Acis and Galatea, HWV 49 (Handel, George Frideric)

Movements/SectionsMov'ts/Sec's 2 acts
Composition Year 1718, revised 1732, 1739
Genre Categories Serenatas; For voices, mixed chorus, orchestra; Scores featuring the voice; Scores featuring mixed chorus; Scores featuring the orchestra; For voices and chorus with orchestra; English language; For voices, mixed chorus, orchestra (arr); Scores featuring the voice (arr); Scores featuring mixed chorus (arr); Scores featuring the orchestra (arr); For voices and chorus with orchestra (arr); For piano (arr); For 1 player (arr); Scores featuring the piano (arr); For female chorus, piano (arr); Scores featuring female chorus (arr); For chorus with keyboard (arr); For organ (arr); Scores featuring the organ (arr); For 3 recorders (arr); For 3 players (arr); Scores featuring the recorder (arr); For trumpet, organ (arr); Scores featuring the trumpet (arr); For 2 players (arr)

Contents

Performances

Naxos

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Synthesized/MIDI

Overture

 Synthesized Performance
#357898 - 0.02MB - 2:57 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 374×⇩ - MID - Oboenils

MID file (audio/video)
Oboenils (2014/12/25)

Publisher Info. Nils Jönsson
Performers Nils Jönsson
Copyright
Creative Commons Attribution-NonCommercial 4.0 [tag/del]
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Aria: Would you gain the tender creature (Act 2, No.15)

For 3 Recorders (Tennent)

 Synthesized Performance
#840170 - 0.01MB - 5:39 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 43×⇩ - MID - Rdtennent

MID file (audio/video)
Rdtennent (2023/2/14)

Publisher Info. R. D. Tennent
Performers PhotoScore
Copyright
Creative Commons Attribution-ShareAlike 4.0 [tag/del]
Misc. Notes These file(s) are part of the Werner Icking Music Collection, and are also included in the Mondrup Recorder Collection.
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For Trumpet and Organ (Rondeau)

 Synthesized Performance
#441984 - 2.03MB - 2:13 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 220×⇩ - MP3 - Michrond

MP3 file (audio)
Michrond (2016/10/6)

Publisher Info. Michel Rondeau
Performers MIDI
Copyright
Creative Commons Attribution-ShareAlike 4.0 [tag/del]
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Sheet Music

Scores

Complete

 Complete Score
#318860 - 54.95MB, 102 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 4297×⇩ - Feduol

PDF scanned by US-DN
Feduol (2014/3/15)

 Complete Score
#395826 - 13.96MB, 104 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 970×⇩ - Carolus

PDF scanned by CDN-Tu
Carolus (2015/10/7)

Publisher. Info. London: John Walsh, n.d.(ca.1743).
Copyright
Public Domain [tag/del/mrg]
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 Complete Score
#18736 - 34.46MB, 151 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 17843×⇩ - Ivdruiz

PDF scanned by D-Mbs
Ivdruiz (2008/7/13)

Editor Friedrich Chrysander (1826-1901)
Publisher. Info. Georg Friedrich Händels Werke. Band 3
Leipzig: Deutsche Händelgesellschaft, 1858. Plate H.W. 3.
Copyright
Public Domain [tag/del]
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Overture

 Complete Score
#357899 - 0.12MB, 5 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 3667×⇩ - Oboenils

PDF typeset by editor
Oboenils (2014/12/25)

 Engraving files (Sibelius and MusicXML)
#357900 - 0.11MB, ? pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 1058×⇩ - Oboenils

ZIP typeset by editor
Oboenils (2014/12/25)

Editor Nils Jönsson
Publisher. Info. Nils Jönsson
Copyright
Creative Commons Attribution-NonCommercial 4.0 [tag/del]
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Recitative and Aria: Ye verdant plains; Hush, hush (No.3)

 Complete Score
#278632 - 0.14MB, 8 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 3735×⇩ - Rshann

PDF typeset by editor
Rshann (2013/4/24)

Editor Richard Shann
Publisher. Info. Richard Shann
Copyright
Creative Commons Attribution-NonCommercial-ShareAlike 3.0 [tag/del]
Misc. Notes The opening recit and aria; music input using Denemo, typesetting by LilyPond
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Parts

 Flute/Recorder/Flageolet 1
#942857 - 0.33MB, 9 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 26×⇩ - Conductometrist

PDF typeset by editor
Conductometrist (2024/11/23)

