This work is likely not in the public domain in the US (due to first publication with the required notice after 1927, plus renewal if published before 1964, or "restoration" under the GATT/TRIPS amendments), nor in the EU and those countries where the copyright term is life+70 years. However, it is public domain in Canada (where IMSLP is hosted) and in other countries (China, Hong Kong, New Zealand) where the copyright term is life+50 years.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
|
Performances
Naxos
Javascript not enabled.
Sheet Music
Scores
Publisher. Info.
|
Paris, Rouart, Lerolle & Cie., 1941. Plates R.L. 12124, R.L. 12125. Reissue – Paris: Salabert, 1990.
|
Copyright
|
|
Misc. Notes
|
Issued with FP 63.VII – FP 63.X as ‘Le 2me reçueil des six improvisations’. Scan includes fifteen improvisations from 1932 to 1959; see comments below. Reprint of eds. published 1933–1960.
|
Purchase
|
Javascript is required for this feature.
|
| |
Javascript is required to submit files.
General Information
Work Title
|
Improvisations, pour le piano
|
Alternative. Title
|
|
Composer
|
Poulenc, Francis
|
Opus/Catalogue NumberOp./Cat. No.
|
FP 113
|
I-Catalogue NumberI-Cat. No.
|
IFP 46
|
Key
|
G minor, E-flat major
|
Movements/SectionsMov'ts/Sec's
|
2 movements:
- XIème Improvisation en sol mineur. Assez animé
- XIIème Improvisation en mi bémol majeur, “Hommage à Schubert”. Mouvement de Valse
|
Year/Date of CompositionY/D of Comp.
|
1941
|
First Publication.
|
1941
|
Dedication
|
Various
- 11. à Claude Betaincourt
- 12. à Edwige Feuillere
|
Composer Time PeriodComp. Period
|
Early 20th century
|
Piece Style
|
Early 20th century
|
Instrumentation
|
solo piano
|
Navigation etc.
Poulenc’s œuvre contains fourteen more improvisations, an additional thirteen of which are collected in Les Quinze Improvisations:
There is also the improvisation for solo piano composed as part of the collective work “Hommage à J.S. Bach”: