4 Lieder, Op.46 (Henschel, George)

Movements/SectionsMov'ts/Sec's 4 songs
First Publication 1891 – Berlin: N. Simrock
Genre Categories Lieder; Songs; For voice, piano; For voices with keyboard; Scores featuring the voice; Scores featuring the piano; German language; For male chorus (arr); Scores featuring male chorus (arr); For unaccompanied chorus (arr)

Sheet Music

Scores

 4. Morgenhymne (for high voice)
#189574 - 0.65MB, 8 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 126×⇩ - Icactus

PDF scanned by US-R
Icactus (2012/3/16)

Language German / English
Publisher. Info. Berlin: N. Simrock, n.d.[1891]. Plate 9467.
Copyright
Public Domain [tag/del]
Misc. Notes This file is part of the Sibley Mirroring Project.
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Arrangements and Transcriptions

Morgenhymne (No.4)

For Male Chorus (Davison)

 Complete Score
#877317 - 2.73MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/C - 3×⇩ - Feduol

PDF scanned by archive.org
Feduol (2023/9/26)

Arranger Archibald Thompson Davison (1883-1961)
Language English
Publisher. Info. The Concord Series: Harvard University Glee Club Collection of Part Songs for Men's Voices, No.40
Boston: E.C. Schirmer Music Co., 1923. Plate E.C.S. No.40.
Copyright
Public Domain [tag/del]
Misc. Notes This file is part of the Indianapolis Maennerchor Archive.
This item, which is in the public domain in its country of origin, is likewise in the public domain in countries which apply the rule of the shorter term. All EU countries apply the rule of the shorter term in general.
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General Information

Work Title 4 Lieder
Alternative. Title
Composer Henschel, George
Opus/Catalogue NumberOp./Cat. No. Op.46
I-Catalogue NumberI-Cat. No. IGH 9
Movements/SectionsMov'ts/Sec's 4 songs
  1. „Morgens als Lerche“
  2. „Du bist mein“
  3. Der Bote: „Am Himmelsgrund schiessen so lustig die Stern’“
  4. Morgenhymne: „Bald ist der Nacht ein End’ gemacht“
First Publication. 1891 – Berlin: N. Simrock
Librettist Nos. 1 & 4: Robert Reinick (1805-1852)
Language German
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation voice, piano
Extra Information All four songs were published in versions for high and low voice. No.4 was published in 1897 in an arrangement for chorus and orchestra.
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