L'écho du Danube, Op.9 (Schenck, Johann)

Contents

Performances

Sheet Music

Scores and Parts

Complete

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Publisher. Info. Amsterdam: Estienne Roger, n.d.
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Misc. Notes RISM-A/I: S-1452
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WilliamBunting (2011/8/9)

Publisher. Info. Paris: Me. Boivin, Le Clerc, 1742.
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Sonata I in D major

PDF scanned by Ralph Theo Misch
Ralph Theo Misch (2011/8/10)

Editor Karl Heinz Pauls (fl.1956-1973)
Publisher. Info. Das Erbe Deutscher Musik, Vol. 67, Book 8
Kassel: Nagels Verlag, n.d.(1973).
Reprinted Nagel's Musik-Archiv, No.245
Kassel: Bärenreiter Verlag, 1973.
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Misc. Notes See discussion. Scanned at 900dpi grayscale, improved, converted to monochrome.
Parts may follow.
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Editor Jean Brefort
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Sonata II in A minor

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Editor Jean Brefort
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Misc. Notes Figuring in the second viola part of the last movement are from the Boivin edition except for bars 3 and 29 which come from manuscript Nr.16598 der Österreichischen National Bibliothek Wien (sonata No.1) where this movement is Allegro instead of Vivace.
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Sonata III in F-Sharp minor

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Sonata IV in E-flat major

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Sonata V in E minor

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Sonata VI in A minor

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Unknown Sonata (from manuscript source)

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Editor Markus Kroell
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Misc. Notes Source: Manuscript Nr.16598 der Österreichischen National Bibliothek Wien (ÖNB). This is not Sonata No.5.
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Arrangements and Transcriptions

For Tenor Viol (Yates)

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Sonata V in E minor

For Tenor Viol (Yates)

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Arranger Richard Yates
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Misc. Notes transcribed for tenor viol
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General Information

Work Title L'Echo du Danube
Alternative. Title Title-page transcription
Six sonates dont les deux premières sont à une viole de gambe et une basse continue, les deux suivantes à une viole de gambe et une basse continue ad libitum et les deux dernières a une viole de gambe seule
Composer Schenck, Johann
Opus/Catalogue NumberOp./Cat. No. Op.9
I-Catalogue NumberI-Cat. No. None [force assignment]
Movements/SectionsMov'ts/Sec's 6 sonatas
First Publication. 1710 ca. - Amsterdam: Estienne Roger
Dedication Baron de Diamantenstein
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation viola da gamba or viola da gamba, continuo (ad lib. in sonatas 3-4); see below, Comments

Navigation etc.

  • Sonatas 1-2 viola da gamba, continuo ; Sonatas 3-4 viola da gamba, continuo ad lib. ; Sonatas 5-6 solo viola da gamba
  • Many sections suit the modern viola.
  • The remark on the title page has been previously misunderstood here. "les deux suivantes à une viole de gambe et une basse continue ad libitum", does not mean that a second continuo instrument could be added 'ad lib.', but that the continuo part may be omitted entirely; the bass line is not completely independent in these sonatas, and the harmonies are well outlined in the viol part so that the bass line is not really necessary. There is no mention of a cello in either of the 18th century sources given above. A second bass instrument is required for the Vivace of the second Sonata, playing a more ornate version of the bass line. A viola da gamba would probably be the more likely candidate for this part.