⇒ 7 more: Flute/Recorder 2 • Oboe 1 • Oboe 2 • Viola • Violin 1 • Violin 2 • Continuo

 Flute/Recorder 2
#942858 - 0.26MB, 3 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 13×⇩ - Conductometrist

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Conductometrist (2024/11/23)

 Oboe 1
#942859 - 0.48MB, 23 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 20×⇩ - Conductometrist

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Conductometrist (2024/11/23)

 Oboe 2
#942860 - 0.39MB, 16 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 12×⇩ - Conductometrist

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Conductometrist (2024/11/23)

 Viola
#942861 - 0.24MB, 2 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 10×⇩ - Conductometrist

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Conductometrist (2024/11/23)

 Violin 1
#942862 - 0.66MB, 37 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 22×⇩ - Conductometrist

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Conductometrist (2024/11/23)

 Violin 2
#942863 - 0.65MB, 31 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 13×⇩ - Conductometrist

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Conductometrist (2024/11/23)

 Continuo
#942864 - 0.71MB, 41 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 19×⇩ - Conductometrist

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Conductometrist (2024/11/23)

Editor Andrew Robinson (b. 1972)
Publisher. Info. Andrew Robinson
Copyright
Creative Commons Zero 1.0 [tag/del/mrg]
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Selections (Nos.1, 2)

 Complete Parts
#106106 - 15.76MB, 64 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 2256×⇩ - Fynnjamin

PDF scanned by D-Dl
Fynnjamin (2011/6/20)

Copyist Johann Gottfried Grundig (ca.1706–1773)
Johann Gottlieb Morgenstern (1687–1763)
Johann Gottlieb Haußstädler (ca.1730–ca.1800)
Publisher. Info. Manuscript, n.d.(ca.1731-55).
Copyright
Public Domain [tag/del]
Misc. Notes Sächsische Landesbibliothek, Dresden (D-Dl): Mus.2410-F-10
Schrank II coll.
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Overture

 Oboe 1
#357901 - 0.04MB, 2 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 1418×⇩ - Oboenils

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Oboenils (2014/12/25)

 Oboe 2
#357902 - 0.04MB, 2 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 679×⇩ - Oboenils

PDF typeset by editor
Oboenils (2014/12/25)

 Violins I/II
#357903 - 0.06MB, 3 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 1455×⇩ - Oboenils

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Oboenils (2014/12/25)

 Continuo (Cellos/Basses/Keyboard)
#357904 - 0.05MB, 2 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 1246×⇩ - Oboenils

PDF typeset by editor
Oboenils (2014/12/25)

Editor Nils Jönsson
Publisher. Info. Nils Jönsson
Copyright
Creative Commons Attribution-NonCommercial 4.0 [tag/del/mrg]
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Recitative and Aria: Ye verdant plains; Hush, hush (No.3)

 Soprano solo
#278636 - 0.05MB, 2 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 908×⇩ - Rshann

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Rshann (2013/4/24)

⇒ 4 more: Piccolo • Violins I • Violins II • Basso (Cellos, Basses, Keyboard)

 Piccolo
#278633 - 0.07MB, 2 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 886×⇩ - Rshann

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Rshann (2013/4/24)

 Violins I
#278634 - 0.07MB, 2 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 638×⇩ - Rshann

PDF typeset by editor
Rshann (2013/4/24)

 Violins II
#278635 - 0.06MB, 2 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 448×⇩ - Rshann

PDF typeset by editor
Rshann (2013/4/24)

 Basso (Cellos, Basses, Keyboard)
#278637 - 0.05MB, 1 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 687×⇩ - Rshann

PDF typeset by editor
Rshann (2013/4/24)

Editor Richard Shann
Publisher. Info. Richard Shann
Copyright
Creative Commons Attribution-NonCommercial-ShareAlike 3.0 [tag/del/mrg]
Misc. Notes The opening recit and aria; music input using Denemo, typesetting by LilyPond
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Vocal Scores

Complete

 Complete Score
#731467 - 98.14MB, 100 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 75×⇩ - Fynnjamin

PDF scanned by GB-Lbl
Fynnjamin (2021/9/13)

Arranger Henry Rowley Bishop (1786-1855), piano reduction
Editor 2nd edition
Publisher. Info. London: D'Almaine & Co. Warehouse for Sacred Music, n.d.
Copyright
Public Domain [tag/del]
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 Complete Score
#86382 - 25.96MB, 94 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 9245×⇩ - Carolus

