Jubilate Deo a8 (Gabrieli, Andrea)

Sheet Music

Scores and Parts

PDF typeset by editor
Agarvin (2022/5/19)

PDF typeset by editor
Agarvin (2022/5/19)

ZIP typeset by editor
Agarvin (2022/5/19)

Editor Allen Garvin (b. 1969)
Publisher. Info. Hawthorne Early Music, 2022.
Copyright
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Arrangements and Transcriptions

For 2 Oboes, 2 Clarinets, 2 Bassoons and 2 Horns (Miller)

PDF typeset by arranger
Toby Miller (2020/6/8)

8 more: Choir 1: Oboe 1 • Choir 1: Oboe 2 • Choir 1: Clarinet 1 (B♭) • Choir 1: Horn 1 (F) • Choir 2: Clarinet 2 (B♭) • Choir 2: Bassoon 1 • Choir 2: Bassoon 2 • Choir 2: Horn 2 (F)

PDF typeset by arranger
Toby Miller (2020/6/8)

PDF typeset by arranger
Toby Miller (2020/6/8)

PDF typeset by arranger
Toby Miller (2020/6/8)

PDF typeset by arranger
Toby Miller (2020/6/8)

PDF typeset by arranger
Toby Miller (2020/6/8)

PDF typeset by arranger
Toby Miller (2020/6/8)

PDF typeset by arranger
Toby Miller (2020/6/8)

PDF typeset by arranger
Toby Miller (2020/6/8)

Arranger Toby Miller (b. 1964)
Publisher. Info. Toby Miller, 2020.
Copyright
Misc. Notes All documents optimized for double-sided A4 printing. Good quality audio files available on Youtube channel Wind Counterpoint
The arranger has made 3 other similar arrangements, and if a group might want to play similar arrangements in one session, the other three are: Jubilate Deo omnis terra, Ch.136 (Gabrieli, Giovanni), Magnificat Quinti Toni (Praetorius, Hieronymus), Nunc Dimittis (Praetorius, Hieronymus). The pieces themselves are not related other than by style and by being settings of morning and evening liturgical canticles.
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General Information

Work Title Jubilate Deo a8
Alternative. Title
Composer Gabrieli, Andrea
I-Catalogue NumberI-Cat. No. IAG 173
First Publication. 1587 in Concerti (Venice: Angelo Gardano), no.30
Librettist Psalm C
Language Latin
Average DurationAvg. Duration 3 minutes
Composer Time PeriodComp. Period Renaissance
Piece Style Renaissance
Instrumentation 8 voices (in 2 mixed choruses) (SSAT ATBB)
External Links cpdl.org
Extra Information Some number this as no.31 in the Concerti, but since the work on p.29 has 2 parts to it, "no.30" is actually the second half of no.29, which makes this work no.30.