Waltz for Chopin (Drehmer, Earl Richard)

Composition Year	1971
Genre Categories	Waltzes; Dances; For piano; Scores featuring the piano; For 1 player

Performances

Synthesized Performance
*#887975 - 40.60MB - 2:08 - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 9×⇩ - MP4 - Pseudotonal

MP4 file (audio/video)
Pseudotonal (2023/12/12)

Publisher Info.	Earl Richard Drehmer, 2012.
Performers	Finale 2008
Copyright	Creative Commons Zero 1.0 [tag/del]
Misc. Notes	score performed by Finale, recorded by Audacity, video created with Windows Movie Maker
Purchase	Javascript is required for this feature.

Synthesized Performance
*#887974 - 1.50MB - 1:38 - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 7×⇩ - MP3 - Pseudotonal

MP3 file (audio)
Pseudotonal (2023/12/12)

Publisher Info.	Earl Richard Drehmer, 2012.
Performers	Finale 2008
Copyright	Creative Commons Zero 1.0 [tag/del]
Misc. Notes	score performed by Finale and recorded by Audacity
Purchase	Javascript is required for this feature.

Complete Score
*#887973 - 0.12MB, 2 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 39×⇩ - Pseudotonal

PDF typeset by composer
Pseudotonal (2023/12/12)

Publisher. Info.	Earl Richard Drehmer, 2012.
Copyright	Creative Commons Zero 1.0 [tag/del]
Misc. Notes	notated in Finale
Purchase	Javascript is required for this feature.

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Work Title	Waltz for Chopin
Alternative. Title	Choppin'
Composer	Drehmer, Earl Richard
I-Catalogue NumberI-Cat. No.	IED 76
Key	C major
Year/Date of CompositionY/D of Comp.	1971
First Performance.	2012/07/07
First Publication.	2012
Average DurationAvg. Duration	1.6 minutes
Composer Time PeriodComp. Period	Modern
Piece Style	Modern
Instrumentation	piano
Extra Information	The subtitle is a reference to the chopping effect of continuous parallel 6ths. In this early piece you can find what have become some of my favorite devices: step-wise motion in the main melody line in spite of the harmony; non-traditional, even dissonant, harmony that functions somewhat as traditional harmony (with resolutions); chromaticism; a chaos section; no exact repeats of sections; odd note spellings to make them more readable or to fit the theoretical scheme; contrary motion in polyphonic lines.