PDF scanned by Google
Carolus (2010/12/4)

Arranger Vincent Novello (1781-1861), piano reduction
Language English
Publisher. Info. London: Novello, Ewer & Co., n.d.(ca.1865).
Copyright
Public Domain [tag/del]
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 Complete Score
#250530 - 10.61MB, 120 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 4104×⇩ - Bassani

PDF scanned by RUS-Mrg
Bassani (2012/9/14)

Editor Joseph Barnby (1838-1896)
Publisher. Info. London: Novello, Ewer & Co., n.d.
Copyright
Public Domain [tag/del]
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 Complete Score
#39716 - 5.32MB, 111 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 6510×⇩ - operalala

PDF scanned by Unknown
operalala (2009/9/20)

 Complete Score
#395825 - 4.67MB, 111 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 595×⇩ - Carolus

PDF scanned by Unknown
Carolus (2015/10/7)

Arranger Friedrich Chrysander (1826-1901), reduction
Language English / German
Publisher. Info. Leipzig: Edition Peters, n.d. Plate 11433.
Reprinted New York: E.F. Kalmus, n.d.(1965).Plate K 6208.
Copyright
Public Domain [tag/del/mrg]
Misc. Notes Possibly first issued by Rieter-Biedermann in the 1860s and later reissued by Peters.
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Selections

 Complete Score
#257262 - 5.90MB, 48 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 1066×⇩ - Fynnjamin

PDF scanned by US-PRV
Fynnjamin (2012/11/4)

Editor First edition
Publisher. Info. London: I. Walsh, n.d.
Copyright
Public Domain [tag/del]
Misc. Notes Some pages are engraved in a different (later 18th century) style, as though this is a later imprint of old plates with some replaced.
Contains numbers 3-8, 11-15, 16b, 17, 19, 23.
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 Aria: Love in her eyes sits playing (Act 1)
#145635 - 0.30MB, 5 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 1370×⇩ - Massenetique

PDF scanned by US-R
Massenetique (2011/11/3)

 Aria: Would you gain the tender creature (Act 2)
#145636 - 0.35MB, 6 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 1106×⇩ - Massenetique

PDF scanned by US-R
Massenetique (2011/11/3)

Editor Ebenezer Prout (1835-1909)
Language English
Publisher. Info. Songs and Airs of G.F. Handel, Vol.I: For High Voice (pp.15-25)
Boston: Oliver Ditson Co., 1905. Plate ML-1080-81.
Copyright
Public Domain [tag/del/mrg]
Misc. Notes This file is part of the Sibley Mirroring Project.
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 11-12. Recitative: I Rage, and Aria: O ruddier than the cherry
#531402 - 0.83MB, 8 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 81×⇩ - Fynnjamin

PDF scanned by archive.org
Fynnjamin (2018/7/13)

Arranger William Horsley (1774-1858)
Publisher. Info. London: J. B. Cramer, Addison & Beale, n.d. Plate 809.
Copyright
Public Domain [tag/del]
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 Recitative and Aria: O ruddier than the cherry (Act 2)
#147564 - 0.41MB, 7 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 1952×⇩ - Massenetique

PDF scanned by Google / Harvard
Massenetique (2011/11/7)

Editor Ebenezer Prout (1835-1909)
Publisher. Info. Songs and Airs of G.F. Handel, Vol.II: For Low Voice (pp.6-12)
Boston: Oliver Ditson Co., 1905. Plate ML-1118.
Copyright
Public Domain [tag/del]
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Arrangements and Transcriptions

Complete

For Voices, Mixed Chorus and Orchestra (Mozart)

 Complete Score
#718557 - 35.48MB, 195 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 109×⇩ - M.kowalski49

PDF scanned by Unknown
M.kowalski49 (2021/7/23)

⇒ 9 more: Flute 1, 2 • Oboe 1/2 • Clarinet 1/2 • Bassoon 1/2 • Horn 1/2 • Violins I • Violins II • Violas • Cellos/Basses

 Flute 1, 2
#718558 - 0.46MB, 11 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 58×⇩ - M.kowalski49

PDF scanned by Unknown
M.kowalski49 (2021/7/23)

 Oboe 1/2
#718559 - 1.46MB, 20 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 57×⇩ - M.kowalski49

PDF scanned by Unknown
M.kowalski49 (2021/7/23)

 Clarinet 1/2
#718560 - 1.27MB, 20 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 49×⇩ - M.kowalski49

