Double Bass Concerto, Op.22 (Ōzawa, Hisato)

This work has been identified as being in the public domain in Canada, as well as countries where the copyright term is life+50 or life+70 years (including all EU countries). However, this work is probably still protected by copyright in the United States, unless an exception applies. See public domain for details.
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Movements/SectionsMov'ts/Sec's	5 movements
Composition Year	1934-04-18
Genre Categories	Concertos; For double bass, orchestra; Scores featuring the double bass; Scores featuring the orchestra; For orchestra with soloists

Sheet Music

Scores

II. Monologue

Complete Score (EU)
*#501490 - 0.69MB, 7 pp. - 0.0/10 2 4 6 8 10 (-) - V/60/24 - 1423×⇩ - Thingy Person

PDF scanned by KHOS
Thingy Person (2017/11/20)

Publisher. Info.	New York: C. F. Peters Corp., 1964.
Copyright	Public Domain - Non-PD US [tag/del]
Misc. Notes	The first page specifies 2 temple blocks, but this is obscured by the scan.
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Free Recordings

Monologue (version for double bass and piano) performed by Isao Fukazawa (double bass) and Tomoko Umeda (piano). 2013

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General Information

Work Title	Double Bass Concerto
Alternative. Title	コントラバス協奏曲
Composer	Ōzawa, Hisato
Opus/Catalogue NumberOp./Cat. No.	Op.22
I-Catalogue NumberI-Cat. No.	IHŌ 1
Movements/SectionsMov'ts/Sec's	5 movements: Allegretto moderato Monologue. Moderato Aria. Andante non troppo Dialogue. Moderato espressivo Finale. Allegro con brio
Year/Date of CompositionY/D of Comp.	1934-04-18
First Performance.	2017-09-03 - Nakako Sano (double bass), Kazuki Yamada (conductor), & Japan Philharmonic Orchestra (YouTube)
Copyright Information	Possibly public domain in EU and other 70 pma territories. This item, which is in the public domain in its country of origin, is likewise in the public domain in countries which apply the rule of the shorter term. All EU countries apply the rule of the shorter term in general. Note that in some cases this rule may be overridden by a treaty with the source country (especially the United States) and/or may not apply to works which fell into the public domain in their source country due to a failure to renew copyright or comply with other formalities.
Dedication	Serge Koussevitzky (1874–1951)
Composer Time PeriodComp. Period	Early 20th century
Piece Style	Early 20th century
Instrumentation	Solo: double bass Chamber orchestra: piccolo, flute, clarinet, bassoon, horn, 2 temple blocks, snare drum without snares, strings
External Links	Osawa Project (Japanese)