| Issue/Page | Description | Title | First Line | Composer | Instrumentation |
|---|---|---|---|---|---|
| 1.1 | Catch | Epitaph | 'Tis thus, thus, and thus farewell | William Boyce | 3 equal voices |
| 1.2 | Round | A hogshead was offer'd to Bacchus's shrine | Jonathan Battishill | 3 equal voices | |
| 1.3 | Round | Epitaph | Poor Ralpho lies beneath this rood | William Savage | 4 equal voices |
| 1.3 | Round | May the King live long | T. W. | 4 equal voices | |
| 1.4 | Catch | Prithee is not Miss Chloe's a comical case | T. W. (Thomas Wood, in Essex Harmony) | 3 equal voices | |
| 1.4 | Round | Epitaph | Here Innocence and Beauty lies | John Travers | 3 equal voices |
| 1.5 | Round | How happy are we now the wind is abaft | George Berg | 3 equal voices | |
| 1.5 | Round | Ill fares the family that shews a silent cock and hen that crows | unattributed | 3 equal voices | |
| 1.6 | Round | Ye birds for whom I rear'd this grove | Jonathan Battishill | 3 equal voices | |
| 1.7 | Round | O Absalom my son | Charles King | 3 equal voices | |
| 1.7 | Round | Underneath this marble hearse | John Travers | 3 equal voices | |
| 1.8 | Round | Come friends and companions let's take a full glass | George Berg | 3 equal voices | |
| 1.8 | Round | Doubtless the pleasure is as great in being cheated as to cheat | John Travers | 3 equal voices | |
| 1.9 | Round | I lov'd thee beautiful and kind | Jonathan Battishill | 3 equal voices | |
| 1.9 | Round | Let us drink and be merry, dance, joke and rejoyce | George Berg | 3 equal voices | |
| 1.10 | Round | Less shall proud Rome her ancient trophies boast | Samuel Long | 3 equal voices | |
| 1.10 | Round | O beauteous eyes, discover; why so much cruelty? | unattributed | 3 equal voices | |
| 1.11 | Catch | 'Twas you sir, 'twas you sir, I tell you nothing new, sir | Garrett Colley Wellesley Mornington (unattributed) | 3 equal voices | |
| 1.11 | Round | Epitaph | A blooming youth lies buried her, Euphemius to his country dear | William Boyce | 3 equal voices |
| 1.12 | Round | Pinn'd to a sheet in which a woman stood to do penance in the church |
Here stand I, for whores as great | Thomas Warren | 4 equal voices |
| 1.12 | Round | Long live King George, most happy happy days to see | William Boyce | 4 equal voices | |
| 1.13 | Catch | Ye learned wise mortals, who grow stupid with thinking | unattributed | 3 equal voices | |
| 1.14 | Round | To a young Lady embroidering (Garrick) | Arachne, once ill-fated maid, daring Minerva to engage | Samuel Long | 4 equal voices |
| 1.15 | Round | Trust me, my Celia, you will find | Felice Giardini | 3 equal voices | |
| 1.16 | Round | O fairest maid, I own thy pow'r | James Nares | 4 equal voices | |
| 1.16 | Round | Epitaph | Here lies! here lies! the Lord have mercy upon her | William Yates | 4 equal voices |
| 1.17 | Round | Epitaph on Ben Jonson | Here lies Johnson with the rest of the poets, but the best | John Hawkins | 3 equal voices |
| 1.17 | Round | To the King of Great Britain let our glasses advance | John Hawkins | 3 equal voices | |
| 1.18 | Round | Glory be to God on high | William Boyce | 3 equal voices | |
| 1.18 | Round | Jerusalem, Jerusalem, oh that thou hadst known | Thomas Roseingrave | 3 equal voices | |
| 1.19 | Round | To me, to me 'twas giv'n to dye | Thomas Warren | 3 equal voices | |
| 1.19 | Round | Pietas omnium virtutum | William Byrd | 3 equal voices | |
| 1.20 | Round | Fides est anima vitae | unattributed | 5 equal voices | |
| 1.20 | Round | Levate suo bella Clori | Pietro Torri | 5 equal voices | |
| 1.20 | Round | Allelujah | William Boyce | 3 equal voices | |
| 1.21 | Catch | Happy the youth who can but see | Samuel Long | 4 equal voices | |
| 1.22 | Round | Life is a jest and all things shew it | John Travers | 4 equal voices | |
| 1.22 | Round | Fides est anima vitae | unattributed | 4 equal voices | |
| 1.22 | Round | Wilt thou lend me thy mare to go a mile? | James Nares | 3 equal voices | |
| 1.23 | Catch | As Jenny one morning was milking her ass | George Berg | 3 equal voices | |
| 1.23 | Round | Lye still, lye still my dear | unattributed | 3 equal voices | |
| 1.24 | Catch | Quakers' Catch | 'Tis strange, sister Ruth, that the spirit within | Felice Giardini | 3 equal voices |
| 1.25 | Catch | Come on, here's John will shew us anon he 'as something | John Hawkins | 3 equal voices | |
| 1.26 | Catch | The Maiden Rose | 'Mongst other roses thorns grow thick, but Moll's a rose without a prick | William Boyce | 3 equal voices |
| 1.26 | Round | B U bu Z A za Buza | unattributed | 3 equal voices | |
| 1.27 | Catch | John Cooper was boring a great piece of timber | William Boyce | 3 equal voices | |
| 1.28 | Catch | Epitaph | Here on his back doth lay Sir Andrew Keeling | Jonathan Battishill | 4 equal voices |
| 1.29 | Catch | Epitaph | Beneath this stone the Earl of Lincoln lies | Felice Giardini | 3 equal voices |
| 1.30 | Catch | Chloe at Cock's Auction | The hammer was up | William Hayes | 4 equal voices |
| 1.31 | Round | Let the woman be damn'd a moderate fate | John Hawkins | 3 equal voices | |
| 1.33 (1) | Canon | Canon Nine in One | Let's have a peal for John Cook's soul | unattributed | 9 equal voices |
| 1.36 (4) | Canon | Long live King George most happy days to see | William Boyce (arranger) | 4 voices SATB | |
| 1.37 (5) | Canon | Canon Three in One | Ah me, ah me, what perils do inviron | John Travers | 3 equal voices |
| 1.37 (5) | Canon | Canon Three in One | Come let us strive to join | unattributed | 3 equal voices |
| 1.38 (6) | Canon | Canon Three in One | Intende voci orationis meae | unattributed | 3 equal voices |
| 1.39 (7) | Canon | Canon Three in One | Memento Homo memento Mori | John Travers | 3 equal voices |
| 1.39 (7) | Canon | Canon Six in One | Laudate nomen Domini super omnes | unattributed | 6 equal voices |
| 1.40 (8) | Canon | Canon Four in One | Cantate Domino | unattributed | 4 equal voices |
| 1.41 (9) | Canon | Canon Four in One | Adjuva nos Deus | unattributed | 4 equal voices |
| 1.41 (9) | Canon | Canon Five in One | Verbum Domini | unattributed | 5 equal voices |
| 1.41 (9) | Canon | Canon Five in One | Ora et labora | unattributed | 5 equal voices |
| 1.42 (10) | Canon | Canon Four in One | Miserere mei Deus | unattributed | 4 equal voices |
| 1.42 (10) | Canon | Canon Five in One | Libera me Domine | unattributed | 5 equal voices |
| 1.42 (10) | Canon | Canon Five in One | Vias tuas Domine | unattributed | 5 equal voices |
| 1.43 (11) | Canon | Canon Six in One | Domine fili Dei | unattributed | 6 equal voices |
| 1.43 (11) | Canon | Canon Six in One | Laudate nomen Domini laudate servi Dominum | unattributed | 6 equal voices |
| 1.43 (11) | Canon | Canon in the 5th and 9th | Si Deus nobiscum | Simon Ives | 3 voices SST |
| 1.44 (12) | Canon | Canon Three in One | Haec est vita aeterna | unattributed | 3 equal voices |
| 1.45 (13) | Canon | Canon in the 4th and 8th below | Non nobis Domine | William Jackson | 3 voices SST |
| 1.45 (13) | Canon | Canon Three in One | Miserere nostri Domine | William Byrd | 3 equal voices |
| 1.45 (13) | Canon | Canon Three in One | Miserere mei Domine | William Byrd | 3 equal voices |
| 1.47 (15) | Glee | Love asleep | Hush, hush, the God of Love here sleeping lies | Samuel Long | 3 voices |
| 1.50 (18) | Madrigal | Glee | The silver swan who living had no note | Orlando Gibbons | 5 voices SATBB |
| 1.52 (20) | Glee | Beviamo tutti tre | Felice Giardini | 3 voices TTB | |
| 1.54 (22) | Glee | Consign'd to dust beneath this stone | Jonathan Battishill | 3 voices ATB | |
| 1.56 (24) | Madrigal | Glee | When as I look'd | John Bennet | 4 voices SSSA |
| 1.58 (26) | Glee | May the King live long dong ding ding dong | unattributed | 4 voices | |
| 1.59 (27) | Glee | Campana che suona da luto | Giovanni Battista Sammartini | 3 voices SSB | |
| 1.61 (29) | Glee | Voglio andare a letto | Felice Giardini | 3 voices SSB | |
| 2.3 | Glee | (Second Prize Medal 1763) | Melting airs soft joys inspire | William Hayes | 4 voices |
| 2.4 | Glee | From a favourite Air in Artaxerxes | Hush to peace each ruder wind | Thomas Augustine Arne | 3 voices |
| 2.6 | Glee | (First Prize Medal 1763) | On softest beds at leisure laid | George Berg | 3 voices |
| 2.10 | Glee | Sogno, ma te non miro | Tommaso Traetta 3rd part added |
3 voices | |
| 2.12 | Glee | Che viva viva San Martino | Christian Joseph Lidarti | 3 voices | |
| 2.16 | Glee | Colla bottiglia in mano | Gioacchino Cocchi | 3 voices | |
