5 Vortragsstücke, Op.98 (Eberhardt, Goby)

Movements/SectionsMov'ts/Sec's 5 movements
First Publication 1889
Genre Categories Pieces; For piano; Scores featuring the piano; For 1 player

Sheet Music

Scores and Parts

 1. Lied - Complete Score, Violin Part
#316929 - 0.54MB, 5 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 382×⇩ - Afp0815

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⇒ 4 more: 2. Scherzo - Complete Score, Violin Part • 3. Barkarole - Complete Score, Violin Part • 4. Spinnerlied - Complete Score, Violin Part • 5. Ländler - Complete Score, Violin Part

 2. Scherzo - Complete Score, Violin Part
#316932 - 0.37MB, 6 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 330×⇩ - Afp0815

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 3. Barkarole - Complete Score, Violin Part
#316930 - 0.67MB, 7 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 271×⇩ - Afp0815

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 4. Spinnerlied - Complete Score, Violin Part
#316931 - 0.55MB, 5 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 262×⇩ - Afp0815

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 5. Ländler - Complete Score, Violin Part
#316928 - 0.41MB, 6 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 270×⇩ - Afp0815

PDF scanned by afp0815
Afp0815 (2014/2/24)

Engraver Leipzig: C.G. Röder.
Publisher. Info. Leipzig: Martin Oberdörffer, n.d.[1889].
Reprinted Leipzig: F.E.C. Leuckart, n.d.(ca.1913). Plate F.E.C.L. 7194, 96, 97. (Nos.1, 3, 4)
Copyright
Public Domain [tag/del/mrg]
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General Information

Work Title 5 Vortragsstücke
Alternative. Title
Composer Eberhardt, Goby
Opus/Catalogue NumberOp./Cat. No. Op.98
I-Catalogue NumberI-Cat. No. IGE 10
Movements/SectionsMov'ts/Sec's 5 movements:
  1. Lied
  2. Scherzo
  3. Barkarole
  4. Spinnerlied
  5. Ländler
First Publication. 1889
Dedication
  1. Meinem lieben Schüler Oscar Willmer
  2. Meinem lieben Schüler Carl Hagemann
  3. Meinem lieben Schüler Eduard Paul
  4. Meinem lieben Schüler Willy Rudolph
  5. Meinem lieben Schüler Ernst Wattenberg
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation Violin, piano
Extra Information Included in the category Easy Works for Violin. The violin part can be played entirely in first position.

Navigation etc.

The scherzo Op.98 No.2 in A minor here is not (even remotely) the same as the Scherzo, Op.98 in A major for solo piano (even allowing for different instrumentations, different mode, &c.) The coincidence of title and opus number would seem to be coincidence. - Schissel

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