "Castor et Pollux" (8) | pf | 1804 | Keyboard | Based on a theme from the opera Castor and Pollux by Johann Casper Vogler. | |
J. | 41— | Ich sah sie hingesunken, song | v pf | 1804 | Vocal | ||
Op.30 | Lieder (6) | v pf | 1804–13 | Vocal | See individual entries for J.42 (No.1), J.161 (No.2), J.157 (No.3), J.160 (No.4), J.159 (No.5), and J.156 (No.6). | ||
J. | 42Op.30 No.1 | Wiedersehen ("Jüngst sass ich am Grabe der Trauten allein"), song | v pf | 1804 | Vocal | ||
J. | 43Op. | 6Variations sur l'air de Naga de "Samori" (6) | pf (+ vn vc) | 1804 | Keyboard / Chamber | Based on Naga's air "Woher mag diess wohl kommen" from the opera Samori by Johann Casper Vogler. | |
J. | 44–46— | Rübezahl, romantic opera in 2 acts | vv ch orch | 1804–05 | Stage | Only 3 fragments survive. Overture revised as Der Beherrscher der Geister, J.122. | |
J. | 47— | Romanza siciliana | fl orch | G minor | 1805 | Orchestral | |
J. | 47a— | Kleiner Tusch | 20tpt | 1806 | Chamber | ||
J. | 48Op.66 No.3 | Ich denke dein, song | v pf | 1806 | Vocal | ||
J. | 49— | Variations on 'A Schüsserl und a Rein'dl' (6) | va orch | C major | 1802–03?, rev. 1806 | Orchestral | First published in 1976. |
J. | 50Op.19 | Symphony No.1 | orch | C major | 1806–07, rev. 1810 | Orchestral | |
J. | 51— | Symphony No.2 | orch | C major | 1807 | Orchestral | |
J. | 52Op.13 No.3 | Liebeszauber ("Mädel, schau mir in’s Gesicht"), song | v gtr | 1807 | Vocal | ||
J. | 53Op. | 7Variations sur l’air "Vien quà, Dorina bella" (7) | pf | 1807 | Keyboard | Based on a melody by Francesco Bianchi. | |
J. | 54Op. | 8Grande ouverture à plusieurs instruments | orch | E♭ major | 1807 | Orchestral | Revision of the overture to Peter Schmoll und seine Nachbarn, J.8. |
J. | 55Op. | 9Variations sur un thème original (7) | pf | 1808 | Keyboard | ||
J. | 56Op.12 | Momento capriccioso | pf | B♭ major | 1808 | Keyboard | |
Op.15 | Lieder (6) | v pf | 1808–09 | Vocal | See individual entries for J.73 (No.1), J.62 (No.2), J.74 (No.3), J.68 (No.4), J.67 (No.5), J.57 (No.6). | ||
J. | 57Op.15 No.6 | Er an Sie ("Ein Echo kenn' ich"), song | v pf | 1808 | Vocal | ||
J. | 58Op.14 | Der erste Ton | nar ch orch | 1808, rev. 1810 | Vocal | ||
J. | 59Op.21 | Grande polonaise | pf | E♭ major | 1808 | Keyboard | |
J. | 60— | Komisches musikalisches Sendschreiben ("Theuerster Herr Kapellmeister") | v bc | 1808 | Vocal | ||
J. | 61Op.22 | Variations sur un air norvégien (9) | vn pf | D minor | 1808? | Chamber | |
J. | 62Op.23 No.1 | Meine Farben ("Wollt ihr sie kennen?"), song | v pf | 1808 | Vocal | ||
J. | 63Op.15 No.2 | Klage ("Ein steter Kampf ist under Leben"), song | v pf | 1808 | Vocal | ||
J. | 64Op.20 | Grand potpourri | vc orch | D major | 1808 | Orchestral | |
J. | 65— | Horch'! Leise horch', Geliebte!, serenade | v gtr | 1809 | Vocal | ||
J. | 66Op.66 No.5 | Die Lethe des Lebens ("Wenn, Brüder, wie wir täglich sehen") | bar ch pf | 1809 | Vocal | ||
J. | 67Op.15 No.5 | Das Röschen ("Ich sah ein Röschen"), song | v pf | 1809 | Vocal | ||
J. | 68Op.15 No.4 | Was zieht zu deinem Zauberkreise, song | v pf | 1809 | Vocal | ||
J. | 69— | Chorus for Franz Danzi’s Birthday | ch | 1809 | Vocal | Text lost. | |
J. | 70Op.23 No.2 | Die Blume ("Traurig, einsam welkst du hin"), rhapsodie | v pf | 1809) | Vocal | ||
J. | 71— | Romanze der Laura (Die Ruinen) ("Süsse Ahnung dehnt den Busen"), song | v pf | 1809 | Vocal | ||
J. | 72Op.13 No.4 | An den Mond ("Sanftes Licht, weiche nicht"), song | v gtr | 1809 | Vocal | ||
J. | 73Op.15 No.1 | Meine Lieder, meine Sänge, song | v pf | 1809 | Vocal | ||
J. | 74Op.15 No.3 | Der kleine Fritz an seine jungen Freunde ("Ach, wenn ich nur ein Liebchen hatte"), song | v pf | 1809 | Vocal | ||
J. | 75Op.37 | Turandot | orch | 1809 | Stage | Overture and marches for Schiller's drama. Overture based on Overture chinesa, J.Anh.28. | |
J. | 76— | Piano Quartet ("Grand quatour") | vn va vc pf | B♭ major | 1806–09 | Chamber | |
J. | 77— | Was ich da thu’, das fragt Er mich?, rondo alla polacca | ten orch | 1809 | Stage | For the pasticcio Der Freybrief. | |
J. | 78— | Dich an dies Herz zu drücken, duet | sop ten orch | 1809 | Vocal | For the pasticcio Der Freybrief. | |
J. | 79— | Andante und Rondo ungarese | va orch | C minor | 1809 | Orchestral | First published 1939. Arranged for bassoon and orchestra as Andante e Rondo ungarese, J.158. |