| 2.18 | Glee | Punch, an Emblem of the Medium of Life | You ask me, dear Jack, for an emblem that's rife | Thomas Augustine Arne | 3 voices |
| 2.22 | Glee | Bacchanal | Che gran prodigio e il mondo | Gioacchino Cocchi | 2-3 voices and continuo (unfigured) |
| 2.24 | Glee | Fairest Isle, of isles excelling | Henry Purcell 3rd part added |
3 voices | |
| 2.26 | Canon | (First Prize Medal 1763) | Alleluja | William Hayes | 8 equal voices |
| 2.27 | Canon | (Second Prize Medal 1763) | Miserere nobis | William Hayes | 3 voices ATB |
| 2.28 | Canon | Sit nomen Domini benedictum | unattributed | 3 voices ATB | |
| 2.29 | Round | Catch | Occhi stelle stelle mortali | Christian Joseph Lidarti | 3 equal voices |
| 2.30 | Round | Catch | Rural Sports are sweeter far | "altered from Monsr. Le Clerc" | 4 equal voices |
| 2.30 | Round | Catch | Half an hour past twelve o' clock | Giovanni Battista Marella | 4 equal voices |
| 2.31 | Catch | Joan vows (to hearten tim'rous youth) | Samuel Howard | 4 equal voices | |
| 2.32 | Catch | (First Prize Medal 1763) On a Dram |
When is best? said John to Joan | Joseph Baildon | 4 equal voices |
| 2.33 | Catch | Epigram | Not a day more than thirty, dear sir | George Berg | 3 equal voices |
| 2.34 | Catch | The Street Intrigue | Hark you my dear | Thomas Augustine Arne | 3 equal voices |
| 2.35 | Round | Catch | Sù cantiamo, sù beviamo | Christian Joseph Lidarti | 3 equal voices |
| 2.36 | Round | Catch | Beviam godiam godiamo amici | Gioacchino Cocchi | 3 equal voices |
| 2.37 | Catch | Catch of Catches | Jack thou'rt a - come, come, come, come, once more | Giovanni Battista Marella | 3 equal voices |
| 2.38 | Catch | Cry'd Strephon, panting in dear Chloe's arms | Joseph Baildon | 3 equal voices | |
| 2.40 | Catch | Fye what mean you drunken elves | unattributed | 4 equal voices | |
| 2.42 | Catch | The Singing Catch | Do Re Mi Fa Sol | Thomas Augustine Arne | 5 equal voices |
| 2.44 | Catch | The Musical Club | To our Musical Club here's long life and prosperity | Thomas Warren | 3 equal voices |
| 2.44 | Catch | Cantiamo compagni, cantiamo la nota | unattributed | 3 equal voices | |
| 2.45 | Catch | Whoe'er a woman's tongue wou'd still | Giovanni Battista Marella | 3 equal voices | |
| 2.46 | Catch | There stands the wife of jealous Roger | unattributed | 3 equal voices | |
| 2.47 | Catch | Chloe, Chloe yielded, on the morrow, sighing | unattributed (William Hayes) |
3 equal voices | |
| 2.47 | Round | Catch | Dona che un sasso presse | Christian Joseph Lidarti | 3 equal voices |
| 2.48 | Glee | Diletto Amoroso | Treman gli spirti | Christian Joseph Lidarti | 3 voices STB |
| 3.1 | Glee | Say, what flow'r do you design | George Berg | 3 voices | |
| 3.8 | Catch | Epitaph on a Lady | Here lies a lady who if not bely'd | Joseph Baildon | 3 equal voices |
| 3.10 | Catch | (Prize Medal 1764) The Family Quarrel |
Good neighbours, be quiet | Thomas Augustine Arne | 4 equal voices |
| 3.12 | Catch | For the Catch-club at Almack's this Catch I have made | Samuel Long | 3 equal voices | |
| 3.14 | Canon | (Prize Medal 1764) | Resonate Jovem totus Orbis | William Hayes | 3 voices ATB |
| 3.15 | Canon | Help me O Lord | Thomas Augustine Arne | 3 voices SAT | |
| 3.16 | Catch | Lady Fanny | Bewitch'd, Lady Fanny | Thomas Augustine Arne | 4 equal voices |
| 3.18 | Catch | Epitaph on a Blacksmith | My sledge and hammer lie reclin'd | Joseph Baildon | 3 equal voices |
| 3.19 | Canon | Follow my path and I will lead | Thomas Augustine Arne | 3 voices SSB | |
| 3.20 | Canon | Canon Four in Two (Prize Medal 1764) |
Let the words of my mouth | Richard Woodward | 4 equal voices |
| 3.22 | Madrigal | Glee | The nightingale, the organ of delight | Thomas Weelkes | 3 voices |
| 3.25 | Catch | Quoth Roger to Nelly, suppose I were dead | Richard Woodward | 4 equal voices | |
| 3.26 | Canon | Canon Eight in Two | Glory be to the Father | Marmaduke Overend | 8 voices SSAATTBB, continuo ad lib. |
| 3.28 | Glee | The Love Rapture | Fair the op'ning lily blows | Thomas Augustine Arne | 4 voices |
| 3.32 | Glee | (Prize Medal 1764) | Where'er you tread your foot shall set | Samuel Long | 3 voices |
| 3.36 | Catch | For three Ladies | Ye heav'ns, if innocence deserves your care | Joseph Baildon | 3 equal voices |
| 3.37 | Glee | (Prize Medal 1764) | Compagni amor lasciate | George Berg | 3 voices |
| 3.40 | Glee | Quel bel vermiglio che le labbra inostra | Christian Joseph Lidarti | 3 voices | |
| 3.42 | Catch | Adam catch'd Eve by the furbelow | Joseph Baildon | 3 equal voices | |
| 4.1 | Glee | Swell the song in strains sublime | George Berg | 3 voices | |
| 4.5 | Glee | O my Clarissa, thou cruel fair | Jonathan Battishill | 3 voices | |
| 4.7 | Glee | Bever voglio | Christian Joseph Lidarti | 3 voices | |
| 4.10 | Glee | (Prize Medal 1765) | Which is the properest day to drink | Thomas Augustine Arne | 4 equal voices |
| 4.13 | Canon | Canon Nine in One (Prize Medal 1765) |
Beatus vir | Juan Bautista Bruguera i Morreras | 9 voices SSSAATTBB |
| 4.18 | Glee | Amidst the myrtles as I walk | Jonathan Battishill | 5 voices SATTB | |
| 4.20 | Canon | Canon Four in One | Hosanna in excelsis | George Berg | 4 voices SATB |
| 4.21 | Canon | (Prize Medal 1765) | Come follow me to the greenwood tree | William Hayes | 3 equal voices |
| 4.23 | Glee | Viva viva, questo claretto | Christian Joseph Lidarti | 4 voices SSBB | |
| 4.26 | Round | Catch | See, Phillis, yonder bow'r | Jonathan Battishill | 3 equal voices |
| 4.27 | Catch | The Call to Battle and fond Adieu | Sound, sound the trumpet | Thomas Augustine Arne | 4 equal voices |
| 4.28 | Catch | Epitaph | Here lie as dead as any stones | Luffman Atterbury | 4 equal voices |
| 4.29 | Catch | My heart, once light as a feather | unattributed | 3 equal voices | |
| 4.30 | Catch | But thirty years Tom liv'd, 'tis true | Jonathan Battishill | 3 equal voices | |
| 4.31 | Glee | (Prize Medal) | Si beviam, beviam vezzosa Dori | George Berg | 3 voices |
| 4.35 | Catch | The Parting Catch | Adieu, good night, the best of friends must part | Charles Thomas | 3 equal voices |
| 4.36 | Catch | On Menander | On thy sweet lips | unattributed | 3 equal voices |
| 4.37 | Catch | Jack, I hear you're good at pinking | Charles Lampe | 4 equal voices | |
| 4.39 | Catch | Cornus proclaims aloud his wife's a whore | George Berg | 4 equal voices | |
| 4.41 | Catch | Don't you know the wife of honest Jack | Luffman Atterbury | 3 equal voices | |
| 4.41 | Catch | Fair Ursley, in a merry mood, consulted her Physician | George Berg | 3 equal voices | |
| 5.1 | Glee | Blind Mans Buff an Allusion to Love |
The sport is an emblem of love | Thomas Augustine Arne | 3-4 voices |
| 5.8 | Glee | Epigram from Anacreon | For Agathon in fighting fields renown'd | Thomas Norris | 4 voices |
| 5.10 | Glee | Beviam' o dori | George Berg | 3 voices | |
| 5.14 (66) | Glee | (Prize Medal 1766) | When gay Bacchus fills my breast | Joseph Baildon | 3 voices |
| 5.18 | Glee | (Prize Medal 1766) | Già riede prima vera | Thomas Augustine Arne | 3 voices |
| 5.22 (119) | Madrigal | Glee | Fair Phillis I saw sitting all alone | Thomas Morley | 4 voices SSTB |
| 5.27 (84) | Elegy | On the Death of the Duke of Cumberland Glee |
O'er William's tomb, with silent grief opprest | Thomas Norris | 4 voices |
| 5.30 | Canon | In friendship, wine and am'rous play | Thomas Augustine Arne | 3 voices | |
| 5.32 | Canon | Canon Four in Two (Prize Medal 1766) |
Ombre a mene a mi che piante | Thomas Augustine Arne | 4 voices SATB |
| 5.34 | Catch | The Amorous Parley (Prize Medal 1766) |
Don't, don't, don't push | Edward Mulso | 4 equal voices |
| 5.34 | Catch | The contrary to strait is what I propose | unattributed | 4 equal voices | |
| 5.35 | Catch | Says my Lord to his Lady as together they sat | Joseph Baildon | 3 equal voices | |
| 5.36 | Catch | The Weeders | Joan marching forth | Thomas Augustine Arne | 4 equal voices |
| 5.38 | Glee | You know where you did despise t'other day my little eyes, little legs and little thighs | unattributed | 3 voices | |
| 5.39 | Catch | With horns and hounds in chorus | Luffman Atterbury | 3 equal voices | |
| 5.40 | Catch | Bob Cherry | Stout Hodge, with an amorous gripe | Thomas Augustine Arne | 3 equal voices |
| 5.42 | Catch | (Prize Medal 1766) | Dite carlo quante botte | Thomas Augustine Arne | 3 equal voices |
| 6.1 | Glee | (Prize Medal 1767) | The longitude, the longitude mist on | Benjamin Cooke | 3 voices |
