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This page is only for complete editions and multiple selections from the collection here. For arrangements, new editions, etc. see (or create) separate pages for individual works linked in the General Information section below. |
Performances
Naxos
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Sheet Music
Scores and Parts
Complete
Publisher. Info.
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Offenbach s/M: Johann André, n.d.(ca.1870). Plate 3044.
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Copyright
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Misc. Notes
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This file is part of the Sibley Mirroring Project. 579923-4: Measure numbers added.
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PDF scanned by Unknown
Peter (2008/11/1)
Editor
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August Schulz (1837–1909)
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Publisher. Info.
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Braunschweig: Henry Litolff, n.d.(ca.1900).
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Copyright
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Editor
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Werner Icking (1943–2001)
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Publisher. Info.
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Siegburg: Werner Icking, 1996.
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Copyright
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Misc. Notes
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These file(s) are part of the Werner Icking Music Collection. Print the A3 parts in landscape, double-side, flip on short edge. See the last paragraph of this page to sort the pages.
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Arrangements and Transcriptions
For 2 Violins (Icking)
Arranger
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Werner Icking (1943–2001)
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Publisher. Info.
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Siegburg: Werner Icking, 1996.
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Copyright
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Misc. Notes
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See instructions for original version.
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For Viola and Cello (Icking)
PDF typeset by arranger
Peter (2008/11/1)
Arranger
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Werner Icking (1943–2001)
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Publisher. Info.
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Siegburg: Werner Icking, 1996.
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Copyright
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Free Recordings
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General Information
Work Title
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2 Duos for Violin and Viola
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Alternative. Title
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Composer
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Mozart, Wolfgang Amadeus
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Opus/Catalogue NumberOp./Cat. No.
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K.423–424 ; Op.28
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I-Catalogue NumberI-Cat. No.
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None [force assignment]
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Key
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G major (No.1) and B♭ major (No.2)
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Movements/SectionsMov'ts/Sec's
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2 duos:
- 1. Duo for Violin and Viola, K.423
- I. Allegro
- II. Adagio
- III. Rondeau. Allegro
- 2. Duo for Violin and Viola, K.424
- I. Adagio-Allegro
- II. Andante cantabile
- III. Tema con variazioni
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Year/Date of CompositionY/D of Comp.
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1783
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First Publication.
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1792 – Vienna: Artaria
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Composer Time PeriodComp. Period
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Classical
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Piece Style
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Classical
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Instrumentation
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violin, viola
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External Links
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See individual pages for wikipedia, NMA, etc.
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Navigation etc.
See CHASE for an article - The Ferdinand David 'Uppingham' Copies in Context and Performance