Composition Year | 1887-88 |
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Genre Categories | Sacred oratorios; Oratorios; Religious works; |
Contents |
Introduction
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⇒ 9 more: Act I: Scene I - Moloch • Act I: Scene II - The Children • Act I: Scene III - The Sacrifice • Act I: Finale - The Coming of the Assyrians • Intermezzo, Babylon: The Repentance of Manasseh • Act II: Scene I - The Return of Manasseh • Act II: Scene II - The Message of Holofernes • Act II: Scene III - The Exploit of Judith • Act II: Finale
Act I: Scene I - Moloch
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Act I: Scene II - The Children
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Act I: Scene III - The Sacrifice
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Act I: Finale - The Coming of the Assyrians
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Intermezzo, Babylon: The Repentance of Manasseh
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Act II: Scene I - The Return of Manasseh
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Act II: Scene II - The Message of Holofernes
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Act II: Scene III - The Exploit of Judith
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Act II: Finale
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Introduction
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⇒ 8 more: Act I: Scene I - Moloch • Act I: Scene II - The Children • Act I: Finale - The Coming of the Assyrians • Intermezzo, Babylon: The Repentance of Manasseh • Act II: Scene I • Act II: Scene II - The Message of Holofernes • Act II: Scene III - The Exploit of Judith • Act II: Finale
Act I: Scene I - Moloch
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Act I: Scene II - The Children
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Act I: Finale - The Coming of the Assyrians
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Intermezzo, Babylon: The Repentance of Manasseh
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Act II: Scene I
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Act II: Scene II - The Message of Holofernes
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Act II: Scene III - The Exploit of Judith
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Act II: Finale
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Work Title | Judith |
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Alternative. Title | The Regeneration of Manasseh |
Composer | Parry, Charles Hubert Hastings |
I-Catalogue NumberI-Cat. No. | ICP 33 |
Year/Date of CompositionY/D of Comp. | 1887-88 |
First Performance. | 1888-08-29 - Birmingham Musical Festival, conductor Hans Richter |
First Publication. | 1888 |
Librettist | Composer |
Language | English |
Composer Time PeriodComp. Period | Romantic |
Piece Style | Romantic |
Instrumentation | Voices: soprano, alto, tenor, bass; children's chorus (SSAA), mixed chorus (SATB) Orchestra: 2 flutes, 2 oboes (2nd also English horn), 2 clarinets, bass clarinet, 2 bassoons, contrabassoon 4 horns, 2 trumpets, 3 trombones, tuba timpani, side drum, bass drum, tam-tam, organ, harp, strings |
The contralto aria "Long Since in Egypt's Pleasant Land" was adapted after the composer's death as a setting for the hymn "Dear Lord and Father of Mankind", with new words by John Greenleaf Whittier (1807–1892). This adaptation (also known as "Repton") was made in 1924 by George Gilbert Stocks (1877-1960), and remains in copyright in Europe and the United States.