J. | 80— | Trinklied ("Weil es also Gott gefügt") | v pf | 1809) | Vocal | ||
J. | 81–86Op.10a | Pieces (6) | pf4h | 1809 | Keyboard | ||
J. | 87— | Silvana, romantic comic-heroic opera in 3 acts | vv ch orch | 1808–10, rev. 1812 | Stage | ||
J. | 88— | Sicchè t’inganni, o Clori, canzonetta | 1810? | Vocal | Formerly attributed to Weber, but now believed to have been composed by Franz Danzi. | ||
J. | 89— | Die Sonate soll ich spielen, canon | 3vv | 1810 | Vocal | ||
J. | 90— | Canons zu zwey sind nicht drey, canon | 3vv | 1810 | Vocal | ||
J. | 91Op.13 No.1 | Die Schäferstunde (Damon und Chloe) ("Endlich hatte Damon sie gefunden"), song | v gtr | 1810 | Vocal | ||
J. | 92— | Das neue Lied ("Ein neues Lied") | v pf | 1810 | Vocal | Piano part lacking. | |
J. | 93Op.16 | Il momento s'avvicina ("La dolce speranza"), recitative and rondo | sop orch | 1810 | Vocal | ||
J. | 94— | Variations | vc orch | D minor | 1810 | Orchestral | |
J. | 95— | Leck’ mich im Angesicht, canon | 3vv | 1810 | Vocal | ||
J. | 96Op.13 No.2 | Wiegenlied ("Schlaf, Herzenssöhnchen") | v gtr | 1810 | Vocal | ||
J. | 97Op.13 No.5 | Die Zeit ("Es sitzt die Zeit in weissen Kleid"), song | v gtr | 1810 | Vocal | ||
J. | 98Op.11 | Piano Concerto No.1 | pf orch | C major | 1810 | Orchestral | |
Op.10b | Sonates progressives (6) | vn pf | 1810 | Chamber | |||
J. | 99Op.10b No.1 | Violin Sonata No.1 | vn pf | F major | 1810 | Chamber | |
J.100 | Op.10b No.2 | Violin Sonata No.2 | vn pf | G major | 1810 | Chamber | |
J.101 | Op.10b No.3 | Violin Sonata No.3 | vn pf | D minor | 1810 | Chamber | |
J.102 | Op.10b No.4 | Violin Sonata No.4 | vn pf | E♭ major | 1810 | Chamber | |
J.103 | Op.10b No.5 | Violin Sonata No.5 | vn pf | A major | 1810 | Chamber | |
J.104 | Op.10b No.6 | Violin Sonata No.6 | vn pf | C major | 1810 | Chamber | |
J.105 | Op.71 No.6 | Des Künstlers Abschied ("Auf die stürm’sche See hinaus"), song | v gtr/pf | 1810 | Vocal | ||
J.106 | — | Abu Hassan, singspiel in 1 act | vv ch orch | 1810–11, rev. 1812–13 and 1823 | Stage | ||
Op.31 | Duets (3) | 2sop pf | 1811 | Vocal | See individual entries for J.123 (No.1), J.125 (No.2), J.107 (No.3). | ||
J.107 | Op.31 No.3 | Se il mio ben, concert duet | 2alt orch | 1811 | Vocal | 1st version | |
J.107 | Op.31 No.3 | Se il mio ben, concert duet | 2sop pf | 1811 | Vocal | 2nd version | |
J.108 | Op.29 No.1 | Ah, dove siete, canzonetta | v gtr/pf | 1811 | Vocal | ||
Op.29 | Canzonettas (3) | v pf/gtr | 1811 | Vocal | |||
J.109 | Op.26 | Concertino | cl orch | E♭ major | 1811 | Orchestral | |
Op.25 | Deutsche Lieder (5) | v gtr | 1811 | Vocal | See individual entries under J.140 (No.1), J.110 (No.2), J.112 (No.3), J.137 (No.4), J.113 (No.5). | ||
J.110 | Op.25 No.2 | Über die Berge mit Ungestüm | v gtr | 1811 | Stage | Song for Kotzebue's drama Der arme Minnesinger. Published as No.5 of 5 Deutsche Lieder | |
J.111 | — | Rase, Sturmwind, blase | v gtr | 1811 | Stage | Song for Kotzebue's drama Der arme Minnesinger. | |
J.112 | Op.25 No.3 | Lass mich schlummern | v gtr | 1811 | Stage | Song for Kotzebue's drama Der arme Minnesinger. | |
J.113 | Op.25 No.5 | Umringt von mutherfülltem Heere | mch | 1811 | Stage | Song for Kotzebue's drama Der arme Minnesinger. | |
J.114 | Op.73 | Clarinet Concerto No.1 | cl orch | F minor | 1811 | Orchestral | |
J.115 | — | Adagio und Rondo | harm/org orch | F major | 1811 | Orchestral | Solo part for harmonichord or reed organ |
J.116 | — | Trauer-Musik ("Hörst du der Klage dumpfen Schall") | bar ch ww br | 1811 | Vocal | ||
J.117 | Op.23 No.3 | Maienblümlein ("Maienblümlein, so schön"), song | v gtr/pf | 1811 | Vocal | ||
J.118 | Op.74 | Clarinet Concerto No.2 | cl orch | E♭ major | 1811 | Orchestral | |
J.119 | — | Melody | cl | F major | 1811? | Chamber | Published with piano accompaniment by F.W. Jähns, 1872. |
J.120 | Op.29 No.3 | Ch'io mai vi possa, canzonetta | v gtr/pf | 1811 | Vocal | ||
J.121 | Op.50 | Misera me! ("Ho spavento d’ogn’aura"), scena and aria | sop orch | 1811 | Vocal | ||
J.122 | Op.27 | Der Beherrscher der Geister (The Ruler of the Spirits), overture | orch | D minor | 1811 | Orchestral | Revision of the overture to Rübezahl, J.44. |
J.123 | Op.31 No.1 | Mille volte, duet | 2sop pf | 1811 | Vocal | ||
J.124 | Op.29 No.2 | Ninfe se liete, canzonetta | v gtr/pf | 1811 | Vocal | ||
