Violin Concerto in C minor, RV 199 (Vivaldi, Antonio)

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Publisher Info. Dillon Upton
Performers Dillon Upton
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Sheet Music

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Publisher. Info. Manuscript, n.d.(1716-1730).
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Misc. Notes Schrank II coll. RISM 212000132.
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Editor Angelo Ephrikian (1913-1982)
Publisher. Info. Le Opere di Antonio Vivaldi, Vol.I, Tomo 4
Milano: G. Ricordi & C., 1947. Plate P.R. 233.
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This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

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Misc. Notes scan: score scanned at 600dpi (High Quality Scanning)
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Editor Felix Schroeder (1908–1976)
Publisher. Info. Leipzig: Eulenburg, n.d.
Reprinted New York: E.F. Kalmus, n.d.(1933–70). Catalog A7836.
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Misc. Notes Full Score is 10x13 scan.
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Editor Fernand Oubradous (1903-1986)
Publisher. Info. Paris: Editions Musicales Transatlantiques, 1958. Plate E.M.T. 487.
URTEXT EDITION [more...]

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Editor Mario Bolognani
Publisher. Info. Rome: Baroquemusic.it, 2016.
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Misc. Notes Source of Concerto “Il Sospetto” RV 199 is the autograph of the score, Fondo Giordano, Volume 34 (p. 141r-150v), Bi­blioteca Nazionale Universitaria, Torino. Caption title, upper side: “Con[cer]to Il Sospetto / Del Vivaldi”.
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Parts

5 more: Violins I • Violins II • Violas • Cellos/Basses • Harpsichord

Editor Felix Schroeder (1908–1976)
Publisher. Info. Leipzig: Eulenburg, n.d.
Reprinted New York: E.F. Kalmus, n.d.(1933–70). Catalog A7836.
Copyright
Misc. Notes Parts are 10x13 scans.
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5 more: Violins I • Violins II • Violas • Cellos/Basses • Continuo (Harpsichord)

Editor Mario Bolognani
Publisher. Info. Rome: Baroquemusic.it, 2016.
Copyright
Misc. Notes Source of Concerto “Il Sospetto” RV 199 is the autograph of the score, Fondo Giordano, Volume 34 (p. 141r-150v), Bi­blioteca Nazionale Universitaria, Torino. Caption title, upper side: “Con[cer]to Il Sospetto / Del Vivaldi”.
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General Information

Work Title Violin Concerto in C minor
Alternative. Title Il sospetto
Name Translations Violin concerto in C minor (RV 199) "Il Sospetto"
Name Aliases Vivaldi, Antonio, 1678-1741. Concerto, violin & string orchestra, F. I, 2, C minor; Vivaldi, Antonio, 1678-1741. Concertos, violin, string orchestra, F. I, 2, C minor; Vivaldi, Antonio, 1678-1741. Sigh; Vivaldi, Antonio, 1678-1741. Concertos, violin, string orchestra, P. 419, C minor; Vivaldi, Antonio, 1678-1741. Repose, RV 199; [2 more...]Vivaldi, Antonio, 1678-1741. Sospetto; Vivaldi, Antonio, 1678-1741. Concertos, violin, string orchestra, R. op. 51, no. 3, C minor
Authorities WorldCat; VIAF: 132144783010214766929; LCCN: n82216212
Composer Vivaldi, Antonio
Opus/Catalogue NumberOp./Cat. No. RV 199
I-Catalogue NumberI-Cat. No. IAV 430
Key C minor
Movements/SectionsMov'ts/Sec's 3 movements
  1. Allegro
  2. Andante
  3. Allegro
Year/Date of CompositionY/D of Comp. 1720 ca.?
Average DurationAvg. Duration 8–10 minutes
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation violin, strings, continuo
Manuscript Sources Early 20th century copy
External Links All Music Guide

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Middle movement (or an idea from it?) apparently the same(?) as that of the aria Amato ben from La verita in cimento?

1720 ca. according to Cesare Fertonani (1992), Antonio Vivaldi: la simbologia musicale nei concerti a programma (Pordenone: Edizioni studio tesi), p.46.

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