| 6.9 | Catch | Tell me, ye pow'rs | Samuel Webbe | 3 equal voices | |
| 6.10 | Glee | Attend, attend, ye sons of mirth | Samuel Webbe | 3 voices | |
| 6.13 | Round | Epitaph Catch |
Here rests his head upon the lap of earth | William Flackton | 3 equal voices |
| 6.14 | Glee | Lay that fallen garland by thee | Luffman Atterbury | 3 voices | |
| 6.17 | Glee | Dolci miei sospiri | George Berg | 3 equal voices | |
| 6.17 | Round | Catch | I love my Fanny with all my soul | unattributed | 3 equal voices |
| 6.18 | Glee | Bacchus, Jove's delightful boy | Thomas Norris | 3 voices ATB | |
| 6.22 | Catch | I love to be merry and wise | Samuel Webbe | 4 equal voices | |
| 6.24 | Canon | Canon Four in Two | I said I will take heed unto my ways | Thomas Norris | 4 equal voices |
| 6.26 | Madrigal | Glee | How merrily we live | Michael East | 3 voices |
| 6.29 | Catch | (Prize Medal) | The moon and woman in these points agree | Samuel Webbe | 3 equal voices |
| 6.30 | Catch | Questo vetro di vin rosso | George Berg | 3 equal voices | |
| 6.31 | Catch | Joan said to John when he stopt her t'other day | Luffman Atterbury | 3 equal voices | |
| 6.32 | Glee | When love and friendship wake the soul | James Green | 3 voices | |
| 6.37 | Glee | Ye happy fields unknown to noise and strife | Thomas Norris | 4 voices | |
| 7.1 | Glee | Lover, lover thou must be presuming | Benjamin Cooke | 3 voices | |
| 7.6 | Catch | (Prize Medal 1768) | Dear Jenny I love you by this and by this | Thomas Augustine Arne | 3 equal voices |
| 7.8 | Glee | The Unconscionable | Is the Devil in you? | Thomas Augustine Arne | 3 voices |
| 7.10 | Catch | If Eve in her innocence cou'd not be blam'd | Samuel Webbe | 3 equal voices | |
| 7.12 | Glee | Can you tell me, can you tell me what I think? | George Berg | 4 voices | |
| 7.17 | Glee | Epitaph. On the tombstone of Thomas Tallis at Greenwich who died Nov. 23. 1585 | Interred here doth lye a worthy wyght | Benjamin Cooke | 4 voices SATB |
| 7.28 | Catch | A batchelor wou'd have a wife that's wise | Samuel Webbe | 3 equal voices | |
| 7.29 | Glee | Elegiac. On seeing the celebrated K. F--r in her Coffin |
Alas what boast hath blooming youth | Henry Harington | 3 voices |
| 7.31 | Glee | (Prize Medal 1768) | Fill the bowl with rosy wine | John Dyne | 3 voices |
| 7.34 | Glee | (Prize Medal 1768) | A gen'rous friendship no cold medium knows | Samuel Webbe | 5 voices SATTB |
| 7.36 | Glee | Hail lovely shade, where my love-stricken mind | Charles Jenner | 3 voices | |
| 7.39 | Catch | One a penny, two a penny, hot cross buns | Luffman Atterbury (or Benjamin Cooke?) |
3 equal voices | |
| 7.40 | Canon | (Prize Medal 1768) | From everlasting to everlasting thou art God | Samuel Webbe | 3 equal voices |
| 7.42 | Catch | (Prize Medal 1768) (Catch in two parts) |
Quando, quando le serpe annosa Gia che il vediamo |
Gioacchino Cocchi | 3 equal voices 4 equal voices |
| 7.44 | Glee | Smiths are good fellows | John Cobb | 3 voices | |
| 7.47 | Canon | My beloved is mine and I am his | Thomas Augustine Arne | 3 voices | |
| 7.48 | Glee | To soften care and sweeten life | Thomas Augustine Arne | 4 voices | |
| 8.1 | Catch | The Canvas | A canvassing squire | Luffman Atterbury | 3 equal voices |
| 8.2 | Catch | The maid, the maid's with child | Thomas Augustine Arne | 3 equal voices | |
| 8.4 | Canon | Let mirth abound, come drink around | Thomas Augustine Arne | 4 equal voices | |
| 8.6 | Catch | The Toast | Give the toast, give the toast my brave boys | James Hook | 3 equal voices |
| 8.6 | Glee | Elegy. From Shakespear's Cymbeline | Fear no more the heat of the sun | James Nares | 3 voices, continuo |
| 8.12 | Canon | (Prize Medal 1769) | Glory be to the Father and to the Son | Pieter Hellendaal | 5 voices SSABB |
| 8.14 | Glee | (Prize Medal 1769) | A cruel fate hangs threat'ning | Theodore Aylward | 3 voices |
| 8.16 | Catch | The Cock-Match | I'll back the mealy grey for five or more | Benjamin Cooke | 4 equal voices |
| 8.17 | Catch | What shall I do? my Kate's unkind | unattributed | 4 equal voices | |
| 8.18 | Canon | I will magnify thee O God | Samuel Webbe | 3 equal voices | |
| 8.20 | Glee | Elegy. On the Death of Mr. Shenstone | Come Shepherds we'll follow the hearse | Thomas Augustine Arne | 4 voices |
| 8.24 | Catch | (Prize Medal 1769) | Ancient Phillis has new graces | Charles Jenner | 3 equal voices |
| 8.25 | Catch | Push, push about the bottle | Luffman Atterbury | 3 equal voices | |
| 8.26 | Madrigal | Flora gave me fairest flowers | John Wilbye | 5 voices SSATB | |
| 8.30 | Catch | As Roger, as Roger was sitting one evening with Nan | unattributed | 3 equal voices | |
| 8.31 | Catch | Sweet enslaver, can you tell | Luffman Atterbury | 3 equal voices | |
| 8.32 | Catch | Here's a health, a health to old Brown | unattributed | 3 equal voices | |
| 8.33 | Catch | On an old woman's alarm to a society who were regaling themselves when the inundation happen'd at Chelsea | Sirs, sirs, the Serpentine River is coming up stairs | unattributed | 3 equal voices |
| 8.34 | Glee | (Prize Medal 1769) | Make haste to meet the gen'rous wine | Thomas Augustine Arne | 4 voices |
| 8.45 | Round | Catch | Have you never seen the man in the streets | Elton | 3 equal voices |
| 9.1 | Glee | (Prize Medal 1770) | To all lovers of harmony | James Nares | 3 voices |
| 9.6 | Canon | Canon Four in Two | Hallelujah Amen | Thomas Norris | 4 equal voices |
| 9.8 | Glee | (Prize Medal 1770) | Hail ever-pleasing solitude! | George Berg | 4 voices SATB |
| 9.11 | Glee | Cupid no more shall give me grief | John Dyne | 3 voices | |
| 9.14 | Catch | (Prize Medal 1770) | Alzate O Porte i vostri capi | unattributed | 4 equal voices |
| 9.17 | Glee | If the prize you mean to get | Benjamin Cooke | 4 voices | |
| 9.20 | Catch | See, see the jolly god appears | unattributed | 4 equal voices | |
| 9.23 | Catch | Molto spesso Signorina, l'altra notte | Giovanni Battista Cirri | 3 equal voices | |
| 9.24 | Madrigal | Glee | Within an arbour | Thomas Morley | 4 voices SSAB |
| 9.30 | Glee | To Cynthia | Sister of Phaebus, gentle Queen of aspect mild | unattributed | 5 voices AATTB |
| 9.35 | Catch | The Comical Fellows (Prize Medal 1770) | Sir you, sir you are a comical fellow | William Bates | 3 equal voices |
| 9.36 | Catch | From flow'ry meads a roving bee, her thighs with honey laden | unattributed | 3 equal voices | |
| 9.37 | Catch | Hodge told Sue he lov'd her as his life | Luffman Atterbury | 3 equal voices | |
| 9.38 | Catch | Oh Doctor, Oh Doctor, I'm terrified out of my wits | unattributed | 3 equal voices | |
| 9.39 | Round | Catch | Divine Cecilia, goddess, heav'nly maid | unattributed | 3 equal voices |
| 9.40 | Catch | Love, love, like other little boys | unattributed | 3 equal voices | |
| 10.1 | Glee | Epitaph. On Henry Purcell, in St. Peter's Westminster | Applaud so great a guest, celestial powers | Mary Hudson | 5 voices SSATB |
| 10.3 | Glee | Epitaph | Here lies the body of Sir John Frye | unattributed (possibly Samuel Pegge Jr.) | 4 voices |
| 10.4 | Canon | (Prize Medal 1771) | Iddio e quel che mi cinge | Samuel Webbe | 3 equal voices |
| 10.5 | Glee | Gently hear me, charming fair | unattributed | 3 voices | |
| 10.7 | Glee | Too plain, dear youth, too plain | Joah Bates | 4 voices SATB | |
| 10.10 | Glee | In Vino Veritas | Round, round with the glass, boys | Benjamin Cooke | 3 voices |
| 10.14 | Glee | Epitaph. On the grave stone of Dr. William Child in the choir at Windsor |
Go, happy soul, and in the seats above | Robert Hudson | 5 voices SSATB |
| 10.16 | Glee | Belinda's sparkling wit and eyes | Samuel Webbe | 3 voices | |
| 10.20 | Glee | (Prize Medal 1771) | Come bind my hair, ye wood-nymphs fair | Jonathan Battishill | 3 voices |
| 10.26 | Catch | Zouns, Hodge, what the devil is here? | unattributed | 3 equal voices | |
| 10.28 | Glee | (Prize Medal 1771) | How sleep the brave who sink to rest | Benjamin Cooke | 4 voices SATB |
| 10.32 | Glee | Happy are we met, happy have we been | unattributed | 3 voices | |
| 10.33 | Catch | Come hither, come hither my pretty maid | John Worgan | 3 equal voices | |
| 10.34 | Glee | Rondeau | Thou'rt gone away | Charles Jenner | 3 voices |
| 10.36 | Madrigal | Glee | Lady, when I behold the roses sprouting | John Wilbye | 6 voices SSATTB |
| 10.41 | Catch | Here's a health to all honest men | John Alcock Sr. | 3 equal voices | |
| 10.41 | Catch | Come hither my merry boys all in a ring | John Worgan | 3 equal voices | |