J.125 | Op.31 No.2 | Va, ti consola, duet | 2sop pf | 1811 | Vocal | ||
J.126 | — | Qual altro attendi ("Giusti Numi!"), scena and aria | ten mch orch | 1811 | Stage | ||
J.127 | Op.75 | Bassoon Concerto | bn orch | F major | 1811, rev. 1822 | Orchestral | |
J.128 | Op.33 | Variations (7) on a theme from the opera "Silvana" | cl pf | 1811 | Chamber | See also the opera Silvana, J.87. | |
J.129 | — | Romanze (Wiedersehn) ("Um Rettung bietet ein güld’nes Geschmeide"), song | v pf | 1812 | Vocal | ||
J.130 | Op.23 No.4 | Sonett ("Du liebes, holdes, himmelsüsses Wesen"), song | v pf | 1812 | Vocal | ||
J.131 | — | Lenz erwacht, und Nachtigallen | 2sop 2ten 2bass pf | 1812 | Vocal | Piano part lost. | |
J.132 | Op.68 No.1 | Das Turnierbankett ("Füllet die Humpen, muthige Knappen") | 2ten bass 2mch | 1812 | Vocal | ||
J.133 | Op.23 No.6 | An eine Freundin ("Zur Freude ward geboren") | sop 2ten bass (+ pf) | 1812 | Vocal | ||
J.134 | Op.66 No.4 | Lebensansicht ("Frei und froh mit muntern Sinnen"), song | v pf | 1812 | Vocal | ||
J.135 | — | Schwäbisches Tanzlied ("Geiger und Pfeiffer") | sop 2ten bass (+ pf) | 1812 | Vocal | ||
J.136 | Op.23 No.5 | Heisse, stille Liebe schwebet | sop 2ten bass (+ pf) | 1812 | Vocal | ||
J.137 | Op.25 No.4 | Bettlerlied ("I und mein junges Weib") | v gtr/pf | 1812 | Vocal | ||
J.138 | Op.24 | Piano Sonata No.1 ("Perpetuum Mobile") | pf | C major | 1812 | Keyboard | |
J.139 | — | Kriegs-Eid ("Wir stehn vor Gott") | mch bn 3hn 2tpt tbn | 1812 | Vocal | ||
J.140 | Op.25 No.1 | Liebe-Glühen ("In der Berge Riesenchatten"), song | v gtr/pf | 1812 | Vocal | ||
J.141 | Op.28 | Variations sur la romance "À peine au sortir" (7) on "A piene au sortir" | pf | 1812 | Keyboard | Based on a romance from the opera Joseph by Etienne Nicolas Méhul. | |
J.142 | Op.53a | Signor, se padre sei ("Chiamami ancor"), scena and aria | ten 2ch orch | 1812 | Vocal | ||
J.143–148 | — | Favorit-Walzer der Kaiserin von Frankreich Marie Louise (6) (Favourite Waltzes of the French Empress Marie Louise) | pf | 1812 | Keyboard | ||
J.149 | — | Waltz | 2cl 2bn 2hn tpt | E♭ major | 1812 | Chamber | |
J.150–153 | — | Lieder (4), arrangements of works by Duke Emil Leopold August of Gotha | ww br | 1812 | Orchestral | ||
J.154 | Op.36 | In seiner Ordnung schafft der Herr, hymn | sop alt ten bass ch orch | 1812 | Vocal | ||
J.155 | Op.32 | Piano Concerto No.2 | pf | E♭ major | 1811–12 | Keyboard | |
J.156 | Op.30 No.6 | Sind es Schmerzen, sind es Freuden, song | v pf | 1813 | Vocal | ||
J.157 | Op.30 No.3 | Unbefangenheit ("Frage mich immer"), song | v pf | 1813 | Vocal | ||
J.158 | Op.35 | Andante e Rondo ungarese | bn orch | C minor | 1813 | Orchestral | Arrangement of the Andante und Rondo ungarese, J.79. |
J.159 | Op.30 No.5 | Reigen ("Sagt mir an, was schmunzeit ihr"), song | v pf | 1813 | Vocal | Revised as the Ecossiase, J.Anh.46. | |
J.160 | Op.30 No.4 | Minnelied ("Der Holdseligen") | v pf | 1813 | Vocal | ||
J.161 | Op.30 No.2 | Es stürmt auf der Flur, song | v pf | 1813 | Vocal | ||
J.162 | — | Ein jeder Geck sucht zu gefallen, duet by J.Weigl, arranged | 2sop orch | 1814 | Vocal | For A. Fischer’s Die Verwandlungen. | |
J.163 | — | Ihr holden Blumen, arietta | sop orch | 1814 | Vocal | For A. Fischer’s Die Verwandlungen. Arrangement of J.Anh.96. | |
J.164 | — | Zu dem Reich der Töne schweben, canon | 4vv | 1814 | Vocal | ||
J.165 | Op.53b No.1 or Op.57 No.1 | Lebenslied am Geburtstag ("Freunde, dass Glut liebend uns trage") | 4mv pf | 1814 | Vocal | ||
J.166 | Op.47 No.6 | Gebet um die Geliebte ("Alles in mir glühet, zu lieben!"), song | v pf | 1814 | Vocal | ||
J.167 | — | Scheiden und leiden ist einerlei, canon | 4vv | 1814 | Vocal | ||
Op.42 | Leyer und Schwerdt | mch | 1814 | Vocal | |||
J.168 | Op.42 No.2 | Lützow's wilde Jagd ("Was glänzt dort im Walde im Sonnenschein") | mch | 1814 | Vocal | ||
J.169 | Op.42 No.6 | Schwertlied ("Du Schwert an meiner Linken") | mch | 1814 | Vocal | ||
J.170 | Op.42 No.4 | Männer und Buben ("Das Volk steht auf, der Sturm bricht los!") | mch | 1814 | Vocal | ||
J.171 | Op.42 No.5 | Trinklied vor der Schlacht ("Schlacht, du brichst an!") | mch | 1814 | Vocal | ||
J.172 | Op.42 No.1 | Reiterlied ("Frisch auf mit raschem Flug!") | mch | 1814 | Vocal | ||
J.173 | Op.42 No.3 | Gebet vor der Schlacht ("Hör uns, Allmächtiger!") | mch | 1814 | Vocal | ||
