Clairvoyance, Spiritism, and Occultism in Music (Scott, Cyril)

This work is most likely NOT public domain in either Canada and other countries where the term is life+50 years (like China, Japan, Korea and many others worldwide), or the EU and in countries where the copyright term is life+70 years. However, as this work was first published before 1925 or failed to meet notice or renewal requirements, it is almost certainly public domain in the USA and is therefore hosted on an American server for US residents only.

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PDF scanned by Gardner-Webb University
Schnittkease (2020/5/4)

Editor First edition
James Francis Cooke (1875-1960)
Publisher. Info. The Etude, Vol.38 No.1 (January 1920)
Philadelphia: Theodore Presser Co., 1919.
Copyright
Misc. Notes Original images: ca.400dpi, color jp2 files approx. 6240 by 4020 pixels. Editing: re-sampled to 600dpi, converted to black and white tif files, de-skewed, and set uniform margins. Manually cleaned; surrounding text on p.2 erased for convenience.
This file is part of the Etude Extraction Project.
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General Information

Work Title Clairvoyance, Spiritism, and Occultism in Music
Alternative. Title
Composer Scott, Cyril
I-Catalogue NumberI-Cat. No. None [force assignment]
Movements/SectionsMov'ts/Sec's 3 sections:
  1. [introduction]
  2. Latent Powers
  3. When the Spirit of Cherubini Came
First Publication. 1919 – Philadelphia: Theodore Presser in The Etude
Copyright Information Possibly public domain in EU and other 70 pma territories.
This item, public domain in its country of origin, is possibly likewise public domain in the EU due to the EU's implementation of Rule of the Shorter Term for non-EU works. This EU ruling might be superseded by bilateral treaties still in force between some EU countries and countries outside the EU (notably the USA).
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Language English
Composer Time PeriodComp. Period Early 20th century
Piece Style Early 20th century

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It is difficult to classify this. It deals with some small incidences in Scott's life, but it isn't an autobiography per se. The jist of it was that a clairvoyant told him that Cherubini wanted him to leave some scores open on his desk so he could study them. Not really music history either, but a historical event in Scott's life. Therefore, tagged as biography.