This work has been identified as being in the public domain in Canada, as well as countries where the copyright term is life+50 or life+70 years (including all EU countries). However, this work is probably still protected by copyright in the United States, unless an exception applies. See public domain for details. |
Movements/SectionsMov'ts/Sec's | 4 songs |
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Composition Year | 1947-49 |
Genre Categories | Lieder; Songs; For voice, orchestra; |
Contents[hide] |
Work Title | Vier letzte Lieder |
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Alternative. Title | 4 Last Songs |
Name Translations | 最后四首歌; 最後四首歌; Quatro Últimas Canções; Štyri posledné piesne; Չորս վերջին երգեր; |
Name Aliases | Quatre derniers Lieder; Cuatro ultimas canciones; Quatre darrers lieder; Beim Schlafengehen; Neljä viimeistä laulua |
Authorities | Wikipedia; BNF: 139197938 |
Composer | Strauss, Richard |
Opus/Catalogue NumberOp./Cat. No. | TrV 296 |
Internal Reference NumberInternal Ref. No. | IRS 48 |
Movements/SectionsMov'ts/Sec's | 4 songs:
|
Year/Date of CompositionY/D of Comp. | 1947-49 |
First Publication. | 1950 |
Librettist | see below
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Language | German |
Dedication | No.3 (?): Adolf Jöhr and his wife |
Composer Time PeriodComp. Period | Romantic |
Piece Style | Early 20th century |
Instrumentation | Voice: soprano Orchestra: piccolo, 3 flutes (3rd also 2nd piccolo), 2 oboes, English horn, 2 clarinets, bass clarinet, 2 bassoons, contrabassoon, 4 horns, 3 trumpets, 3 trombones, tuba timpani, celesta, strings |
External Links | Wikipedia article The Lied, Art Song, and Choral Texts Archive Boosey & Hawkes vocal/piano score |
Strauss was at the home of banker Adolf Jöhr on 28 July 1948 while working on one of the Hesse songs in this set, according to Jöhr's account (Richard Strauss and His World, p.108 et seq) though Jöhr does not specify which one, and Strauss dedicated the manuscript of that song to Jöhr and his wife. The author of this essay (Timothy L. Jackson) makes a case that the song was Bei Schlafengehen (the third of the four songs.) (It wasn't Frühling, which was completed and copied out 18 July 1948, whereas Jöhr saw a work which was not in quite that stage - "a manuscript more scribbled than written". The sketch for September is dated 10 September 1948.) Frühling was begun and copied out initially according to Jackson as early as 1947, though only completed 18 July 1948. Strauss was not introduced to Hesse's poetry until 1947, according to Schuh, so the first three songs were not begun until 1947.