| 10.42 | Catch | (Prize Medal 1771) | As Colin one evening walk'd out to the grove | unattributed | 3 equal voices |
| 10.43 | Catch | The Cobbler | Tom Cobler, mending of a shoe, put in his awl | unattributed | 3 equal voices |
| 10.44 | Catch | As Joan, lamenting her good man | unattributed | 3 equal voices | |
| 11.1 | Glee | On May Morning | Now the bright morning star, day's harbinger | George Berg | 4 voices |
| 11.6 | Catch | In life, my friend, 'tis wise to keep | François-Hippolyte Barthélémon | 3 equal voices | |
| 11.8 | Glee | Epitaph. On a Musician's Tomb | O thou whose notes cou'd oft remove | William Harington | 3 voices |
| 11.10 | Glee | Canzonet | Stay, shepherd, stay, I prithee stay | John Stafford Smith | 4 voices SATB |
| 11.17 | Catch | The Arrival at Bath | Hark, hark, ding ding ding ding, my Lord's come in | William Harington | 3 equal voices |
| 11.18 | Glee | (Prize Medal 1772) | Discord, discord, dire sister of the slaught'ring pow'r | Samuel Webbe | 4 voices |
| 11.22 | Canon | (Prize Medal 1772) | Like as the hart desireth the water brooks | John Alcock Sr. | 4 voices SATB, continuo |
| 11.24 | Glee | (Prize Medal 1772) | Jolly Bacchus, Jolly Bacchus, hear, hear my pray'r | Francis Hutcheson | 3 voices |
| 11.30 | Canon | Canon Four in Two | Diliges dominum deum tuum | Richard Woodward | 4 voices SSTB |
| 11.32 | Glee | Sleep, sleep poor youth | John Stafford Smith | 4 voices | |
| 11.37 | Glee | Yet once more, o ye laurels | George Berg | 4 voices | |
| 11.41 | Catch | On a Scolding Wife | Mills, thunder, hammers, lay your noise | Peter Valton | 4 equal voices |
| 11.42 | Catch | Let's drink, let's drink, drink boys | Francis Hutcheson | 3 equal voices | |
| 11.43 | Catch | Says Sue to Prue on a summer's day | Garrett Colley Wellesley Mornington | 3 equal voices | |
| 11.44 | Catch | Dear Hans, Hans, dear Hans to end your doubts | Francis Hutcheson | 3 equal voices | |
| 11.45 | Catch | Laughing Catch | I cannot sing this catch, I shall laugh | Henry Harington | 3 equal voices |
| 11.46 | Catch | (Prize Medal 1772) | One morning Dame Turner's brisk maid Kitty Dyer | James Hook | 3 equal voices |
| 12.1 | Glee | Epitaph. On General Wolfe | Beneath this stone, entomb'd with martial fame | George Berg | 4 voices |
| 12.6 | Glee | (Prize Medal 1773) | In the merry merry month of May | Benjamin Cooke | 4 voices SATB |
| 12.13 | Glee | Elegy (Prize Medal 1773) | Where weeping yews and nodding cypress wave in awful gloom | Francis Hutcheson | 4 voices SATB |
| 12.16 | Madrigal | Glee. The Sailors | We be three poor mariners | Thomas Ravenscroft | 3 voices |
| 12.18 | Glee | Elegy | Weep, weep gentle shepherds, fair Delia is no more | Henry Harington & John Broderip |
5 voices SSATB |
| 12.21 | Glee | To Health | Come rosy Health, celestial maid | Samuel Webbe | 3 voices |
| 12.25 | Catch | The Assignation | Come, where shall we walk, ma'am | Henry Harington | 3 equal voices |
| 12.26 | Canon | Canon Four in Two per Arsin & Thesin (Prize Medal 1773) |
O remember not the sins nor the offences of my youth | John Stafford Smith | 4 voices SATB |
| 12.27 | Catch | On Bishop Atterbury's burying the Duke of Buckingham | I have no hopes, the Duke he says, and dies | John Alcock Sr. | 4 equal voices |
| 12.28 | Glee | Could gold prolong my fleeting, fleeting breath | Francis Hutcheson | 3 voices | |
| 12.32 | Catch | Slaves are they that heap up mountains | John Stafford Smith | 4 equal voices | |
| 12.33 | Catch | Give me the sweet delights of love | Henry Harington | 3 equal voices | |
| 12.34 | Glee | Thy beauteous eyes shine with celestial fire | Samuel Webbe | 5 voices | |
| 12.38 | Canon | Canon Four in Two | Alleluja Amen | William Bates | 4 voices SSTT |
| 12.39 | Canon | Domine non mea | Giovanni Battista Cirri | 3 voices | |
| 12.39 | Catch | A Yawning Catch to affect the Company with | 'Tis humdrum, 'tis mum mum | Henry Harington | 3 equal voices |
| 12.40 | Catch | I want to dress, pray call, pray call my maid | unattributed | 3 equal voices | |
| 12.41 | Catch | Epitaph. On Sally Salisbury (Prize Medal 1773) |
Here flat on her back, but unactive at last | John Stafford Smith | 4 equal voices |
| 12.42 | Catch | The Sports of May | 'Twas on a bright morning, a morning in May | unattributed | 3 equal voices |
| 12.43 | Catch | 'Twixt Dick and Tom, 'twixt Dick and Tom a contest rose, of Doll's or Nancy's legs | unattributed | 3 equal voices | |
| 12.44 | Catch | The Cure of Love | When, when Chloe, when Chloe I confess my pain | François-Hippolyte Barthélémon | 3 equal voices |
| 12.45 | Catch | Three old Women in a Country Church Yard | Look! neighbours, look! here lies poor Thomas Day | Henry Harington | 3 equal voices |
| 12.46 | Catch | A Simile | Have you not in a chimney seen | unattributed | 4 equal voices |
| 13.1 | Glee | (Prize Medal 1774) | Let happy lovers fly where pleasures call | John Stafford Smith | 4 voices |
| 13.10 | Glee | Bacchus to arms, to arms | Francis Hutcheson | 4 voices SATB | |
| 13.17 | Catch | While Adam slept, from him his Eve arose | unattributed | 4 equal voices | |
| 13.18 | Glee | The Bloody Murder & Dying Speech | A full true and purticulur Account The last dying speech and confession |
Samuel Pegge Jr. (unattributed) | 3 equal voices |
| 13.22 | Canon | (Prize Medal 1774) | Who can express the noble works of God! | Samuel Webbe | 3 voices |
| 13.23 | Catch | (Prize Medal 1774) | To the old, to the old, long life and treasure | Samuel Webbe | 3 equal voices |
| 13.24 | Glee | To Sleep | Great god of sleep | Francis Hutcheson | 3 voices |
| 13.28 | Glee | Epitaph. On the late Rev. Mr. Abbot | More with the love than with the fear | Benjamin Cooke | 4 voices |
| 13.34 | Glee | (Prize Medal 1774) | We'll drink and we'll never have done, boys | John Alcock Sr. | 4 voices |
| 13.36 | Catch | Let me alone, O fie upon't, I can't endure ye | unattributed | 4 equal voices | |
| 13.38 | Madrigal | Ah! me, my wonted joys forsake me | Thomas Weelkes | 4 voices | |
| 13.41 | Catch | Why, why then that blush allay | Francis Hutcheson | 3 voices | |
| 13.42 | Glee | Black-ey'd Susan | All in the downs the fleet was moor'd | Francis Hutcheson (arranger) | 3 voices SAB |
| 13.43 | Catch | Jupiter and Semele | Be gone ev'ry doubt and away ev'ry fear | Samuel Webbe | 3 equal voices |
| 13.44 | Canon | Canon Three in One | Young men and maidens, old men and children | unattributed | 3 voices ATB |
| 13.44 | Catch | Epitaph | 'Mongst other folks, here lyes Ned Stokes | John Stafford Smith | 3 equal voices |
| 13.45 | Catch | Epitaph | Here rests little Bridget | John Stafford Smith | 3 equal voices |
| 13.46 | Catch | John Knox, John Knox loves his pipe, his bottle and ease | Garrett Colley Wellesley Mornington | 3 equal voices | |
| 14.1 | Glee | An Image of Pleasure | Solace of life, my sweet companion lyre | Samuel Arnold | 3 voices |
| 14.5 | Catch | There was a certain lady fair | John Stafford Smith | 3 equal voices | |
| 14.6 | Catch | (Prize Medal 1775) | Since Phillis has bubbled and jilted her swain | John Stafford Smith | 3 equal voices |
| 14.6 | Glee | Love and Folly were at play | François-Hippolyte Barthélémon | 3 voices | |
| 14.8 | Glee | Susanna and the two Elders | Fair Susan did her wifehode well mayntayne | Benjamin Cooke | 4 voices SATB |
| 14.13 | Canon | Chloe, new marry'd, looks at men, at men no more | unattributed | 3 voices SSA | |
| 14.14 | Glee | Elegiac. On the Death of Mr. Thompson (Author of The Seasons) |
In yonder grave, in yonder grave a druid lies | Samuel Arnold | 4 voices |
| 14.17 | Glee | Warm southern gales and vernal show'rs | François-Hippolyte Barthélémon | 4 voices | |
| 14.21 | Glee | Friendship, thou dearest blessing | John Alcock Sr. | 4 voices ATTB | |
| 14.24 | Catch | Wine, wine, wine in the morning | François-Hippolyte Barthélémon | 3 equal voices | |
| 14.25 | Catch | I'll live tomorrow, 'tis not wise to say | unattributed | 3 equal voices | |
| 14.26 | Glee | (Prize Medal 1775) | Now I'm prepar'd | Samuel Webbe | 4 voices SATB |
| 14.32 | Madrigal | When all alone my pretty love (Sola soletta i me ne vò cantando) |
Girolamo Conversi | 5 voices SSATB | |
| 14.34 | Canon | Canon by Twofold Augmentation (Prize Medal 1775) |
Amen | Benjamin Cooke | 3 voices ATB |
| 14.34 | Glee | O Fancy, parent of the Muse | John Stafford Smith | 3 voices | |
| 14.37 | Glee | (Prize Medal 1775) | Blest pair of sirens | John Stafford Smith | 5 voices SSATB |
