Die Zelle in Nonnenwerth, S.274 (Liszt, Franz)

Contents

Performances

Recordings

For Violin and Piano

MP3 file (audio)
Sehnsucht (2011/4/22)

Performer Pages Mauro Tortorelli (violin)
Costantino Catena (piano)
Publisher Info. Mauro Tortorelli & Costantino Catena
Copyright
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Naxos

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Sheet Music

Scores

4th version

PDF scanned by D-Mbs
piupianissimo (2009/9/28)

Editor Peter Raabe (1872-1945)
Publisher. Info. Musikalische Werke. Serie VII, Band 3
Leipzig: Breitkopf & Härtel, 1922. Plate F.L. VII 78.
Copyright
Misc. Notes Originally scanned at about 163dpi, changed to 600dpi monochrome and cleaned from dust and dirt pixels manually by the uploader.
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Arrangements and Transcriptions

2nd version

For Piano solo (Liszt)

PDF scanned by Rob Peters
Rob Peters (2013/12/19)

Publisher. Info. Cologne: Eck & Comp., n.d.[1844].
Copyright
Misc. Notes This version contains extended ossia passages (più difficile!) which are not present in the 3rd and 4th version.
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PDF scanned by Juilliard (color)
Funper (2010/6/16)

Editor 3. Auflage
Publisher. Info. Leipzig: Friedrich Hofmeister, n.d.(ca.1880). Plate 6882.
Copyright
Misc. Notes From the Ruth Dana Collection of Liszt Editions. Plate number places it around 1870 but as this is a third edition it may have re-used the same plate.
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3rd version

For Piano

PDF scanned by Juilliard (color)
Funper (2007/9/4)

PDF scanned by Juilliard (mono)
Hobbypianist (2007/9/6)

PDF scanned by Juilliard (mono)
piupianissimo (2010/7/1)

Arranger Composer
Publisher. Info. Hamburg: Schuberth & Co., n.d.(ca.1850). Plate 1332.
Copyright
Misc. Notes From the Ruth Dana Collection of Liszt Editions.
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PDF scanned by piupianissimo
piupianissimo (2011/10/12)

PDF scanned by piupianissimo
piupianissimo (2011/10/12)

Editor Imre Mező (b. 1932)
Imre Sulyok (1912-2008)
Publisher. Info. Neue Liszt-Ausgabe, Serie 1, Band 17 (pp.131-35)
Budapest: Editio Musica, 1983. Plate Z.8860.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

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Copyright
Misc. Notes scan: score scanned at 600dpi
filter: score filtered with 2-point algorithm explained in High Quality Scanning. I provide the original scanned version and the filtered, because the filter does some changes (smoothening, sharpening borders) and some portions of the scan get lost sometimes (when they are too small e.g.) - so you can choose your favorite. You may ask me for a manually cleaned version.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

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Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
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4th version

For Piano

PDF scanned by Unknown
Cypressdome (2015/7/9)

Arranger Composer
Engraver Leipzig: Oscar Brandstetter
Publisher. Info. Neue Musik-Zeitung, 1883, No.19.
Cologne: P.J. Tonger, 1883. Plate P.J.T. 3030, 19.
Copyright
Misc. Notes Original images: ca.300dpi, color jpg files approx. 3340 by 4240 pixels. Editing: re-sampled to 600dpi, converted to black and white tif files, de-skewed, and set uniform margins.
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PDF scanned by piupianissimo
piupianissimo (2011/10/12)

PDF scanned by piupianissimo
piupianissimo (2011/10/12)

Arranger Composer
Editor Imre Mező (b. 1932)
Imre Sulyok (1912-2008)
Publisher. Info. Neue Liszt-Ausgabe, Serie 1, Band 17 (pp.117-21)
Budapest: Editio Musica, 1983. Plate Z.8860.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Misc. Notes scan: score scanned at 600dpi
filter: score filtered with 2-point algorithm explained in High Quality Scanning. I provide the original scanned version and the filtered, because the filter does some changes (smoothening, sharpening borders) and some portions of the scan get lost sometimes (when they are too small e.g.) - so you can choose your favorite. You may ask me for a manually cleaned version.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

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General Information

Work Title Die Zelle im Nonnenwerth
Alternative. Title Ach, nun taucht die Klosterzelle / Elegie
Composer Liszt, Franz
Opus/Catalogue NumberOp./Cat. No. S.274/1 ; LW.N6/1 (1st version)
S.301b/1 ; LW.N6/2 (2nd version)
S.301b/2 ; LW.N6/3 (3rd version)
S.274/2 ; LW.N6/4 (4th version)
I-Catalogue NumberI-Cat. No. IFL 433
Movements/SectionsMov'ts/Sec's 1
Year/Date of CompositionY/D of Comp. 1841 (1st version)
1858–60 (4th version)
First Publication. 1843 (1st/2nd versions)
1850 (3rd version)
1877 (4th version)
Librettist Felix von Lichnowsky (1814–1848), German text
Étienne Monnier (ca.1800–1850), French translation (2nd/3rd versions)
Language German / French
Dedication Countess Marie d' Agoult (1st version)
Emilie Merian-Genast (2nd version)
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation voice, piano

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Version History

  • Composed for voice and piano, with German text, 1841, as Die Zelle in Nonnenwerth (= 1st version, S.274/1)
Published 1843 by Eck (Cologne)
  • Arranged for solo piano, 1841? (= 1st version, S.534/1)
Published 1843 by Latte (Paris)
  • Revised for voice and piano, with French text, 1844, as En ces lieux tout me parle d'elle (= 2nd version, S.301b/1)
Published 1844 by Latte (Paris)
  • Arranged for solo piano, 1841? (= 2nd version, S.534/2)
Published 1843 by Eck (Cologne)
  • Revised for voice and piano, with French text, 1845, as Élégie (= 3rd version, S.301b/2)
Version not published
  • Arranged for solo piano, 1849 (= 3rd version, S.534/2bis)
Published 1850 by Schuberth (Leipzig)
  • Revised for baritone voice and piano, with German text, 1858–60, as Die Zelle in Nonnenwerth (= 4th version, S.274/2)
Published 1860 by Kahnt (Leipzig)
  • Arranged for solo piano, 1883?, as Die Zelle in Nonnenwerth (Elegie) (= 4th version, S.534/3)
Published 1877 by Tonger (Cologne)
  • Arranged for violin or cello with piano, 1883?, as Die Zelle in Nonnenwerth (Elegie) (= S.382)
Published 1883 by Tonger (Cologne)

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