Op.41 | Leyer und Schwerdt, songs (4) | v pf | 1814 | Vocal | |||
J.174 | Op.41 No.1 | Gebet während der Schlact ("Vater, ich rufe dich!"), song | v pf | 1814 | Vocal | ||
J.175 | Op.41 No.2 | Abschied vom Leben ("Die Wunde brennt"), song | v pf | 1814 | Vocal | ||
J.176 | Op.41 No.3 | Trost ("Herz, lass dich nicht zerspalten"), song | v pf | 1814 | Vocal | ||
J.177 | Op.41 No.4 | Mein Vaterland ("Was ist des Sängers Vaterland?"), song | v pf | 1814 | Vocal | ||
J.178 | Op.52 | Ha! sollte Edmund selbst der Mörder sein? ("Lass, o lass ihn Rettung finden"), scene and aria | sop orch | 1814? | Stage | For the opera Héléna by Méhul. | |
J.179 | Op.40 | Variations sur un air russe (9) ("Schöne Minka") | pf | 1814–15 | Keyboard | ||
J.180 | — | Zu unsers Heinrich Ruhm und Preiss ("Drei Knäbchen lieblich ausstaffiret"), burleske | 3vv | 1815 | Vocal | ||
J.181 | Op.51 | Non paventar mia vita ("Sei tu sempre il mio"), scene and aria | sop orch | 1815 | Vocal | ||
J.182 | Op.34 | Clarinet Quintet | cl 2vn va vc | B♭ major | 1811–15 | Chamber | |
J.183 | — | Mein Weib ist capores | bar orch | 1815 | Stage | Lied for Der travestirte Aeneas by I. von Seyfried. | |
J.184 | — | Frau Lieserl juhe!, Tanzlied | sop bar orch | 1815 | Vocal | For Der travestirte Aeneas by I. von Seyfried. Arranged for orchestra as J.185 | |
J.185 | — | Deutscher ("Original-Walzer"), waltz | orch | 1815 | Orchestral | Arranged from Frau Lieserl juhe, J.184. | |
J.186 | — | Wer stets hinter’m Ofen kroch | bar mch orch | 1815 | Stage | For the play Lieb’ und Versöhnen by F. W. Gubitz. See also J.187 and J.247. | |
J.187 | — | Wie wir voll Glut uns hier zusammenfinden | ten orch | 1815 | Stage | For the play Lieb’ und Versöhnen by F. W. Gubitz. See also J.186 and J.247. | |
J.188 | Op.45 | Concertino | hn orch | E minor | 1806, rev. 1815 | Orchestral | |
J.189 | Op.47 No.3 | Was stürmet die Haide herauf? | bar hp/pf | 1815 | Stage | Ballad for G. Reinbeck's play Gordon und Montrose. | |
J.190 | Op.44 | Kampf und Sieg, cantata | sop alt ten bass ch orch | 1815 | Vocal | ||
J.191 | — | Tedesco | orch | 1816 | Orchestral | ||
J.192 | Op.47 No.4 | Der Jüngling und die Spröde ("Weile, Kind"), song | v pf | 1816 | Vocal | ||
J.193 | — | Weil Maria Töne hext, canon | 3vv | 1816 | Vocal | ||
J.194 | — | Ariette der Lucinde, | sop orch | 1816 | Vocal | For F. Kauer’s Das Sternenmädchen im Maidlinger Walde. | |
J.195 | — | Ein König einst gefangen sass | v gtr | 1816 | Stage | Romance for Castelli's play "Diana von Poitiers". | |
J.196 | Op.47 No.5 | Mein Verlangen ("Ach, wär' ich doch"), song | v pf | 1816 | Vocal | ||
J.197 | Op.47 No.1 | Die gefangenen Sänger ("Vöglein, einsam in dem Bauer"), song | v pf | 1816 | Vocal | ||
J.198 | Op.47 No.2 | Die freien Sänger ("Vöglein hüpfet in dem Haine"), song | v pf | 1816 | Vocal | ||
J.199 | Op.39 | Piano Sonata No.2 | pf | A♭ major | 1814–16 | Keyboard | |
Op.46 | Die Temperamente beim Verluste der Geliebten, songs (4) | v pf | 1815–16 | Vocal | |||
J.200 | Op.46 No.1 | Der Leichtmüthige ("Lust entfloh und hin ist hin"), song | v pf | 1815–16 | Vocal | ||
J.201 | Op.46 No.2 | Der Schwermüthige ("Sel'ge Zeiten"), song | v pf | 1815–16 | Vocal | ||
J.202 | Op.46 No.3 | Der Libewüthige ("Verrathen!"), song | v pf | 1815–16 | Vocal | ||
J.203 | Op.46 No.4 | Der Gleichmüthige("Nun, ich bin befreit"), song | v pf | 1815–16 | Vocal | ||
J.204 | Op.48 | Grand duo concertante | cl pf | E♭ major | 1815–16 | Chamber | |
J.205 | Op.43 | Bei der Musik des Prinzen Louis Ferdinand von Preussen ("Düst’re Harmonieen hör’ ich klingen") | v pf | 1816 | Vocal | ||
J.206 | Op.49 | Piano Sonata No.3 | pf | D minor | 1816 | Keyboard | |
J.207 | Op.38 | Divertimento assai facile | gtr pf | 1816 | Chamber | Possibly based on the Andante, J.Anh. | 53|
Op.64 | Volkslieder (8) | 3vv pf | 1818 | Vocal | See individual entries for J.234 (No.1), J.210 (No.2), J.235 (No.3), J.230 (No.4), J.255 (No.5), J.257 (No.6), J.249 (No.7), J.258 (No.8). | ||
J.208 | Op.54 No.4 | Abschied ("O Berlin, ich muss dich lassen") | 2vv pf | 1817 | Vocal | ||
J.209 | Op.54 No.2 | Quodlibet ("So geht es in Schnützelputz-Häusel") | 2vv pf | 1817 | Vocal | ||
J.210 | Op.64 No.2 | Mailed ("Tra, ri, ro! Der Sommer, der ist do!") | 2vv pf | 1817 | Vocal | ||
J.211 | Op.54 No.5 | Alte Weiber (" 'S is nichts mit den alten Weibern"), song | v pf | 1817 | Vocal | ||
