Caro mio ben (Giordani, Tommaso)

Authorship Note
This work has been attributed to Giuseppe Giordani, Handel and Ferdinando Bertoni.

Contents

Performances

Naxos

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Accompaniments

MP3 file (audio)
Free Pianist (2016/11/9)

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Free Pianist (2016/11/9)

Performer Pages Héctor Valls (piano)
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Misc. Notes accompaniment only
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Sheet Music

Scores

PDF scanned by J-Tn
Fynnjamin (2010/10/5)

Language Italian / English
Publisher. Info. London: John Preston, n.d.(ca.1785).
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Misc. Notes With English translation ("O gentle maid, hear now my sighs").
Title: Caro mio ben, A Celebrated Song Sung by Sigr. Pacchierotti with Universal Applause at the Concert, for the Musical Fund, at the Opera House; Composed by Sigr. Giordani.
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Richard Kram (2012/8/25)

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Richard Kram (2012/8/25)

Editor Richard Kram
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Parts

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Richard Kram (2012/8/25)

Editor Richard Kram
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Misc. Notes For Version on the Scores tab
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Vocal Scores

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Schalltrichter (2018/11/23)

Editor Guido Papini (1847-1912)
Publisher. Info. Mainz: Schott, n.d. Plate 74895.
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Icactus (2012/3/8)

Language English / Italian
Translator Theo Marzials (1850–1920), English text
Publisher. Info. Milan: G. Ricordi, n.d.(1888). Plate 52923
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Misc. Notes English title: O Maiden Dear
This file is part of the Sibley Mirroring Project.
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Fynnjamin (2011/3/12)

Editor Alessandro Parisotti (1853-1913)
Language Italian
Publisher. Info. Arie Antiche, Vol.2
Milan: Ricordi, n.d. Plate 53980.
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gacl (2009/5/24)

Editor Alessandro Parisotti (1853-1913)
Language Italian / English
Translator Theodore Baker (1851-1934), English text
Publisher. Info. Anthology of Italian Song of the Seventeenth and Eighteenth Centuries
New York: G. Schirmer, 1894.
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Misc. Notes English title: Thou, All My Bliss
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RTM (2011/1/27)

Arranger Ferdinand Sieber (1822-1895), also German text
Language Italian / German
Publisher. Info. Offenbach: Johann André, n.d.(ca.1900). Plate ANDRÉ 15594.I.D.
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Misc. Notes Scanned at 600dpi grayscale, converted to monochrome. Additional sacred German text by one of the preceding owners (ca.1910, in Kurrent script).
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Giovanni Tribuzio (2017/8/17)

Editor Alessandro Parisotti (1853-1913)
Publisher. Info. Milan: Ricordi, 1918. Plate 54012.
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Misc. Notes National Library of Spain (E-Mn): M.Guelbenzu/229
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Richard Kram (2012/8/25)

Arranger Richard Kram
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Misc. Notes Minimally arranged as per the "Original" version on the scores tab.
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Paulosmed (2021/11/24)

Arranger Paulo Medeiros (b. 1963)
Publisher. Info. Paulo Medeiros, 2021.
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Arrangements and Transcriptions

For Flute, Oboe, Clarinet, Bassoon and Horn (Sakellarides)

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Leosakel (2018/11/22)

5 more: Flute • Oboe • Clarinet (B♭) • Bassoon • Horn (F)

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Leosakel (2018/11/22)

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Leosakel (2018/11/22)

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Leosakel (2018/11/22)

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Leosakel (2018/11/22)

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Leosakel (2018/11/22)

Arranger Leonidas Sakellarides
Publisher. Info. Leonidas Sakellarides
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For Flute and Piano (Papini)

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WilliamBunting (2012/1/2)

Arranger Guido Papini (1847-1912)
Publisher. Info. Einzel-Ausgabe, No.04408
Mainz: Schott, n.d.
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For Violin and Piano (Sluníčko)

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Afp0815 (2019/8/17)

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Afp0815 (2019/8/17)

Arranger Jan Sluníčko (1852-1923)
Publisher. Info. Perles Musicales No.13
Offenbach: Johann André, n.d. Plate 16470.
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For Cello and Piano (Popper)

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Schalltrichter (2018/8/24)

Arranger David Popper (1843-1913)
Publisher. Info. Perles Musicales (No.14)
Offenbach: Johann André, n.d. Plate 15712.
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General Information

Work Title Caro mio ben
Alternative. Title Cavatina
Name Translations カーロ・ミオ・ベン; 自妳/你離別
Name Aliases カロ・ミオ・ベン; カーロ・ミーオ・ベン
Composer Giordani, Tommaso
Opus/Catalogue NumberOp./Cat. No. HWV Anh.B 016
I-Catalogue NumberI-Cat. No. ITG 6
Movements/SectionsMov'ts/Sec's 1 cavatina
Text Incipit Caro mio ben credimi almen
First Publication. 1785 ca.
Language Italian
Composer Time PeriodComp. Period Classical
Piece Style Classical
Instrumentation voice, strings, continuo
External Links Art Song Central
Extra Information While this song has often been attributed to Giuseppe Giordani, scholar John Glen Paton proposes that it is actually by Tommaso Giordani. The Nanki Library copy is bound in a volume of publications by Tommaso Giordani, which may reinforce this notion. It has also been attributed to Handel, and more recently to Ferdinando Bertoni (1725-1813). Additional info here