Airs du Barbier de Séville (Bochsa, Nicholas Charles)

Genre Categories Airs; For harp, piano (arr); For 2 players (arr); Scores featuring the harp (arr); Scores featuring the piano (arr); For flute, harp, cello, piano (arr); For 4 players (arr); Scores featuring the flute (arr); Scores featuring the cello (arr); For harp, violin, cello, piano (arr); Scores featuring the violin (arr)
Related Works Based on Il barbiere di Siviglia by Rossini

Sheet Music

Parts

 Volume 2 (Nos.5 to 8)
#449981 - 3.43MB, 34 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 159×⇩ - Zeyarshwe

PDF scanned by Unknown
Zeyarshwe (2016/12/5)

 Volume 3 (Nos.9 to 12)
#449982 - 3.96MB, 42 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 59×⇩ - Zeyarshwe

PDF scanned by Unknown
Zeyarshwe (2016/12/5)

Publisher. Info. Paris: Schonenberger, n.d. Plate 571, 572.
Copyright
Public Domain [tag/del/mrg]
Misc. Notes From the International Harp Archives at Brigham Young University
(as digitally mirrored at archive.org). Only harp and piano parts
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General Information

Work Title Airs du Barbier de Séville
Alternative. Title
Composer Bochsa, Nicholas Charles
I-Catalogue NumberI-Cat. No. None [force assignment]
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation harp, piano with optional flute (violin) and cello
Related Works Based on Il barbiere di Siviglia by Rossini

Navigation etc.

The arrangements are not quite original enough to count as fantasias, but the interpolations a singer would normally do have been altered, no doubt to make them more idiomatic for the harp, and there are other minor differences. For example, Una voce poco fa is slightly shorter than the aria in the opera, probably because without the words it is a bit repetitive.

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