19 Fantazias, In Nomines and Other Pieces (Purcell, Henry)

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Contents

Performances

Recordings

MP3 file (audio)
Phillipwserna (2020/7/3)

MP3 file (audio)
Phillipwserna (2020/7/3)

Performer Pages Phillip Serna (Viola da Gamba)
Publisher Info. Chicago: Dr. Phillip W. Serna, 2020.
Performers Phillip W. Serna, Treble, Tenor & Bass Viols
Copyright
Misc. Notes Recorded, mixed & mastered August 2020 by Phillip W. Serna for the Midweſt415 release Brownings, In Nomines & Hexachords at Dwarf Star Audio, Plainfield, IL. For more information, visit here.
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Sheet Music

Scores and Parts

Complete

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Hugobouma (2023/3/25)

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Hugobouma (2023/3/25)

Editor Hugo Bouma (b. 1991)
Publisher. Info. Hugo Bouma, 2023.
Copyright
Misc. Notes Complete critical transcription and performing edition of Purcell's manuscript, in its original order and preserving Purcell's own notation in the score. Includes editorial commentary and table of ranges for each piece. The parts are a complete performing edition in various modern clefs. For the last three pieces, some neighbouring parts are joined into one book.
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Fantasias, In Nomines

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Editor Herbert Just (1898-1975)
Publisher. Info. Nagel's Musik-Archiv, No.58, 113
Hannover: Adolph Nagel's Verlag, 1930, 1935.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Reprinted Kassel: Bärenreiter Verlag, 1960, 1966. Catalog NMA 58, 113
Copyright
Misc. Notes Edition 1930/1935, copy from published edition 1960/1966
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Jurabe (2014/6/4)

5 more: Violin 1 • Violin 2 • Viola • Cello • Covers, Title Page, Purcell's Portrait

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Jurabe (2013/4/12)

Editor Herbert Just (1898-1975)
Publisher. Info. Nagel's Musik-Archiv, No.58
Hannover: Adolph Nagel's Verlag, 1930.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

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Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Reprinted Kassel: Bärenreiter Verlag, 1960. Catalog NMA 58
Copyright
Misc. Notes From the uploader's library. The covers display on 3 sides the collection items from Nos.1 to 203. Herbert Just's English-German Preface (pp.2 & 4) dated April 1930 is omitted. Possibly First Edition (the Nagel that is) for most of the Fantasias.
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M.kowalski49 (2022/10/4)

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M.kowalski49 (2022/10/4)

Editor Herbert Just (1898-1975)
Publisher. Info. Nagel's Musik-Archiv, No.58
Hannover: Adolph Nagel's Verlag, 1930.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

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Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Reprinted Miami: Edwin F. Kalmus, n.d.(1971-87). Catalog A1067.
Copyright
Misc. Notes Full Score is 10 x 13 scan
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Jurabe (2014/11/6)

6 more: Violin 1 • Violin 2/3 • Viola 1 • Viola 2 • Cello 1/2 • Covers & Title Page

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Jurabe (2014/11/6)

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Jurabe (2014/11/6)

Editor Herbert Just (1898-1975)
Publisher. Info. Nagel's Musik-Archiv, No.113
Hannover: Adolph Nagel's Verlag, 1935.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

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Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Reprinted Kassel: Bärenreiter Verlag, 1957. Catalog NMA 113
Copyright
Misc. Notes From the uploader's library. In his 1935 Preface (German only, removed), the editor declares his edition is based on Purcell's own barely legible (in places) manuscript held in the British Museum (Add. MS.30930). In fact, the manuscript is quite legible and is online at GB-Lbl (archived)
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5 more: Violins I • Violins II/II • Violas I • Violas II • Cellos I/II

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M.kowalski49 (2022/10/4)

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M.kowalski49 (2022/10/4)

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M.kowalski49 (2022/10/4)

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M.kowalski49 (2022/10/4)

Editor Herbert Just (1898-1975)
Publisher. Info. Nagel's Musik-Archiv, No.113
Hannover: Adolph Nagel's Verlag, 1935.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Reprinted Miami: Edwin F. Kalmus, n.d.(1971-87). Catalog A1068.
Copyright
Misc. Notes Parts are 10 x 13 scans.
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kompy (2008/8/30)

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kompy (2008/8/30)

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kompy (2008/8/30)

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Publisher. Info. Kompy
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12 Fantasias (Z.732-734, 735-743)

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4 more: Violins I • Violins II • Violas • Cellos

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M.kowalski49 (2022/10/4)

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M.kowalski49 (2022/10/4)

Editor Peter Warlock (1894-1930)
André Mangeot (1883-1970)
Publisher. Info. London: J. Curwen & Sons, 1927.
Reprinted Boca Raton: Edwin F. Kalmus, n.d.(1987-2018). Catalog A7609.
Copyright
Misc. Notes Full Score and Parts are 10 x 13 scan.
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Selections

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Rayates (2023/12/26)

Editor Richard Yates
Publisher. Info. Richard Yates
Copyright
Misc. Notes For treble, tenor, and bass viols. Full scores with large staves. 16 pages.
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Afolop (2011/10/14)

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Afolop (2011/10/14)

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Editor Albert Folop
Publisher. Info. Albert Folop
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection, and are also included in the Folop Viol Music Collection.
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Arrangements and Transcriptions

Selections

For 5 Recorders (Kompy)

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kompy (2008/8/30)

Arranger Kompy
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For 4 Guitars (Goldau)

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NBG (2016/8/16)

Arranger Bernd Goldau
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General Information

Work Title 19 Fantazias, In Nomines and Other Pieces
Alternative. Title Fantazias, In Nomines and other pieces, of 3 to 7 Parts
Composer Purcell, Henry
Opus/Catalogue NumberOp./Cat. No. Z.732-747, 752, 730, 770
I-Catalogue NumberI-Cat. No. None [force assignment]
Movements/SectionsMov'ts/Sec's 19 pieces
  • 3 parts
1. Fantasia in D minor, Z.732
2. Fantasy in F major, Z.733
3. Fantasia in G minor, Z.734
  • 4 parts
4. Fantasia in G minor, Z.735
5. Fantasia in B-flat major, Z.736
6. Fantasia in F major, Z.737
7. Fantasia in C minor, Z.738
8. Fantasia in D minor, Z.739
9. Fantasia in A minor, Z.740
10. Fantasia in E minor, Z.741
11 Fantasia in G major, Z.742
12. Fantasia in D minor, Z.743
13. Fantasia in A minor, Z.744 (incomplete)
14. Pavan in G minor, Z.752
15. Chacony in G minor, Z.730
16. Suite in G major, Z.770 (incomplete)
  • 5-7 parts
17. Fantasia upon One Note, Z.745 (5 parts)
18. In Nomine of Six Parts, Z.746
19. In Nomine of Seven Parts, Z.747
Year/Date of CompositionY/D of Comp. 1680 ca. in London. GB-Lbl, Add.Ms.30930, ff.30-72v
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation 3-7 viols (or other stringed instruments), unspecified (see here)
Extra Information The complete manuscript GB-Lbl, Add.Ms.30930 contains sacred part-songs as well. As per the description at the British Library: "The vocal music, for between three and five voices and continuo, has been copied from one end of the manuscript (folios 3r-29v) and the instrumental music from the other (folios 72v-30r reversed)".