J.212 | Op.54 No.3 | Liebeslied ("Ich hab’ mir eins erwählt") | v pf | 1817 | Vocal | See also Tema variato, J.265. | |
J.213 | Op.66 No.6 | Wunsch und Entsagung ("Wenn ich die Blümlein schau"), song | v pf | 1817 | Vocal | ||
J.214 | — | König Yngurd | mez orch | 1817 | Stage | Incidental music to A. Müllner's play | |
J.215 | — | Von dir entfernt, Geliebter, recitative and cavatina by F. Paer, arranged | sop orch | 1817 | Vocal | For E.-N. Méhul’s Héléna. | |
J.216 | — | Ja, ich bin entschlossen ("Lass Schmerzen, o lass Gefahren") , recitative and duet by S. Nasolini, arranged | sop ten orch | 1817 | Vocal | For Méhul’s Héléna. | |
J.217 | Op.66 No.1 | Das Veilchen im Thale ("Ein Veilchen blüht"), song | v pf | 1817 | Vocal | ||
J.218 | Op.53b No.3 or Op.57 No.3 | Zwei Kränze zum Annen-Tage ("Flüstert lieblich, Sommerlüfte") | 4mv pf | 1817 | Vocal | ||
J.219 | Op.55 | Variations sur un chant tzigane (7) on a Gypsy Song (Variationen über ein Zigeuner Lied) | pf | 1817 | Keyboard | ||
J.220 | — | Donna Diana, song for the play by C. A. West | v 2gtr | 1817 | Stage | ||
J.221 | — | L’accoglienza, cantata | 3sop ten 2bass ch orch | 1817 | Vocal | ||
J.222 | — | Hold ist der Cyanenkranz, lied | vv ch | 1817 | Vocal | For the play Der Weinberg an der Elbe by F. Kind. | |
J.223 | — | Leise weht es | v gtr | 1818 | Stage | Romance for the play Das Nachtlager von Granada by F. Kind. | |
J.224 | Op.75a | Missa Sancta No.1 ("Freischützmesse") | sop alt ten bass ch orch | E♭ major | 1817–18 | Vocal | |
J.225 | — | Sei gegrüsst, Frau Sonne, mir, lied | ten bass (pf?) | 1818 | Stage | For the play Das Turnier zu Kronstein by F. J.von Holbein. | |
J.226 | — | Gloria et honore, offertory | sop ch orch | E♭ major | 1818 | Vocal | For Missa Sancta No.1, J.224. |
J.227 | — | Im Provence blüht die Liebe, dance and song | ten 2ch orch | 1818 | Stage | For the play Das Haus Anglade by T. Hell. | |
J.228 | Op.53b No.2 or Op.57 No.2 | Schone Ahnung ist erglommen ("Frühlingslied") | 4mv (+ pf) | 1818 | Vocal | ||
J.229 | Op.71 No.5 | Lied der Hirtin("Wenn die Maien grün sich kleiden") | v pf | 1818 | Vocal | ||
J.230 | Op.64 No.4 | Gelahrtheit ("Ich empfinde fast"), song | v pf | 1818 | Vocal | ||
J.231 | Op.54 No.7 | Weine, weine nur nicht, folksong | v pf | 1818 | Vocal | ||
J.232 | Op.54 No.1 | Die fromme Magd ("Ein’ fromme Magd von gutem Stand"), song | v pf | 1818 | Vocal | ||
J.233 | Op.54 No.6 | Wenn ich ein Vöglein wär', folksong | v pf | 1818 | Vocal | ||
J.234 | Op.64 No.1 | Mein Schatzerl is hübsch, folksong | v pf | 1818 | Vocal | ||
J.235 | Op.64 No.3 | Heimlicher Liebe Pein ("Mein Schatz, der ist auf die Wanderschaft hin"), song | v pf | 1818 | Vocal | ||
Op.60 | Pieces (8) | pf4h | 1818–19 | Keyboard | |||
J.236 | Op.60 No.5 | Alla Siciliana | pf4h | F major | 1818 | Keyboard | |
J.237 | — | Der Tod Heinrichs IV | orch | 1818 | Stage | Incidental music to the play by E. Gehe | |
J.238 | Op.66 No.2 | Rosen im Haare, song | v pf | 1818 | Vocal | ||
J.239 | Op.56 | Was sag ich? ("Fern von ihm"), scena and aria | sop orch | 1816–18? | Vocal | For Cherubini’s Lodoïska. | |
J.240 | — | Heil dir, Sappho! | ch ww br perc | 1818 | Stage | For the play Sappho by Grillparzer. | |
J.241 | Op.61 | Natur und Liebe (Cantate zur Feyer des Augustus-Tages) | 2sop 2ten 2bass pf | 1818 | Vocal | ||
J.242 | Op.60 No.4 | Allegro ("All' Ongarese") | pf4h | A minor | 1818 | Keyboard | |
J.243 | Op.71 No.2 | Ein Mädchen ging die Wies’ entlang ("Bach, Echo und Kuss") | v gtr/pf | 1818 | Stage | Lied for the play Der Abend am Waldbrunnen by F. Kind. | |
J.244 | Op.58 | The Praise of Jehovah : Jubilee cantata | sop alt ten bass ch orch | 1818 | Vocal | Published posthumously as Ernte-Cantate, with alternative text by Amadeus Wendt. | |
J.245 | Op.59 | Jubel-Ouvertüre | orch | E major | 1818 | Orchestral | |
J.246 | — | Lieb’ um Liebe, incidental music to the play by Rublack | vv ch orch | 1818 | Stage | ||
J.247 | — | God Save the King ("Den König segne Gott"), | mch | 1815–18? | Stage | Arranged for the play Lieb’ und Versöhnen by F. W. Gubitz. See also J.186 and J.187. | |
J.248 | Op.60 No.1 | Moderato (Arioso) | pf4h | D major | 1818 | Keyboard | |
J.249 | Op.64 No.7 | Ei, ei, ei wie scheint der Mond so hell | 2ten bass | 1818 | Vocal | ||