PDF scanned by Unknown
M.kowalski49 (2021/7/23)

 Bassoon 1/2
#718561 - 1.50MB, 20 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 43×⇩ - M.kowalski49

PDF scanned by Unknown
M.kowalski49 (2021/7/23)

 Horn 1/2
#718562 - 0.66MB, 12 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 44×⇩ - M.kowalski49

PDF scanned by Unknown
M.kowalski49 (2021/7/23)

 Violins I
#718563 - 2.36MB, 36 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 67×⇩ - M.kowalski49

PDF scanned by Unknown
M.kowalski49 (2021/7/23)

 Violins II
#718564 - 2.68MB, 35 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 52×⇩ - M.kowalski49

PDF scanned by Unknown
M.kowalski49 (2021/7/23)

 Violas
#718565 - 1.70MB, 24 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 52×⇩ - M.kowalski49

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M.kowalski49 (2021/7/23)

 Cellos/Basses
#718566 - 1.91MB, 29 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 59×⇩ - M.kowalski49

PDF scanned by Unknown
M.kowalski49 (2021/7/23)

Arranger Wolfgang Amadeus Mozart (1756-1791)
Editor Berthold Tours (1838-1897)
Publisher. Info. London: Novello, n.d.
Reprinted Boca Raton: Edwin F. Kalmus, n.d.(1987-2018). Catalog A2304.
Copyright
Public Domain [tag/del/mrg]
Misc. Notes Full Score and Parts are 10x13 scans
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Selections

For Voices, Mixed Chorus and Orchestra (Mozart)

 Damon's arias (Nos.5b and 15)
Embellishments for the da capo (voice part)
#271161 - 0.05MB, 2 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 830×⇩ - Wettgesang

PDF typeset by editor
Wettgesang (2013/2/25)

Arranger Wolfgang Amadeus Mozart (1756-1791)
Editor Wettgesang
Language German
Translator Gottfried van Swieten (1733–1803), German text
Publisher. Info. Wettgesang
Copyright
Creative Commons Attribution 3.0 [tag/del]
Misc. Notes Nos.4, 12 in the Mozart arrangement
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For Piano solo (Rimbault)

 Airs and Choruses
#249416 - 7.23MB, 31 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 1049×⇩ - Timtin

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Timtin (2012/9/5)

Arranger Edward Francis Rimbault (1816-1876)
Publisher. Info. London: D'Almaine and Co., n.d.(ca.1850). Plate 13,455.
Copyright
Public Domain [tag/del]
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Chorus: Oh the pleasure of the plains (Act 1, No.2)

For Female Chorus and Piano (Diack)

 Complete Score (EU)
#606191 - 1.84MB, 6 pp. -  0.0/10 2 4 6 8 10 (-) - V/25/V - 200×⇩ - Phillip21

PDF scanned by Phillip21
Phillip21 (2020/1/18)

Arranger John Michael Diack (1869-1946)
Publisher. Info. The Lyric Collection of Choral Music, No.1583.
London: Paterson's Publications Ltd., 1929. Plate L.C. 1583.
Copyright
Public Domain - Non-PD US [tag/del]
Misc. Notes From uploader's collection. Arrangement is for SA.
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Chorus: Wretched Lovers (Act 2, No.10)

For Organ (Best)

 Complete Score
#473564 - 0.27MB, 3 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 116×⇩ - Keanur

PDF scanned by Unknown
Keanur (2017/5/29)

Arranger William Thomas Best (1826-1897)
Publisher. Info. Arrangements from the Scores of the Great Masters, Vol.1 (pp.43-44)
London: Novello, Ewer & Co., n.d. Plate 2229.
Copyright
Public Domain [tag/del]
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Aria: Would you gain the tender creature (Act 2, No.15)

For 3 Recorders (Tennent)

 Complete Score
#840169 - 0.05MB, 3 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 257×⇩ - Rdtennent

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Rdtennent (2023/2/14)

Arranger R.D. Tennent
Publisher. Info. R. D. Tennent
Copyright
Creative Commons Attribution-ShareAlike 4.0 [tag/del]
Misc. Notes These file(s) are part of the Werner Icking Music Collection, and are also included in the Mondrup Recorder Collection.
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For Trumpet and Organ (Rondeau)

 Complete Score and Trumpet Part
#441982 - 0.17MB, 10 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 611×⇩ - Michrond

PDF typeset by arranger
Michrond (2016/10/6)