| 14.45 | Catch | See the bowl sparkles, sparkles with wine | Garrett Colley Wellesley Mornington | 4 equal voices | |
| 14.46 | Catch | A Card | The best compliments of Kate upon Roger do await | Samuel Arnold | 3 equal voices |
| 15.1 | Glee | Sweet, sweet Muse, inspire thy suppliant bard | Thomas Augustine Arne | 4 voices ATTB | |
| 15.6 | Glee | Serious Glee (Prize Medal 1776) |
You gave me your heart t'other day | Samuel Webbe | 5 voices SATTB |
| 15.8 | Canon | Canon in the 4th and 8th below | As pants the hart for cooling streams | Samuel Arnold | 3 voices SAB |
| 15.9 | Glee | Now the bright morning star, day's harbinger | Benjamin Cooke | 4 voices | |
| 15.14 | Madrigal | Fair sweet cruel, why doest thou fly me | Thomas Ford | 4 voices SSTB | |
| 15.18 | Glee | (Prize Medal 1776) | While fools their time in stormy strife employ | John Stafford Smith | 4 voices ATTB |
| 15.22 | Glee | Tread soft, ye lovers | unattributed | 3 voices | |
| 15.24 | Catch | Quaker's Wedding | Sister! sister! oh say, dost thou | Henry Harington | 3 equal voices |
| 15.25 | Canon | (Prize Medal 1776) | Nos autem gloriario portet | unattributed | 3 voices |
| 15.26 | Glee | Roundelay | Your two eyn will sle me sodenly | John Stafford Smith | 3 voices ATB |
| 15.28 | Catch | Fill me a bumper from the bowl | Samuel Webbe | 3 equal voices | |
| 15.29 | Catch | Epitaph | Here lies honest Ned, because he is dead | Theodore Aylward | 5 equal voices, glass or bell ad lib. |
| 15.30 | Glee | As on a summer's day, in the greenwood shade I lay | John Stafford Smith | 4 voices | |
| 15.37 | Catch | Wine, wine, wine is the source of all my joy | Samuel Webbe | 3 equal voices | |
| 15.38 | Round | A Parody on the celebrated fragment of Sappho to Lesbia ("Blest as the immortal gods is he") | Curst! curst as the evil one is he | Benjamin Cooke | 4 equal voices |
| 15.40 | Canon | Canon Three in One | Praise the Lord O my soul | John Stafford Smith | 3 voices |
| 15.41 | Catch | The Maid's Wish (Prize Medal 1776) |
When first that I was wed, said Kate | Garrett Colley Wellesley Mornington | 3 equal voices |
| 15.41 | Round | Come, my hearts, let's now be merry | John Hilton | 3 equal voices | |
| 15.42 | Round | On the Conflux of the two Rivers the Rhone and the Soane at Lions | She soft and meek | Benjamin Cooke | 3 equal voices |
| 16.1 | Glee | A favorite Glee | Pretty warbler, cease to hover | Samuel Webbe | 5 voices SATTB |
| 16.6 | Glee | What is life and all its pride if love and pleasure be deny'd | Garrett Colley Wellesley Mornington | 3 voices | |
| 16.10 | Glee | Soon as the genial Spring renews the shade | John Alcock Sr. | 5 voices SATTB | |
| 16.12 | Glee | (Prize Medal 1777) | Return, blest days, return ye laughing hours | John Stafford Smith | 4 voices |
| 16.16 | Glee | Poculum poculum elevatum | Thomas Augustine Arne | bass solo, ATTB chorus | |
| 16.19 | Ode | Occasional Ode (Premium 1777) |
O come, ye fair, while blooming May | Benjamin Cooke | 4 voices SATB |
| 16.24 | Ode | To May | Pale April with her childish eye | Garrett Colley Wellesley Mornington | 4 voices SSAB |
| 16.33 | Catch | Round with the glass | Luffman Atterbury | 4 equal voices | |
| 16.34 | Glee | (Prize Medal 1777) | Rise my joy | Samuel Webbe | 4 voices |
| 16.36 | Glee | 'Midst silent shades and purling streams | John Stafford Smith | 4 voices | |
| 16.39 | Glee | Hark! hark the lark at heav'ns gate sings | Benjamin Cooke | 4 voices SATB | |
| 16.42 | Canon | (Prize Medal 1777) | Glory be to the Father and to the Son | Samuel Webbe | 5 voices SATBB |
| 16.43 | Canon | Canon per Arsin & Thesin & Augmentation | Alleluja For the Lord God omnipotent reigneth |
John Stafford Smith | 3 voices SAB |
| 16.44 | Madrigal | Turn, Amarillis, to thy swain | Thomas Brewer | 3 voices | |
| 16.46 | Canon | Canon Three in One | O be joyful in the Lord all ye lands | unattributed | 3 voices SAB |
| 16.47 | Catch | The House Maids (Prize Medal 1777) |
As Dolly and Nan were sweeping a room | Garrett Colley Wellesley Mornington | 3 equal voices |
| 16.48 | Catch | On a Girl having a Rabbit to sell | Here's a tale | unattributed | 3 equal voices |
| 16.49 | Round | Come let us drink a health | James Hook | 3 equal voices | |
| 16.50 | Catch | That woman's courage ever has been great is plain | unattributed | 4 equal voices | |
| 16.51 | Air | The Captive Lover | If my mistress fix her eye | Henry Lawes | 3 voices |
| 17.1 | Madrigal | As it fell upon a day in the merry merry month of May | Garrett Colley Wellesley Mornington | 4 voices SATB | |
| 17.8 | Glee | Breathe soft, breathe soft, ye winds | Samuel Webbe | 4 voices | |
| 17.11 | Catch | Once in Arcadia, that fam'd seat of love | John Alcock Jr. | 3 equal voices | |
| 17.12 | Glee | Prithee, foolish boy, give, o'er | Richard John Samuel Stevens | 4 voices ATB | |
| 17.14 | Glee | Hand in hand with fairy grace | Benjamin Cooke | 3 voices, SSATB chorus | |
| 17.23 | Glee | Delightful scene, in which appear at once | Garrett Colley Wellesley Mornington | 3 voices | |
| 17.26 | Glee | (Prize Medal 1778) | Great Bacchus, O aid us to sing thy great glory | Samuel Webbe | 5 voices |
| 17.31 | Glee | The fool that is wealthy is sure of a bride | John Alcock Sr. | 4 voices SATB | |
| 17.35 | Glee | Adieu, ye streams, ye streams that smoothly flow | Luffman Atterbury | 4 voices | |
| 17.38 | Madrigal | An Imitation of Matthew Locke | Come shepherds, come, come away without delay | Garrett Colley Wellesley Mornington | 4 voices SATB |
| 17.44 | Canon | Canon Four in One per Arsin & Thesin (Prize Medal 1778) | O give thanks unto the Lord | John Alcock Sr. | 4 voices SATB |
| 17.45 | Catch | Epitaph | Beneath in the Dust the mouldy old crust | Benjamin Cooke | 3 equal voices |
| 17.46 | Canon | Canon Five in Two | Come unto me, all ye that labour | Samuel Webbe | 5 voices |
| 17.47 | Ode | Occasional Ode (Premium 1778) |
Hail Music, sweet enchantment, hail | Samuel Webbe | 4 voices SATB |
| 17.53 | Madrigal | Glee | Of all the brave birds that ever I see | Nicholas Freeman | 3 voices |
| 17.54 | Catch | A poor soul, poor soul, sat under a sycamore tree | unattributed | 3 equal voices | |
| 17.56 | Catch | (Prize Medal 1778) | As t'other day Susan and Tom trudg'd along | Luffman Atterbury | 3 equal voices |
| 17.57 | Catch | When Bacchus with Venus disputed the prize | Garrett Colley Wellesley Mornington | 3 equal voices | |
| 17.58 | Catch | I've seen, I've seen a boxing match today | Samuel Webbe | 3 equal voices | |
| 17.59 | Round | The night he was wedded quoth Inigo Jones | unattributed | 4 equal voices | |
| 17.60 | Catch | To market goes Joan for a new copper kettle | Samuel Webbe | 3 equal voices | |
| 18.1 | Glee | Abelard | Delusive sightless god of warm desire | Samuel Webbe | 4 voices |
| 18.6 | Glee | Let us, my Lesbia, live and love | John Stafford Smith | 3 voices | |
| 18.8 | Glee | When Daphne smiles I find more light | John Stafford Smith | 4 voices | |
| 18.11 | Glee | On walking in Westminster Abbey | Hail, hail hallow'd Fane | Garrett Colley Wellesley Mornington | 4 voices SATB |
| 18.15 | Glee | (Prize Medal 1779) | Here in cool grot and mossy cell | Garrett Colley Wellesley Mornington | 4 voices SATB |
| 18.19 | Glee | Come, fairest nymph, resume thy reign | Garrett Colley Wellesley Mornington | 3 voices, SATB chorus | |
| 18.24 | Glee | Music's the language of the blest above | Samuel Webbe | 3 voices | |
| 18.28 | Round | The Beggar's Petition | Pity the sorrows of a poor old man | unattributed | 3 equal voices |
| 18.29 | Canon | Canon Four in Two (Prize Medal 1779) |
O Lord in thee have I trusted Let me never be confounded |
William Paxton | 4 voices |
| 18.30 | Canon | Canon Four in Two | O Lord teach us to number our days | unattributed | 4 voices SATB |
| 18.31 | Glee | How sweet! how fresh! this vernal day How sweet, how kind the joyful hours |
Stephen Paxton | 4 voices | |
| 18.34 | Glee | Around the festive board we social join | Samuel Webbe | 4 voices | |
| 18.38 | Madrigal | Whither away so fast | Thomas Morley | 3 voices ATB | |
| 18.42 | Madrigal | Glee | We be soldiers three, pardonnez moi, je vous en prie | Nicholas Freeman | 3 voices |
| 18.44 | Glee | Albion, Albion, thy sea-encircled isle | Benjamin Cooke | 4 voices SATB | |
| 18.46 | Catch | The Tailor and his Wife in full Dress | How many skains of silk and thread? cries Snip | Benjamin Cooke | 3 equal voices |
