Violin Sonata, Op.11 No.1 (Hindemith, Paul)

This work has been identified as being in the public domain in Canada and the United States, as well as countries where the copyright term is life+50 years. However, this work is not in the public domain in countries where the copyright term is life+70 years (including all EU countries), unless an exception (such as the rule of the shorter term) applies. Works still protected by copyright can only be used with the permission of the copyright holder. See public domain for details.
This work may not be in the public domain in all countries. Please check the copyright laws of your country.

Movements/SectionsMov'ts/Sec's 2 parts (3rd movement as fragment)
Composition Year 1918 May (-1919?)
Genre Categories Sonatas; For violin, piano; Scores featuring the violin; Scores featuring the piano; For 2 players

Contents

Performances

Sheet Music

Scores and Parts

Complete (Nos.1-2)

 Complete Score
#310219 - 0.91MB, 12 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/34 - 1970×⇩ - Cypressdome

PDF scanned by Madcapellan
Cypressdome (2014/1/5)

 Violin Part
#310220 - 0.28MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/34 - 2425×⇩ - Cypressdome

PDF scanned by Madcapellan
Cypressdome (2014/1/5)

Editor First edition
Publisher. Info. Mainz: B. Schott's Söhne, No.1918, 1921. Plate 30595.
Copyright
Public Domain - Non-PD EU [tag/del/mrg]
Misc. Notes 600dpi. Originally uploaded to the U.S. server by user Daphnis.
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 Complete Score (CA)
#445616 - 1.46MB, 14 pp. -  0.0/10 2 4 6 8 10 (-) - C*/72*/74* - Sallen112

PDF scanned by Sallen112
Sallen112 (2016/11/1)

 Violin Part (CA)
#445617 - 0.49MB, 5 pp. -  0.0/10 2 4 6 8 10 (-) - C*/72*/74* - Sallen112

PDF scanned by Sallen112
Sallen112 (2016/11/1)

Editor Kurt von Fischer (1913-2003)
Ludwig Finscher (1930-)
Peter Cahn (1927-2016)
Publisher. Info. Paul Hindemith: Sämtliche Werke, Band V,6 (PHA 506):
Streicherkammermusik III (und Solostimmen) (pp.1-14 (3-7))
Mainz: B. Schott’s Söhne, 1976. Plate B.S.S. 43589.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Public Domain - See notes on copyright status for urtext editions, Non-PD EU [tag/del/mrg]
Misc. Notes Includes 1921 original copyright claim. 600 dpi. Page size is 10.67 x 14.763 inches.
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Nicht zu schnell, sehr markiert (No.3)

 Complete Score (Fragment) (CA)
#445618 - 0.41MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - C*/72*/34* - Sallen112

PDF scanned by Sallen112
Sallen112 (2016/11/1)

 Violin Part (Fragment) (CA)
#445619 - 0.11MB, 1 pp. -  0.0/10 2 4 6 8 10 (-) - C*/72*/34* - Sallen112

PDF scanned by Sallen112
Sallen112 (2016/11/1)

Editor Kurt von Fischer (1913-2003)
Ludwig Finscher (1930-)
Peter Cahn (1927-2016)
Publisher. Info. Verey: Foundation Hindemith, 1977.
Paul Hindemith: Sämtliche Werke, Band V,6 (PHA 506):
Streicherkammermusik III (und Solostimmen) (pp.187-190 (62))
Mainz: B. Schott’s Söhne, 1976. Plate B.S.S. 43589.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Public Domain - See notes on copyright status for urtext editions, Non-PD EU [tag/del/mrg]
Misc. Notes 600 dpi. Page size is 10.67 x 14.763 inches. This is the 3rd movement fragment. Believe this is eligible in Canada for upload because of the first performance date of the original work.
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Free Recordings

(first work in a concert with works by Hindemith, Fauré, Sibelius, Hindemith starts at 00:58 or so into the video.)
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General Information

Work Title Violin Sonata
Alternative. Title Sonate in Es fĂĽr Klavier und Violine
Composer Hindemith, Paul
Opus/Catalogue NumberOp./Cat. No. Op.11 No.1
I-Catalogue NumberI-Cat. No. IPH 176
Key E-flat major
Movements/SectionsMov'ts/Sec's 2 parts (3rd movement as fragment):
1. Erster Teil:
Frisch/Ein wenig ruhiger - FleiĂźend -
Ruhig/Lebhaft/Ruhiger - Lebhaft - Wie am Anfang
2. Zweiter Teil:
Im ZeitmaĂź eines langsamen, feierlichen Tanzes -
Bewegter - Ins erste ZeitmaĂź ĂĽbergehen
3. Nicht zu schnell, sehr markiert
Year/Date of CompositionY/D of Comp. 1918 May (-1919?)
First Performance. 1919-06-02 in Frankfurt am Main
Adolf Rebner (violin), Emma LĂĽbbecke-Job (piano)
First Publication. 1921 – Mainz: B. Schott's Söhne
Dedication Doktor LĂĽbbecke's gewidmet [Fried LĂĽbbecke and Emma LĂĽbbecke-Job]
Average DurationAvg. Duration 10 minutes
Composer Time PeriodComp. Period Modern
Piece Style Modern
Instrumentation violin, piano
External Links Hindemith Foundation

Navigation etc.

  • Referred to by Hindemith as "Sonatine" in his war diary. Numbered Op.11 No.2 in manuscript. Hindemith consistently referred to the piece as "fĂĽr Klavier und Violine." Occasionally referred to as his violin sonata "No.1" in some older sources, but never by Hindemith himself.
-Paul Hindemith: A Research and Information Guide
  • The 3rd movement began work apparently in late May 1918; surviving fragment possibly as late as March 1919; published only in SW.
-Paul Hindemith: A Research and Information Guide
"E-flat major" is an artifact of this site's standardizations but is an inaccurate way to describe this work (or most works by Hindemith after a certain point in this career) - ES
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