J.250 | — | In die solemnitatis, offertory | sop ch orch | C major | 1818 | Vocal | For Missa Sancta No.2, J.251. |
J.251 | Op.76 | Missa Sancta No.2 ("Jubelmesse") | sop alt ten bass ch orch | G major | 1818–19 | Vocal | |
J.252 | Op.62 | Rondo brillante ("La gaité") | pf | E♭ major | 1819 | Keyboard | |
J.253 | Op.60 No.3 | Adagio | pf4h | F major | 1819 | Keyboard | |
J.254 | Op.60 No.8 | Rondo (Scherzando) | pf4h | B♭ major | 1819 | Keyboard | |
J.255 | Op.64 No.5 | Abendsegen ("Der Tag hat seinen Schmuck"), song | v pf | 1819 | Vocal | ||
J.256 | Op.71 No.1 | Triolett ("Keine Lust ohn’ treues Lieben!"), song | v pf | 1819 | Vocal | ||
J.257 | Op.64 No.6 | Liebesgruss aus der Ferne ("Sind wir gescheiden"), song | v pf | 1819 | Vocal | ||
J.258 | Op.64 No.8 | Herzchen, mein Schätzchen, folksong | v pf | 1819 | Vocal | ||
J.259 | Op.63 | Trio | fl vc pf | G minor | 1818–19 | Chamber | |
J.260 | Op.65 | Aufforderung zum Tanze (Invitation to the Dance), rondeau brillant | pf | 1819 | Keyboard | ||
J.261 | Op.68 No.5 | Gute Nacht ("Bald heisst es wieder ‘Gute Nacht!’") | 4mv | 1819 | Vocal | ||
J.262 | Op.68 No.3 | Freiheitslied ("Ein Kind ist uns geboren") | 4mv | 1819 | Vocal | ||
J.263 | Op.68 No.2 | Ermunterung ("Ja, freue dich, so wie du bist") | 4mv | 1819 | Vocal | ||
J.264 | Op.60 No.2 | Allegro (Allla militaire) | pf4h | C major | 1819 | Keyboard | |
J.265 | Op.60 No.6 | Tema variato ("Ich hab' mir Eins erwählet") | pf4h | 1819 | Keyboard | Based on theme of the Liebeslied, J.212. | |
J.266 | Op.60 No.7 | Marcia funebre | pf | G minor | 1819 | Keyboard | |
J.267 | Op.71 No.3 | Das Mädchen an das erste Schneeglöckchen ("Was bricht hervor wie Blüthen weiss"), song | v pf | 1819 | Vocal | ||
J.268 | Op.72 | Polacca brillante ("L'hilarité") | pf | 1819 | Keyboard | ||
J.269 | Op.80 No.2 | Sehnsucht (Weihnachtslied) ("Judäa, hochgelobtes Land"), song | v pf | 1819 | Vocal | ||
J.270 | Op.80 No.3 | Elfenlied ("Ich tummle mich auf der Haide") | v pf | 1819 | Vocal | ||
J.271 | — | God Save the King | ch ww br | 1819 | Stage | Arranged for the play Du hoher Rautenzweig. See also J.247. | |
J.272 | — | Doppel Canon à 4 für L. Spohr | 1819 | ||||
J.273 | — | Agnus Dei | fch ww br | 1820 | Stage | For the play Carlo by G. von Blankensee. | |
J.274 | Op.80 No.4 | Schmerz ("Herz, mein Herz, ermanne dich!"), song | v pf | 1820 | Vocal | ||
J.275 | Op.80 No.5 | An sie ("Das war ein recht abscheuliches Gesicht"), song | v pf | 1820 | Vocal | ||
J.276 | — | Der Leuchtthurm | hp | 1820 | Stage | Incidental music to the play by E. von Houwald | |
J.277 | Op.77 | Der Freischütz, romantic opera in 3 acts | vv ch orch | 1817–21 | Stage | ||
J.278 | Op.80 No.6 | Der Sänger und der Maler ("Ei, wenn ich doch ein Maler wär’ "), song | v pf | 1820 | Vocal | ||
J.279 | Op.78 | Preciosa | v ch orch | 1820–21 | Stage | Incidental music for the play by P. A. Wolff | |
J.280 | — | Sagt, woher stammt Liebeslust | sop alt fch gtr | 1821 | Stage | Lied for the play Der Kaufmann von Venedig, by A. W. Schlegel. | |
J.281 | Op.80 No.1 | Lied von Clotilde ("Wenn Kindlein süssen Schlummers Ruh") | v pf | 1821? | Vocal | ||
J.282 | Op.79 | Konzertstück (Concertstück) | pf orch | F minor | 1821 | Orchestral | |
J.283 | — | Du, bekränzend uns’re Laren, cantata | 2sop ten bass ch fl pf | 1821 | Vocal | ||
J.284 | Op.68 No.6 | Husarenlied ("Husaren sind gar wack’re Truppen") | 4mv | 1821 | Vocal | ||
J.285 | Op.68 No.4 | Schlummerlied ("Sohn der Ruhe, sinke nieder") | 4mv | 1822 | Vocal | ||
J.286 | — | Das Licht im Thale ("Der Gasthirt steht am Felsenrand"), song | v pf | 1822? | Vocal | ||
J.287 | Op.70 | Piano Sonata No.4 | pf | E minor | 1819–22 | Keyboard | |
J.288 | — | Marcia vivace | 10tpt | 1822? | Chamber | ||
J.289 | — | Den Sachsen-Sohn vermählet heute, incidental music to the festspiel by L. Robert | ch orch | 1822 | Stage | ||
J.290 | — | Wo nehm’ ich Blumen her | sop ten bass pf | 1823 | Vocal | ||
J.291 | Op.81 | Euryanthe, grand romantic opera in 3 acts | vv ch orch | 1822–23, rev. 1825 | Stage | ||
J.292 | — | Elle était simple et gentilette ("Te voir encore"), romance | v pf | 1824 | Vocal | ||
J.293 | — | Reiterlied ("Hinaus! Hinaus zum blut’gen Strauss!") | 4mv (+ pf) | 1825 | Vocal | ||
J.294 | — | Schützenweihe ("Hörnerschall! Ueberfall") | 4mv (+ pf) | 1825 | Vocal | ||