| 18.47 | Glee | Prithee, fill me the glass till it laugh in my face | Benjamin Cooke | 4 voices SATB | |
| 18.50 | Catch | The Wranglers | Sir, you're a rascal, that ev'ryone knows | John Stafford Smith | 3 equal voices |
| 18.51 | Catch | (Prize Medal 1779) | Some modern wives are happy when their husbands are away | Luffman Atterbury | 3 equal voices |
| 18.52 | Catch | Dear Sally, come hither | unattributed | 3 equal voices | |
| 18.53 | Catch | A tailor and his wife once had a dreadful strife | Garrett Colley Wellesley Mornington | 3 equal voices | |
| 18.54 | Round | Epitaph | Here lyes the body of Anthony White | unattributed | 4 equal voices |
| 18.54 | Catch | Moll wanting to milk, the cow's not to be found | J. Wright | 3 equal voices | |
| 18.55 | Catch | Come Roger, come Roger and Nell, come Simkin and Bell | Samuel Webbe | 3 equal voices | |
| 19.1 | Glee | On a young Lady asleep | When for the world's repose my fairest sleeps | Garrett Colley Wellesley Mornington | 4 voices |
| 19.2 | Glee | Nymph, over thee, over thee, sweet, fair and young | Benjamin Cooke | 4 voices SATB | |
| 19.6 | Glee | O Pan, delight of nymphs and swains | John Stafford Smith | 4 voices | |
| 19.11 | Glee | The Wither'd Rose | Sweet object of the zephyr's kiss | Garrett Colley Wellesley Mornington | 3-4 voices |
| 19.14 | Rondo | Rondeau, from Dido and Aeneas | Fear no danger to ensue | Henry Purcell | 2 voices, SATB chorus, cello (continuo) |
| 19.16 | Glee | In vain I strike the sounding string | Stephen Paxton | 4 voices | |
| 19.20 | Glee | (Prize Medal 1780) | Be gone, be gone dull care | Luffman Atterbury | 4 voices |
| 19.24 | Glee | Oberon | Mark, mortals, mark with awe profound | Garrett Colley Wellesley Mornington | 4 voices SATB |
| 19.31 | Round | Ding ding ding dong bell | Stoner | 4 equal voices | |
| 19.32 | Glee | (Prize Medal 1780) | Oh thou sweet bird | Luffman Atterbury | 4 voices |
| 19.35 | Round | Epitaph | Underneath this mould'ring clay lies Arabella Young | Samuel Webbe | 4 equal voices |
| 19.36 | Canon | Canon Four in Two (Prize Medal 1780) |
O Israel trust in the Lord for with the Lord there is mercy |
William Paxton | 4 voices SATB |
| 19.37 | Madrigal | Orpheus with his lute | Garrett Colley Wellesley Mornington | 4 voices SATB | |
| 19.41 | Catch | Woman, woman, fair object of delight | Samuel Webbe | 3 equal voices | |
| 19.42 | Catch | Epitaph | Poor Cynthia lies beneath, beneath this mournful yew | Samuel Webbe | 3 equal voices |
| 19.43 | Ode | Occasional Ode (Premium 1780) |
When to the muses' haunted hill, their laurel groves | John Stafford Smith | 3-5 voices |
| 19.50 | Catch | (Prize Medal 1780) | Come kiss me, dear Dolly, young Dorilas cry'd | James Hook | 3 equal voices |
| 19.52 | Catch | Quoth Hodge, my fortune's made, I'm in my lady's favour | unattributed | 3 equal voices | |
| 19.53 | Catch | Young Damon knock'd at Celia's door | John Stafford Smith | 3 equal voices | |
| 19.54 | Catch | The Bride and Bridegroom | The doctor slept, and by his side close lay his wife | John Stafford Smith | 4 equal voices |
| 19.55 | Catch | I want to have a habit made, says Jane to tailor John | Luffman Atterbury | 3 equal voices | |
| 20.1 | Glee | Come let us all a-Maying go | Luffman Atterbury | 4 voices | |
| 20.4 | Glee | The Force of Music (Prize Medal 1781) |
When Sappho tun'd the raptur'd strain | John Danby | 3 voices |
| 20.7 | Glee | Son finiti ben mio gl'amati | Felice Giardini | 3 voices | |
| 20.11 | Glee | The Wooden Walls of England | When Britain on her sea-girt shore | Thomas Augustine Arne | 3 voices |
| 20.18 | Glee | Bacchus, sprightly god of wine | Garrett Colley Wellesley Mornington | 4 voices | |
| 20.24 | Glee | May Morning | Arise, my fair one, and receive all the pleasures | James Hook | 4 voices ATTB |
| 20.28 | Glee | On the Death of Major Andre (Prize Medal 1781) |
Round the hapless, the hapless Andre's urn | Stephen Paxton | 4 voices |
| 20.32 | Canon | Canon Three in One | Life is a scene of conteck and distress | John Stafford Smith | 3 voices ATB |
| 20.33 | Round | Che pena ch'affano le varsi a buon ora | Felice Giardini | 3 equal voices | |
| 20.34 | Catch | The Composer's Instructions | Keep good time and tune | unattributed | 3 equal voices |
| 20.35 | Canzonet | Awake, awake my fair, awake | Francis Hutcheson | 3 voices | |
| 20.38 | Glee | The Pedlar | From the fair Lavinian shore | John Wilson | 3 voices |
| 20.40 | Glee | Ah, how gladly we believe (Duet from Diocletian) |
Henry Purcell, arranged | 3 voices | |
| 20.42 | Catch | Hark, hark, see from afar what streams of fire | Samuel Webbe | 5 equal voices | |
| 20.43 | Round | My neighbour has lost his fuddling cap | Benjamin Cooke | 4 equal voices | |
| 20.44 | Glee | Epitaph | Here lies my wife, poor Phillis | Felice Giardini | 4 voices ATTB |
| 20.46 | Catch | I'll do it, but I give you warning, you'll die | unattributed | 4 equal voices | |
| 20.47 | Canon | Canon Four in Two (Prize Medal 1781) |
O all ye works of the Lord | Samuel Webbe | 4 voices SATB |
| 20.48 | Glee | Take, oh take those lips away | John Stafford Smith | 3 voices | |
| 20.50 | Catch | (Prize Medal 1781) | Neighbours, come round me, hear my tale | Samuel Webbe | 3 equal voices |
| 20.51 | Catch | A jolly fat friar said to a lovely nun | Garrett Colley Wellesley Mornington | 3 equal voices | |
| 20.52 | Catch | The Lottery | Dear Kitty, dear Kitty, if you want to try your luck | James Hook | 3 equal voices |
| 20.53 | Catch | Round | The sun again his genial ardor yields | Garrett Colley Wellesley Mornington | 3 equal voices |
| 20.54 | Catch | How I enjoy a country life, free from noise and care and strife | Luffman Atterbury | 3 equal voices | |
| 21.1 | Round | In this fair ville which suits retirement well | John Danby | 4 equal voices | |
| 21.2 | Glee | The Skylark | Go, tuneful bird that glad'st the skies, to Daphne's window | James Hook | 4 voices |
| 21.5 | Glee | Hymn to Harmony | Daughter of Heav'n whose magic call | unattributed | 4 voices |
| 21.11 | Glee | (Prize Medal 1782) | As now the shades of eve | Benjamin Cooke | 4 voices SSAB |
| 21.16 | Canon | Canon Four in Two (Prize Medal) |
Lift up your heads o ye gates | John Danby | 4 voices |
| 21.18 | Madrigal | Down in a valley | John Wilbye | 5 voices SSATB | |
| 21.22 | Glee | How sweet these airs, Anacreon to the mind to us | Benjamin Cooke | 3 voices | |
| 21.24 | Glee | The Request | Gently hear me, gently hear me, charming maid | Garrett Colley Wellesley Mornington | 3 voices |
| 21.27 | Glee | (Prize Medal 1782) | See what horrid tempests rise | Richard John Samuel Stevens | 4 voices |
| 21.34 | Madrigal | Flora now calleth forth each flow'r | John Stafford Smith | 5 voices SSATB | |
| 21.41 | Madrigal | Canzonett | Canst thou love, canst thou love and lie alone | Thomas Ravenscroft | 4 voices SSAB |
| 21.44 | Glee | Amo amas, I love a lass | unattributed | 3 voices | |
| 21.46 | Glee | Rosy-finger'd goddess, rise, fair Aurora, mount the skies | John Danby | 5 voices SSATB | |
| 21.51 | Catch | (Prize Medal 1782) | My Lady Rantum, indisposed, order'd the knocker to be tied | Samuel Webbe | 4 equal voices |
| 21.52 | Catch | The Cobbler | Stout Richard he stitches away in his stall | James Hook | 3 equal voices |
| 21.53 | Catch | I must perish, must perish or pick up a whore | William Bates | 3 equal voices | |
| 21.54 | Catch | You must go for John Rogers, John Rogers directly to come | Luffman Atterbury | 3 equal voices | |
| 22.1 | Glee | The Huntsman's Roundelay | What shall he have that kill'd the deer? | John Stafford Smith | 4 voices |
| 22.4 | Glee | (Prize Medal 1783) | Awake, awake, Aeolian lyre | John Danby | 4 voices SATB |
| 22.8 | Glee | Tudor and Malvina | Have you seen the virgin snow that tops old Aran's peering brow? | Benjamin Cooke | 4 voices SATB |
| 22.13 | Glee | Upon the poplar bough | Stephen Paxton | 4 voices | |
| 22.16 | Glee | What bright joy can this exceed | Samuel Webbe | 4 voices SATB | |
| 22.20 | Villanella | Ballad | Will you hear how once repining great Eliza captive lay? (Il ladro ch'a la strada v'a rubare) |
Luca Marenzio, arranged | 3 voices |
| 22.22 | Round | Epitaph | Soft tread ye beauteous nymphs | John Stafford Smith | 3 equal voices |
| 22.23 | Glee | (Prize Medal 1783) | Music has pow'r to melt the soul | John Danby | 5 voices SSATB |
| 22.26 | Glee | From peace, from peace and social joy | unattributed | 4 voices SATB | |
