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This work has been identified as being in the public domain in Canada and the United States, as well as countries where the copyright term is life+50 years. However, this work is not in the public domain in countries where the copyright term is life+70 years (including all EU countries), unless an exception (such as the rule of the shorter term) applies. Works still protected by copyright can only be used with the permission of the copyright holder. See public domain for details. |
| Movements/SectionsMov'ts/Sec's | 3 sections |
|---|---|
| First Publication | 1919 – Philadelphia: Theodore Presser in The Etude |
| Genre Categories | Biographies; Writings; English language |
| Work Title | Clairvoyance, Spiritism, and Occultism in Music |
|---|---|
| Alternative. Title | |
| Composer | Scott, Cyril |
| I-Catalogue NumberI-Cat. No. | None [force assignment] |
| Movements/SectionsMov'ts/Sec's | 3 sections:
|
| First Publication. | 1919 – Philadelphia: Theodore Presser in The Etude |
| Language | English |
| Composer Time PeriodComp. Period | Early 20th century |
| Piece Style | Early 20th century |
It is difficult to classify this. It deals with some small incidences in Scott's life, but it isn't an autobiography per se. The jist of it was that a clairvoyant told him that Cherubini wanted him to leave some scores open on his desk so he could study them. Not really music history either, but a historical event in Scott's life. Therefore, tagged as biography.