— | Schottische National-Gesänge (Scottish National Songs), arranged | v fl vn vc pf | 1825 | Vocal | |||
J.295 | — | Soothing Shades of Gloaming, folksong arranged | v fl vn vc pf | 1825 | Vocal | ||
J.296 | — | The Troubadour ("Glowing with love"), folksong arranged | v fl vn vc pf | 1825 | Vocal | ||
J.297 | — | O Poortith Cauld, folksong arranged | v fl vn vc pf | 1825 | Vocal | ||
J.298 | — | Bonny Dundee ("True-hearted was he"), folksong arranged | v fl vn vc pf | 1825 | Vocal | ||
J.299 | — | Yes, Thou May'st Walk, folksong arranged | v fl vn vc pf | 1825 | Vocal | ||
J.300 | — | A Soldier Am I, folksong arranged | v fl vn vc pf | 1825 | Vocal | ||
J.300a | — | Contented wi' Little, and Canty wi' Mair, folk song | v fl vn vc pf | 1825 | Vocal | ||
J.301 | — | John Anderson, My Jo' , folksong arranged | v fl vn vc pf | 1825 | Vocal | ||
J.302 | — | O My Love's Like the Red, Red Rose, folksong arranged | v fl vn vc pf | 1825 | Vocal | ||
J.303 | — | Robin is My Joy, folksong arranged | v fl vn vc pf | 1825 | Vocal | ||
J.304 | — | Whar Ha'e ye Been a' Day, folksong arranged | v fl vn vc pf | 1825 | Vocal | ||
J.305 | — | Olimpie, additional music for Spontini’s opera | 1825 | Stage | |||
J.306 | — | Oberon, romantic and fairy opera in 3 acts | vv ch orch | 1825–26 | Stage | ||
J.307 | — | March | ww br | C major | 1826 | Orchestral | Revision of the March for piano duet, J.13. |
J.308 | — | Song of Nurmahal ("From Chindara’s warbling fount I come") | v pf | 1826 | Vocal | Piano part reconstructed by Ignaz Moscheles. | |
J.Anh. | 1— | Das Waldmädchen (Das stumme Waldmädchen), romantic-comic opera in 2 acts | vv ch orch | 1800 | Stage | Incomplete. | |
J.Anh. | 3— | Deo Rosa, Gottes Rose | 4mv | 1821 | Vocal | ||
J.Anh. | 4— | Fragment | E♭ major | 1821 | |||
J.Anh. | 5— | Die drei Pintos, comic opera in 3 acts | vv ch orch | 1820–21 | Stage | Unfinished. Completion by Gustav Mahler published 1888. | |
J.Anh. | 6— | Die Macht der Liebe und des Weins, opera | 1798–99 | Stage | Lost. | ||
J.Anh. | 8— | Missa solenne (Grosse Jugendmesse) | sop alt ten bass ch org orch | E♭ major | 1799?, rev. 1802? | Vocal | First published 1926 in an edition by C. Schneider. |
J.Anh. | 9— | Vierstimmige Gesänge | vv | 1799 | Vocal | Lost. | |
J.Anh. | 10— | Canons | 1799 | Lost. | |||
J.Anh. | 11–13— | Easy Trios (3) | 1799 | Lost. | |||
J.Anh. | 14— | Variations (6) | pf | 1799 | Keyboard | Lost. | |
J.Anh. | 15— | Variations (6) | pf | 1799 | Keyboard | Lost. | |
J.Anh. | 16–18— | Piano Sonatas (3) | pf | 1799 | Keyboard | Lost. | |
J.Anh. | 19— | Variations (6), on the song "Lieber Augustin" | pf | 1799 | Keyboard | Lost. | |
J.Anh. | 24–26— | Trios (3) | vn va vc | 1799–1801? | Chamber | Lost. Possibly the same as the 3 Easy Trios, J.Anh.11–13. | |
J.Anh. | 28— | Overture chinesa (Chinese Overture) | orch | 1806 | Orchestral | Lost; revised as the overture to the incidental music to Turandot, J.75. | |
J.Anh. | 30— | Antonius, burleske | 1808 | Stage | Lost. | ||
J.Anh. | 31— | Adagio und Rondo ("Harmonie) | 2cl 2bn 2hn | B♭ major | 1808 | Chamber | First published in 1973. Possibly based on the Harmonie (1806–07?). |
J.Anh. | 33— | Der Admiral, arrangement of the vocal score to the opera by G. J.Vogler | vv ch pf | 1811 | Stage | ||
J.Anh. | 34— | Variations (3) | pf | ? | Keyboard | Lost. | |
J.Anh. | 35— | Son troppo innocente nell’arte d’amar, canzonetta | 2ten bar | 1811 | Vocal | ||
J.Anh. | 36— | D’ogni amator la fede sempre mal sicura, canzonetta | v pf | 1811 | Vocal | Lost. | |
J.Anh. | 38— | Künstlers Liebesforderung, song | v pf | 1811 | Vocal | Lost. | |
J.Anh. | 39— | Adagio | ob | 1811 | Chamber | Lost. | |
J.Anh. | 40— | Chorus and Music for the Birthday of Jacob Herz Beer | 1812 | Vocal | Lost. | ||
J.Anh. | 41— | Waltzes and Ecossaises | pf | 1812 | Keyboard | Lost. Weber's authorshp is doubtful | |
J.Anh. | 42— | Adagio and Variations | vc (pf?) | 1813 | Chamber | Lost. | |
J.Anh. | 43— | Das österreichische Feldlager | 1813 | Stage | Music for the drama by H. Schmidt. Lost. | ||
J.Anh. | 46— | Ecossaise | 1813 | Arrangement of Reigen, J.159. Lost. | |||
J.Anh. | 47— | Music for Clementi's Concert | 1813 | Lost. | |||
J.Anh. | 48— | Romeo und Juliette, chorus for Shakespeare's play | 1813 | Stage | Lost. | ||
J.Anh. | 49— | Ballet Music | 1814 | Stage | Lost. | ||