| 22.35 | Canon | Canon Three in One | Come unto me, all ye that labor | John Stafford Smith | 3 voices |
| 22.36 | Catch | The Glee (Prize Medal 1783) |
Ye Muses, ye Muses inspire me | Stephen Paxton | 3 equal voices |
| 22.38 | Glee | Sweet thrush, sweet thrush that makes the vernal year | John Danby | 4 voices SATB | |
| 22.44 | Glee | Ye spotted snakes with double tongue | Richard John Samuel Stevens | 4 voices SATB | |
| 22.48 | Round | When I with rapture view my charming fair | John Danby | 3 equal voices | |
| 22.49 | Canon | (Prize Medal 1783) | To thee all angels cry aloud | Samuel Webbe | 5 voices SSATB |
| 22.50 | Glee | When gen'rous wine expands my soul | John Danby | 3 voices | |
| 22.53 | Round | I charge ye, O Daughters of Jerusalem | John Hilton | 3 equal voices | |
| 22.54 | Catch | Thomas was very kind to Jane | Samuel Webbe | 4 equal voices | |
| 23.1 | Glee | What shall he have that kill'd the deer? | Richard John Samuel Stevens | 4 voices | |
| 23.4 | Glee | Oh, Sov'reign of the willing soul | John Wall Callcott | 4 voices ATTB | |
| 23.10 | Glee | Slender's Ghost | Beneath a churchyard yew decay'd and worn with age | Michael Rock | 4 voices SATB |
| 23.13 | Glee | When winds breathe soft | Samuel Webbe | 5 voices SATTB | |
| 23.23 | Glee | (Prize Medal 1784) | The fragrant painting of the flow'ry fields | Samuel Webbe | 4 voices SATB |
| 23.30 | Glee | Again, again the balmy Zephyr blows | John Danby | 4 voices | |
| 23.34 | Canon | Canon Four in Two inverted | Amen Alleluja | Adrian Willaert | 4 voices SATB |
| 23.35 | Glee | Invocation to Love (Prize Medal 1784) |
Blest pow'r | Stephen Paxton | 4 voices AATB |
| 23.43 | Glee | Wherefore burn with vain desires, few the things that life requires | Richard John Samuel Stevens | 5 voices | |
| 23.48 | Canon | Thought on Death (Prize Medal 1784) |
And why my soul so loth to take thy flight | John Danby | 4 voices AAAB |
| 23.50 | Glee | Happy, happy are they whom bounteous, bounteous heav'n | Stephen Paxton | 4 voices SATB | |
| 23.52 | Catch | (Prize Medal 1784) | When youthful Harriet first her love display'd | Samuel Webbe | 3 equal voices |
| 23.53 | Catch | One winter's night by kitchen fire, the servant girls and Ned | Luffman Atterbury | 3 equal voices | |
| 23.54 | Catch | Your sister politely has sent for me down | Samuel Webbe | 3 equal voices | |
| 24.3 | Glee | (In honor of Handel) | Sweet Muse, who lov'st the virgin Spring | Richard John Samuel Stevens | 4-5 voices |
| 24.8 | Glee | (Prize Medal 1785) | Dull repining sons of care | John Wall Callcott | 4 voices |
| 24.13 | Glee | Go thou, gentle whisp'ring wind | Luffman Atterbury | 4 voices | |
| 24.16 | Canon | Canon Four in Two (Prize Medal 1785) |
Blessed is he that considereth the poor | John Wall Callcott | 4 voices SATB |
| 24.17 | Glee | The Answer to Turn Amarillis | Go, Damon, go | Stephen Paxton | 4 voices |
| 24.21 | Canon | Canon Eight in Three | Agnus Dei | Paolo Agostini | 8 voices SSAATTBB, continuo |
| 24.24 | Glee | Thee, the voice, the dance obey | John Wall Callcott | 4 voices SATB | |
| 24.31 | Glee | O nightingale, that on yon bloomy spray | Richard John Samuel Stevens | 5 voices SSATB | |
| 24.34 | Glee | (Prize Medal 1785) | The nightingale who tunes her warbling notes so sweet | John Danby | 5 voices SATTB |
| 24.38 | Catch | Sir Timothy mounted the chace to pursue | unattributed | 4 equal voices | |
| 24.40 | Glee | High on a mountain's lofty brow | John Wall Callcott | 3 voices | |
| 24.44 | Glee | Sonnet, spoke in the Character of Werter | Make there my tomb beneath the lime-tree's shade | Stephen Paxton | 4 voices |
| 24.49 | Catch | My fav'rite swain the other day would kiss me in his am'rous play | Samuel Webbe | 3 equal voices | |
| 24.50 | Catch | Clarinda is jocose and witty and has in former days been pretty | Samuel Webbe | 3 equal voices | |
| 24.51 | Catch | (Prize Medal 1785) | A beauteous fair has pierc'd my heart | John Wall Callcott | 3 equal voices |
| 24.52 | Catch | A wife! O gods! how blest the man | Stephen Paxton | 3 equal voices | |
| 24.53 | Catch | A Sentiment | Here's love, peace, and unity | John Wall Callcott | 3 equal voices |
| 24.54 | Catch | Says Nan, says Nan, just come on shore | Luffman Atterbury | 3 equal voices | |
| 25.1 | Glee | Ye vales and woods, fair scenes of happier hours | John Danby | 5 voices SATTB | |
| 25.8 | Glee | Farewell to Lochaber, and farewell my Jean | John Wall Callcott | 3 voices | |
| 25.9 | Round | Her partial taste, whene'er I touch'd the lyre | Benjamin Cooke | 3 equal voices | |
| 25.10 | Canon | (Prize Medal 1786) | Bow down thine ear O Lord | John Wall Callcott | 4 voices AAAB |
| 25.11 | Glee | Fly me not, O lovely maid | Samuel Webbe Jr. | 5 voices SATTB | |
| 25.14 | Glee | Madrigal | Hark, hark the birds melodiously sing | Thomas Linley Jr. | 5 voices SSATB |
| 25.20 | Madrigal | Glee | Since first I saw your face | Thomas Ford | 4 voices |
| 25.22 | Glee | (Prize Medal 1786) | It was a lover and his lass | Richard John Samuel Stevens | 5 voices SSATB |
| 25.25 | Glee | Oh love, how swift thy fairest prospects fade | John Wall Callcott | 5 voices AATTB | |
| 25.29 | Glee | Crown'd with roses let us quaff the gen'rous liquor | John Danby | 4 voices AATB | |
| 25.36 | Canon | Canon Four in Two | Thou Lord hast been a defence unto the poor | John Wall Callcott | 4 voices SATB |
| 25.39 | Glee | Ode to Spring | Hail, hail blushing goddess | Stephen Paxton | 4 voices |
| 25.46 | Glee | (Prize Medal 1786) | The fairest flow'rs the vale prefer | John Danby | 3 voices ATB |
| 25.49 | Catch | The Stock Jobbers | Consols! consols! well, what d'ye do? I'll sell ten thousand | Richard John Samuel Stevens | 5 equal voices |
| 25.50 | Catch | (Prize Medal 1786) | On a summer's morning early, Dorcas and her daughter gay | John Wall Callcott | 3 equal voices |
| 25.51 | Catch | Whene'er my dame a-hedging goes, she gets a little prick between her toes | John Wall Callcott | 3 equal voices | |
| 25.52 | Catch | Epitaph for the first Lord Wharton ... | Here I Thomas Wharton do lie | Luffman Atterbury | 4 equal voices |
| 25.53 | Round | An Israelite there was, I've heard | John Wall Callcott | 3 equal voices | |
| 25.54 | Catch | As Dick, returning from the fair | John King | 3 equal voices | |
| 26.3 | Glee | Who has peerless Kitty seen? | Robert Cooke | 4 voices SATB | |
| 26.10 | Glee | When Daphne dy'd the Sylvans sighed sore | John Wall Callcott | 5 voices SAATB | |
| 26.16 | Glee | Lawless o'er the yielding wire | William Rock | 4 voices SATB | |
| 26.22 | Canon | (Prize Medal 1787) | Thou shalt shew me the path of life | John Wall Callcott | 4 voices SATB |
| 26.24 | Glee | (Prize Medal 1787) | Now the bright morning star, day's harbinger | Robert Greville | 5 voices SSATB |
| 26.32 | Glee | In awfull pause while heav'ns revenge is slow | John Wall Callcott | 5 voices AATBB | |
| 26.38 | Ode | (Premium 1787) | When Beauty's soul-attracting charms | John Danby | 4 voices AATB |
| 26.48 | Glee | (Prize Medal 1787) | Whann Battayle smethynge wythe new quickenn'd gore | John Wall Callcott | 4 voices ATTB |
| 26.52 | Catch | Nymph to my suit propitious prove | John King | 3 equal voices | |
| 26.53 | Catch | A maiden prude at noon of life | Samuel Webbe | 3 equal voices | |
| 26.54 | Catch | (Prize Medal 1787) | A rough country priest paid his amorous vows | John King | 3 equal voices |
| 26.55 | Catch | The Water Doctor | O great and learned doctor, to you from far I'm come | unattributed | 3 equal voices |
| 27.1 | Glee | When Delia strikes the trembling strings | John Danby | 4 voices ATTB | |
| 27.5 | Glee | By mason's art, the aspiring dome in various columns shall arise | Benjamin Cooke | 3 voices ATB | |
| 27.8 | Glee | To wipe the tear from sorrow's eye | Samuel Webbe | 4 voices SATB | |
| 27.10 | Glee | Epitaph on William Lawes ... | Concord is conquered | Robert Cooke | 5 voices SATTB |
| 27.14 | Glee | Awake my muse, awake my lyre | John Danby | 5 voices | |
| 27.18 | Canon | (Prize Medal 1788) | O Lord shew us thy mercy | Samuel Webbe | 5 voices SATBB |
| 27.19 | Glee | Sigh no more, ladies | Richard John Samuel Stevens | 5 voices | |
| 27.24 | Glee | On the British Navy | Where'er thy navy spreads her canvas wings | Benjamin Cooke | 3 voices |
| 27.27 | Catch | (Prize Medal 1788) | We'll drink t'other glass and we'll drink to the fair | John King | 3 equal voices |
| 27.24 | Glee | To Elliot's health let the glass go round | Benjamin Cooke | 3 voices | |
