Movements/SectionsMov'ts/Sec's | 6 quintets |
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Composition Year | 1772 |
Genre Categories | Quintets; For flute, oboe, violin, viola, cello; Scores featuring the flute; |
Contents |
Complete Parts
*#398323 - 24.78MB, 65 pp. - -) (- V/V/V - 609×⇩ - Tim.willis1685
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Tim.willis1685 (2015/11/1)
⇒ 5 more: Flute (full BNF resolution) • Oboe (full BNF resolution) • Violin (full BNF resolution) • Viola (full BNF resolution) • Cello (full BNF resolution)
Flute (full BNF resolution)
*#398458 - 50.25MB, 16 pp. - -) (- V/V/V - 272×⇩ - Tim.willis1685
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Tim.willis1685 (2015/11/1)
Oboe (full BNF resolution)
*#398459 - 42.61MB, 14 pp. - -) (- V/V/V - 191×⇩ - Tim.willis1685
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Tim.willis1685 (2015/11/1)
Violin (full BNF resolution)
*#398460 - 41.89MB, 13 pp. - -) (- V/V/V - 106×⇩ - Tim.willis1685
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Tim.willis1685 (2015/11/1)
Viola (full BNF resolution)
*#398461 - 46.49MB, 14 pp. - -) (- V/V/V - 81×⇩ - Tim.willis1685
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Tim.willis1685 (2015/11/1)
Cello (full BNF resolution)
*#398462 - 25.71MB, 8 pp. - -) (- V/V/V - 127×⇩ - Tim.willis1685
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Tim.willis1685 (2015/11/1)
|
Complete Parts (color)
*#20603 - 12.40MB, 54 pp. - -) (- V/V/V - 7289×⇩ - Aldona Jones
PDF scanned by DK-Kk
Aldona Jones (2008/8/11)
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Work Title | 6 Quintets for Flute, Oboe and Strings |
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Alternative. Title | Six Quintettos for a Flute, Hautboy, Violin, Tenor & Bass |
Composer | Bach, Johann Christian |
Opus/Catalogue NumberOp./Cat. No. | Op.11 ; W.B. 70-75 |
I-Catalogue NumberI-Cat. No. | IJB 85 |
Movements/SectionsMov'ts/Sec's | 6 pieces of 2 or 3 movements each:
|
Year/Date of CompositionY/D of Comp. | 1772 |
First Publication. | 1777 - London: Welcker |
Dedication | Karl Theodor (von der Pfalz), the Elector Palatin |
Composer Time PeriodComp. Period | Classical |
Piece Style | Classical |
Instrumentation | flute, oboe, violin, viola, cello |
External Links | RISM |
Extra Information | Published in Das Erbe deutscher Musik, Bd. 3 |
Although the works were composed in London, JC Bach's visit to the electoral court at Mannheim in 1772 explains the dedication. S.Sadie's edition is based on the original London edition but variants in other contemporary versions are said to have been considered. The works can be performed as quintets without keyboard support.