J.Anh. | 50— | Waltz | orch | 1814 | Orchestral | Lost. | |
J.Anh. | 51— | Waltz | ww br | C major | 1814 | Orchestral | Lost. |
J.Anh. | 52— | Alt-Vater | orch | 1814 | Orchestral | Lost. | |
J.Anh. | 53— | Andante | gtr pf | 1814 | Chamber | Lost. Possibly revised as Divetimento assai facile, J.207 | |
J.Anh. | 54— | March for the Prague Schützengarde | ww br | 1814 | Orchestral | Lost. | |
J.Anh. | 55— | Leise kommt der Mond gezogen, canon | 4vv | 1814 | Vocal | Lost. | |
J.Anh. | 58— | Adagio | fl va(/vc?) pf | 1815 | Chamber | Lost. Possibly revised in the Trio in G minor, J.259. | |
J.Anh. | 56— | Savoy’sches Lied | v pf | 1815 | Vocal | Lost. | |
J.Anh. | 57— | Clarinet Concerto | 1815 | Orchestral | For S. Hermstedt; incomplete; lost. | ||
J.Anh. | 59— | Ballet-Musik | ww br | 1815 | Orchestral | Lost. | |
J.Anh. | 61— | Arias (2) | 1816 | Vocal | For Spontini’s La vestale, and for J.Fischer, 1816. Both lost. | ||
J.Anh. | 63— | Cendrillon (Aschenbrödel), additional trumpet parts for the opéra féerie by Nicolas Isouard | 1817 | Stage | Lost. | ||
J.Anh. | 64— | Sehnsucht und Wiederhall ("Wann stärkt wieder Klang der Lieder"), song | v pf | 1817 | Vocal | Lost. | |
J.Anh. | 65— | Die Ahnfrau, music for the play by F. Grillparzer | 1817 | Stage | Lost. | ||
J.Anh. | 66— | Das Dorf im Gebirge, chorus for J.Weigl's opera | 1818 | Stage | Lost. | ||
J.Anh. | 67–70— | Solfeggios (4) | 1818 | Vocal | Themes only. | ||
J.Anh. | 71— | Die Zwillinge | gtr | 1818 | Stage | Music for the play by F. M. Klinger. Lost. | |
J.Anh. | 76— | Der Harfner ("O Harfner, wo ziehst du so fröhlich hin?"), song | v pf | 1819 | Vocal | Lost. | |
J.Anh. | 77— | Les deux journées, additional trombone parts for the opera in 3 acts by Luigi Cherubini | 1820 | Stage | Lost. | ||
J.Anh. | 78— | Wiegenlied ("Steige, sanfte Schlummer nieder") | v pf | 1821 | Vocal | Lost. | |
J.Anh. | 79— | Liebeserhöhung, song | v pf | 1821 | Vocal | Lost. | |
J.Anh. | 80— | Etudes | pf | 1820–21 | Keyboard | Lost. | |
J.Anh. | 81— | Max-Walzer | pf | E♭ major | 1825 | Keyboard | |
J.Anh. | 83— | Overture | pf | E♭ major | ? | Keyboard | Arrangement. Weber's authorship is doubtful. |
J.Anh. | 84— | Favourite Waltzes (12) | pf | ? | Keyboard | Weber's authorship is doutbful. | |
J.Anh. | 96— | Ihr holden Blumen, arietta | sop of | 1814 | Vocal | For A. Fischer’s Die Verwandlungen. Lost. Also orchestrated as J.163. | |
J.Anh. | 97— | Donna Diana, incidental music | ? | Stage | Weber's authorship is doubtful. | ||
J.Anh.105 | Op.81 | Les adieux, fantasia | pf | ? | Keyboard | Formerly attirbuted to Weber, but now believed to have been composed by Carl Gottlieb Reissiger | |
— | Adagio patetico | C♯ minor | ? | Weber's authorship is uncertain. | |||
— | An die Hoffnung ("Hoffnungsstrahl der mich belebte"), song | v pf | ? | Vocal | First published in 1927. Weber's authorship is doubtful. | ||
— | Canone à 4 voci in contrapunto doppio alla ottava | C minor | ? | Unpublished. | |||
— | Concertino | ob ww br | C major | ? | Orchestral | Weber's authorship is doubtful. | |
Op.32 | Divertimento | cl orch | ? | Orchestral | First published in 1985. Spurious. | ||
— | Fanchon das Leyermädchen, arrangement of the work by F.H. Himmel | 2vn va vc | 1805 | Chamber | Lost. | ||
— | Harmonia | ww br | 1806–07? | Orchestral | Lost; possibly an early version of the Adagio und Rondo, J.Anh.31. | ||
— | Introduction, Theme and Variations | cl 2vn va vc | ? | Chamber | Formerly attributed to Weber, but now believed to have been composed by Joseph Küffner. | ||
— | Piano Concerto | 1802 | Orchestral | Lost. | |||
— | Prost Neujahr!, canon | 34vv 74 tpt | 1811 | Vocal | New Year’s greeting for Gänsbacher. | ||
— | Requiem, | bn 2vn va vc | 1801 | Chamber | Arr. of Requiem in D minor, K.626, by Wolfgang Amadeus Mozart. Lost. | ||
— | Strafpredigt über Französische Musik und die Übersetzungswuth | 1801–02 | |||||
— | Variations | fl orch | 1804–07? | Orchestral | Lost. | ||
— | Variations | vn pf | 1805 | Chamber | Lost. Possibly the same as the 9 Variations sur un air norvégien, J.61. | ||
— | Vatergruss ("Du gute, gute Mäzze") | 1823 | Vocal | ||||
— | Wenn du im Arm der Liebe, canon | 3vv | 1802 | Vocal | First published in 1926. | ||
— | Wiedersehn, o Wiedersehn, cantata | sop 2ten bass orch | 1796–1800? | Vocal | Unpublished. Weber's authorship is uncertain. |