It is very unlikely that this work is public domain in the EU, or in any country where the copyright term is life-plus-70 years. However, it is in the public domain in Canada (where IMSLP is hosted) and other countries where the term is life-plus-50 years (such as China, Japan, Korea and many others worldwide). As this work was first published before 1926 or failed to meet notice or renewal requirements to secure statutory copyright with no "restoration" under the GATT amendments, it is very likely to be public domain in the USA as well.
|First Publication||1919 – Philadelphia: Theodore Presser in The Etude|
|Genre Categories||; ;|
|Work Title||Clairvoyance, Spiritism, and Occultism in Music|
|I-Catalogue NumberI-Cat. No.||None [force assignment]|
|First Publication.||1919 – Philadelphia: Theodore Presser in The Etude|
|Copyright Information||Possibly public domain in EU and other 70 pma territories.|
|Composer Time PeriodComp. Period||Early 20th century|
|Piece Style||Early 20th century|
It is difficult to classify this. It deals with some small incidences in Scott's life, but it isn't an autobiography per se. The jist of it was that a clairvoyant told him that Cherubini wanted him to leave some scores open on his desk so he could study them. Not really music history either, but a historical event in Scott's life. Therefore, tagged as biography.