 Engraving files (Finale and XML)
#441983 - 0.44MB, ? pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 177×⇩ - Michrond

ZIP typeset by arranger
Michrond (2016/10/6)

Arranger Michel Rondeau
Publisher. Info. Michel Rondeau
Copyright
Creative Commons Attribution-ShareAlike 4.0 [tag/del]
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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General Information

Work Title Acis and Galatea
Alternative. Title
Name Translations Ացիս և Գալատեա; Acis i Galatea (Händel); 아시스와 갈라테아; Acis y Galatea; Aci e Galatea; Acis ve Galatea; Acis és Galatea; Акид и Галатея; 阿西斯与加拉蒂亚; 阿西斯與加拉蒂亞; エイシスとガラテア; Acis and Galatea (Handel)
Name Aliases Acis e Galatea; Acis et Galatée
Authorities WorldCat; Wikipedia; VIAF: 8440152140007311100004; GND: 300063970; BNF: 15610835z
Composer Handel, George Frideric
Opus/Catalogue NumberOp./Cat. No. HWV 49
I-Catalogue NumberI-Cat. No. IGH 2
Movements/SectionsMov'ts/Sec's 2 acts
  • Act 1.
1. Overture
2. Chorus: Oh the pleasure of the plains (Shepherds, Nymphs)
3. Recitative and Aria (Galatea)
a. Recitative: Ye verdant plains
b. Aria: Hush, hush, ye pretty warbling quire
4. Aria (Acis): Where shall I seek the charming faie
5. Recitative and Aria (Damon)
a. Recitative: Stay, shepherd, stay
b. Aria: Shepherd, what art thou pursuing
6. Recitative and Aria (Acis)
a. Recitative: Lo! here my love
b. Aria: Love in her eyes sits playing
7. Recitative and Aria (Galatea)
a. Recitative: Oh! didst thou know the pains
b. Aria: As when the dove
8. Duet (Acis, Galatea): Happy we
9. Chorus (Shepherds, Nymphs): Happy we
  • Act 2
10. Chorus (Shepherds, Nymphs): Wretched lovers
11. Recitative (Polyphemus): I rage, I melt
12. Aria (Polyphemus): O ruddier than the cherry
13. Recitative (Polyphemus): Whither, fairest, art thou running
14. Aria (Polyphemus): Cease to beauty to be suing
15. Aria: Would you gain the tender creature
16. Recitative and Aria (Acis)
a. Recitative: His hideous love provokes my rage
b. Aria: Love sounds th'alarm
17. Aria (Damon): Consider, fond shepherd
18. Recitative (Galatea): Cease, oh cease, thou gentle youth
19. Trio (Galatea, Acis, Polyphemus): The flocks shall leave the mountains
20. Recitative (Acis): Help, Galatea
21. Chorus (Shepherds, Nymphs): Mourn, all ye muses
22. Solo with Chorus (Galatea, Shepherds, Nymphs): Must I my Acis still bemoan
23. Recitative and Aria (Galatea)
a. Recitative: Tis done, thus I exert my pow'r divine
b. Aria: Heart, the seat of soft delight
24. Chorus (Shepherds, Nymphs): Galatea, dry thy tears
Year/Date of CompositionY/D of Comp. 1718, revised 1732, 1739
First Publication. 1743 ca. or before
Librettist John Gay (1685–1732)
with possible additions by John Hughes (1677–1720) and/or Alexander Pope (1688–1744)
after Ovid's Metamorphoses, xiii.
Language English
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation voices, chorus, orchestra
InstrDetail
Cast
Galatea (soprano)
Acis (tenor)
Damon (tenor or soprano)
Polyphemus (bass)

Mixed Chorus

Shepherds and Nymphs
Orchestra
External Links Wikipedia article
Libretto (Naxos.com)
Acis and Galatea -  Scores at Sheet Music Plus
Extra Information (From the wikipedia article)
Variously described as a serenata, a masque, a pastoral or pastoral opera, a "little opera" (in a letter by the composer while it was being written), an entertainment and (in the New Grove Dictionary) as an oratorio. The work was originally devised as a one-act masque which premiered in 1718. Handel later adapted the piece into a three-act serenata for the Italian opera troupe in London in 1732, which incorporated a number of songs (still in Italian) from Aci, Galatea e Polifemo, HWV 72, his 1708 setting of the same story to different music. He later adapted the original English work into its two-act form in 1739.
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