| 27.30 | Glee | Sweet is the soft, the sunny breeze | Samuel Webbe | 5 voices SATTB | |
| 27.32 | Catch | I'm a toper gay when drinking | John Danby | 4 equal voices | |
| 27.33 | Glee | The Sigh | Gentle air, thou breath of lovers | Luffman Atterbury | 4 voices |
| 27.36 | Glee | Whence comes my love | Michael Rock | 5 voices SSATB | |
| 27.42 | Glee | (Prize Medal 1788) | Swiftly, swiftly from the mountain's brow | Samuel Webbe | 4 voices SATB |
| 27.48 | Catch | Once a quarrel fell out between Thomas and Molly | Robert Greville | 3 equal voices | |
| 27.49 | Catch | Keep off, keep off, coy Daphne cried | Samuel Webbe | 3 equal voices | |
| 27.50 | Catch | Ha! see yon pretty milliner come tripping through the streets | John King | 3 equal voices | |
| 27.51 | Catch | The Frugal Wife | Oh fie! Oh John! no debts you pay | Samuel Webbe | 3 equal voices |
| 28.1 | Glee | (Prize Medal 1789) | Go, idle boy, I quit thy bow'r | John Wall Callcott | 4 voices ATTB |
| 28.7 | Glee | While I listen to thy voice | Robert Cooke | 3 voices ATB | |
| 28.12 | Madrigal | Cor mio deh non languire | Alessandro Scarlatti | 5 voices AAAAB or SSSST | |
| 28.20 | Glee | Ye gentle Muses, leave your chrystal spring | James Hook | 4 voices | |
| 28.25 | Glee | (Prize Medal 1789) | Oh thou where'er (thie bones att reste) thie Spryte | John Wall Callcott | 4 voices SATB |
| 28.30 | Canon | (Prize Medal 1789) | Oh that thou would'st hide me in the grave | John Wall Callcott | 4 voices SATB |
| 28.33 | Ode | Occasional Ode | Come, oh come, etherial guest | Stephen Paxton | 4 voices |
| 28.41 | Canon | Canone Enimmatico (unrealized) Canon (realized) [BWV 1074] |
(no text) Alleluja |
Johann Sebastian Bach | 4 voices SATB |
| 28.42 | Glee | Pur nel sonno almen talora vien | John Wall Callcott | 4 voices | |
| 28.44 | Catch | (Prize Medal 1789) | Have you Sir John Hawkins' hist'ry? | John Wall Callcott | 3 equal voices |
| 28.45 | Catch | The Monument of Queen Elizabeth | The body of great Elizabeth lies here | James Hook | 3 equal voices |
| 28.46 | Catch | You look down in the mouth, quoth Thomas to Nell | John King | 3 equal voices | |
| 28.48 | Catch | Tom kisses the book when to th'Justice he goes | John King | 3 equal voices | |
| 28.49 | Glee | The Sky Lark | Sweet bird that proclaim'st the return of the day | James Hook | 3 equal voices |
| 29.2 | Glee | (Prize Medal 1790) | O voi che sospirate | John Wall Callcott | 5 voices AATBB |
| 29.8 | Madrigal | Glee | How oft the heathen poets did Apollo famous praise | William Byrd | 5 voices SATTB |
| 29.10 | Glee | Hail, happy Albion, Queen of Isles! | John Wall Callcott | 5 voices AATTB | |
| 29.16 | Glee | Halcyon days, now wars are ending | Benjamin Cooke | 4 voices ATTB | |
| 29.22 | Canon | (Prize Medal 1790) | Call to remembrance, O Lord | John Wall Callcott | 4 voices SATB |
| 29.24 | Catch | The Lord May'r, the Lord May'r, the Aldermen | James Green | 4 equal voices | |
| 29.25 | Catch | Epitaph | Here lies poor Toby, poor Toby | James Green | 3 equal voices |
| 29.26 | Glee | Are the white hours forever fled | John Wall Callcott | 4 voices ATTB | |
| 29.32 | Glee | (Prize Medal 1790) | Non fidi al Mar che freme | Samuel Webbe | 3 voices ATB |
| 29.36 | Catch | The haughty wife of Jove in jealous state | John Wall Callcott | 3 equal voices | |
| 29.38 | Glee | I prithee, sweet, to me be kind | Benjamin Cooke | 3 voices | |
| 29.40 | Catch | Ciocche fate non mi piace | John Wall Callcott | 3 equal voices | |
| 29.42 | Canon | Canon Four in Two | The Lord hear thee in the day of trouble | John Wall Callcott | 4 voices SATB |
| 29.46 | Catch | Imperial Rome, the mistress of the world, Caesar and Pompey | John Wall Callcott | 3 equal voices | |
| 29.47 | Round | Sciogliero le mie catene | John Wall Callcott | 3 equal voices | |
| 29.48 | Catch | (Prize Medal 1790) | Juliet is pretty, she has charms to boast | Samuel Webbe | 3 equal voices |
| 29.49 | Catch | Altho' you're a cuckold, a cuckold | James Green | 3 equal voices | |
| 30.3 | Glee | O snatch me swift, snatch me swift from these tempestuous scenes | John Wall Callcott | 5 voices SATBB | |
| 30.13 | Glee | (Prize Medal 1791) | O salutaris hostia | John Danby | 4 voices SATB |
| 30.17 | Glee | ... on the premature death of the Hon. Phillip Carteret at the age of 19 | Why flows, why flows the Muses' mournful tear | Reginald Spofforth | 5 voices |
| 30.20 | Glee | Hence, hence, avaunt! 'tis holy ground | Jacob Cubitt Pring | 5 voices SATTB | |
| 30.26 | Catch | (Prize Medal 1791) | Tom, metaphysician, Herodotus reading, neglects all the ladies | John Wall Callcott | 4 equal voices |
| 30.28 | Glee | (Prize Medal 1791) | Triumphant Love, with roseate garlands crown'd | John Wall Callcott | 4 voices |
| 30.34 | Glee | In this recess, this melancholy shade | Reginald Spofforth | 4 voices | |
| 30.40 | Canon | (Prize Medal 1791) | I am well pleas'd that the Lord hath heard | John Wall Callcott | 4 voices SATB |
| 30.44 | Glee | The lark that shuns on lofty boughs to build her nest | John Danby | 3 voices ATB | |
| 30.47 | Catch | Alas, cry'd Damon, wishing for a wife | John Wall Callcott | 3 equal voices | |
| 30.49 | Glee | Sound, sound, O Muse, the Theban jars | Jacob Cubitt Pring | 4 voices ATTB | |
| 31.3 | Glee | As I wove, with wanton care, fillets, fillets for a virgins hair | Jacob Cubitt Pring | 4 voices | |
| 31.10 | Canon | (Prize Medal 1792) | O Israel, return unto the Lord your God | John Wall Callcott | 4 voices SATB |
| 31.13 | Round | Epitaph | She who lies here, the fair and young | John Wall Callcott | 4 equal voices |
| 31.14 | Glee | (Prize Medal 1792) | Father of heroes | John Wall Callcott | 5 voices |
| 31.23 | Glee | No April can revive the wither'd flow'rs | Samuel Webbe | 5 voices SATBB | |
| 31.27 | Madrigal | Glee | No April can revive the wither'd flow'rs (Vorria morire per uscir di guai) |
Hubert Waelrant, adapted | 4 voices SATB |
| 31.30 | Catch | How charming the fair one I love and admire | John Wall Callcott | 4 equal voices | |
| 31.31 | Glee | Come, O haste thee, beauteous Spring | Jacob Cubitt Pring | 5 voices SSATB | |
| 31.42 | Glee | Stay, stay, lovely Laura, stay | Benjamin Cooke | 3 voices | |
| 31.46 | Catch | (Prize Medal 1792) | Tell me what healing med'cine can I find | Samuel Webbe | 3 equal voices |
| 31.46 | Catch | O how charming here is walking, bosoms warming | John Wall Callcott | 4 equal voices | |
| 31.48 | Glee | Chloe found Amyntas lying all in tears upon the plain | Jacob Cubitt Pring | 5 voices | |
| 31.52 | Catch | In vain, in vain you would blow up the fire of love | Samuel Webbe | 3 equal voices | |
| 31.53 | Glee | (Prize Medal 1792) | See, see, with ivy chaplet bound | John Wall Callcott | 3 voices |
| 31.56 | Catch | Surly Giles's old cat was shut out of the house | Samuel Webbe | 3 equal voices | |
| 32.3 | Glee | O Harmony, sweet minstrel of the spheres | Jacob Cubitt Pring | 5 voices SATTB | |
| 32.10 | Canon | Canon Four in Two | Praise the Lord, O my soul | John Wall Callcott | 4 voices SATB |
| 32.12 | Catch | If the man who turnips cries | Benjamin Cooke | 3 equal voices | |
| 32.14 | Glee | Love, love delights, love delights the giddy lad | Samuel Webbe | 4 voices | |
| 32.19 | Catch | In all her steps, in each enchanting eye | John Wall Callcott | 3 equal voices | |
| 32.20 | Glee | Thyrsis, who feeds the virgins fleecy train | Jacob Cubitt Pring | 5 voices | |
| 32.26 | Glee | (Prize Medal 1793) | Where, where are those hours on rosy pinions borne | Reginald Spofforth | 4 voices SATB |
| 32.33 | Catch | A member of the modern great pass'd Sawney with his budget | Jacob Cubitt Pring | 3 equal voices | |
| 32.34 | Glee | Epitaph on a late Member of the Club | To a friend so sincere, to a comrade so gay | Robert Cooke | 3-5 voices |
| 32.40 | Canon | (Prize Medal 1793) | Christ being raised from the dead | John Wall Callcott | 4 voices SATB |
| 32.42 | Glee | Epitaph on Sir John Calf | All people now in your behalf | John Wall Callcott | 4 voices |
| 32.47 | Catch | Poor Nicky Markham's by his sons distrest | Samuel Webbe | 4 equal voices | |
| 32.48 | Glee | (Prize Medal 1793) | See, see smiling from the rosy east, the harbinger of day | Reginald Spofforth | 3 voices |
| 32.54 | Catch | (Prize Medal 1793) | Nature for defence affords fins to fish, wings to birds | Benjamin Cooke | 3 equal voices |
| 32.56 | Glee | Viva, viva la Padrona tutta bella | George Spencer-Churchill | 3 voices |
