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Performances
Naxos
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Sheet Music
Full Scores
Complete
Publisher. Info.
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London: Boosey & Hawkes, 1950. Plate B. & H. 16921, 16919, 16920, 16918.
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Copyright
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Misc. Notes
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Errata: Im Abendrot, bass clarinet, 5th bar of G, third beat should be written C not B♭.
Im Abendrot, upper violas, 1st bar of D, downbeat should be E♮ not E♭
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Publisher. Info.
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London: Boosey & Hawkes, 1950. Plate Plate B. & H. 16921, 16919, 16920, 16918.
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Copyright
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Misc. Notes
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Misprint Corrected: Im Abendrot, bass clarinet, 5th bar of G, third beat CORRECTED with C, not B♭. Im Abendrot, upper violas, 1st bar of D, downbeat should be E♮ not E♭
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Editor
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Hiroyuki Ohara (b. 1989)
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Publisher. Info.
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Hiroyuki Ohara, 2021.
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Im Abendrot (No.4)
Publisher. Info.
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London: Boosey & Hawkes, 1950. Plate B. & H. 16920-21.
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Parts
⇒ 14 more: Oboe 1, 2, English Horn • Clarinet 1, 2 (A, B♭), Bass Clarinet (A, B♭) • Bassoon 1, 2, 3/Contrabassoon • Horn 1, 2 (F), 3, 4 (D, E♭, F) • Trumpet 1, 2 (C, E♭, F), 3 (E♭) • Trombone 1, 2, 3, Tuba • Timpani • Celesta • Harp • Violins I • Violins II • Violas • Cellos • Basses
Publisher. Info.
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London: Boosey & Hawkes, 1950. Plate B. & H. 20391.
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Copyright
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Misc. Notes
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This file is based on high-resolution images obtained from the source using a method explained on this page.
Some title pages are retained to preserve page turns.
*Typical performance practice rearranges the confusing piccolo doublings by assigning the piccolo passages in the first and second parts at the end of Im Abendrot to the third and fourth players (the principal and second players never touch piccolos). The inaptly named "Piccolo 2" part is played by the fourth player, who only plays piccolo.
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Publisher. Info.
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London: Boosey & Hawkes, 1950.
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Vocal Scores
Arranger
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Max Wolff (1885-1954), piano reduction
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Publisher. Info.
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London: Boosey & Hawkes, 1950. Plate B. & H. 16,925.
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Copyright
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Misc. Notes
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English text by Michael Hamburger (1924-1997), removed.
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Arranger
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John Gribben
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Publisher. Info.
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John Gribben
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Arranger
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Ernst Roth (1896-1971)
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Language
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German / English
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Translator
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Michael Hamburger (1924-2007), English text
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Publisher. Info.
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London: Boosey & Hawkes, 1950. Plate B. & H. 16,925.
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Arrangements and Transcriptions
For Soprano, Mixed Chorus, Flute, Oboe and Strings (Roth)
Arranger
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Rainer Grant Roth (b. 1961)
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Publisher. Info.
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Rainer Grant Roth, 2021.
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Copyright
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Misc. Notes
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Parts available at: Sheet Music Plus
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Beim Schlafengehen (No.3)
For Clarinet and Piano (Köhne)
Arranger
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Michael Köhne
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Publisher. Info.
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Michael Köhne
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For Viola and Piano (Köhne)
Arranger
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Michael Köhne
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Michael Köhne
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For Cello and Piano (Köhne)
Arranger
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Michael Köhne
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Publisher. Info.
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Michael Köhne
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General Information
Work Title
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Vier letzte Lieder
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Alternative. Title
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4 Last Songs
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Name Translations
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最后四首歌; 最後四首歌; Quatro Últimas Canções; Štyri posledné piesne; Չորս վերջին երգեր; Cuatro últimas canciones; Four Last Songs; Quatre últimes cançons; 4つの最後の歌; چهار ترانه آخر; ארבעה שירים אחרונים
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Name Aliases
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Quatre derniers Lieder; Cuatro ultimas canciones; Quatre darrers lieder; Beim Schlafengehen; Neljä viimeistä laulua
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Authorities
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Wikipedia; BNF: 139197938
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Composer
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Strauss, Richard
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Opus/Catalogue NumberOp./Cat. No.
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TrV 296
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I-Catalogue NumberI-Cat. No.
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IRS 48
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Movements/SectionsMov'ts/Sec's
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4 songs:
- Frühling
- September
- Beim Schlafengehen
- Im Abendrot
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Year/Date of CompositionY/D of Comp.
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1947-49
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First Publication.
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1950
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Librettist
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see below
- 1–3. Hermann Hesse (1877–1962)
- 4. Joseph von Eichendorff (1788–1857)
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Language
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German
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Dedication
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No.3 (?): Adolf Jöhr and his wife
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Composer Time PeriodComp. Period
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Romantic
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Piece Style
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Early 20th century
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Instrumentation
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Voice: soprano Orchestra: piccolo, 3 flutes (3rd also 2nd piccolo), 2 oboes, English horn, 2 clarinets, bass clarinet, 2 bassoons, contrabassoon, 4 horns, 3 trumpets, 3 trombones, tuba timpani, celesta, strings
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External Links
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Wikipedia article The Lied, Art Song, and Choral Texts Archive Boosey & Hawkes vocal/piano score
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Navigation etc.
Strauss was at the home of banker Adolf Jöhr on 28 July 1948 while working on one of the Hesse songs in this set, according to Jöhr's account (Richard Strauss and His World, p.108 et seq) though Jöhr does not specify which one, and Strauss dedicated the manuscript of that song to Jöhr and his wife. The author of this essay (Timothy L. Jackson) makes a case that the song was Bei Schlafengehen (the third of the four songs.) (It wasn't Frühling, which was completed and copied out 18 July 1948, whereas Jöhr saw a work which was not in quite that stage - "a manuscript more scribbled than written". The sketch for September is dated 10 September 1948.) Frühling was begun and copied out initially according to Jackson as early as 1947, though only completed 18 July 1948. Strauss was not introduced to Hesse's poetry until 1947, according to Schuh, so the first three songs were not begun until 1947.