Vergin tutto amor (Durante, Francesco)

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Performances

Recordings

For Voice and Piano (Valls)

MP3 file (audio)
Free Pianist (2016/11/9)

Performer Pages Héctor Valls (Piano)
Publisher Info. Héctor Valls
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Misc. Notes Piano accompaniment only.
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Naxos

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Sheet Music

Scores

PDF scanned by Unknown
JKhkJHA9kjglkj (2019/1/8)

Publisher. Info. Paris: Durand, n.d.(ca.1874).
Copyright
Misc. Notes Echos d'Italie. 6 volume. Les maîtres italiens des XVII° et XVIII° siècles.
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Arrangements and Transcriptions

For Voice and Piano

PDF scanned by Unknown
JKhkJHA9kjglkj (2018/11/6)

Publisher. Info. New York: Schirmer, 1894. Plate 41573.
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For Voice and Piano (Płonka)

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Urszulita (2021/2/19)

Arranger Płonka
Publisher. Info. Płonka, 2021.
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For Voice and Piano

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nlendic (2009/5/7)

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nlendic (2009/5/7)

Editor Niksa Lendic
Publisher. Info. Edition Lendic
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For Viola or Violin and Piano (Ritter)
See: Bel Canto, No.3
For Organ

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Ronia (2016/2/15)

Editor Ronia
Publisher. Info. Ronia
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General Information

Work Title Vergin tutto amor
Alternative. Title
Composer Durante, Francesco
I-Catalogue NumberI-Cat. No. IFD 28
Librettist Lorenzo Pagans?
Language Italian
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation voice, continuo

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According to Dietz, in Grove Music, "Two popular ‘arias by Durante’, which persistently appear even in modern anthologies of Italian songs, Danza, danza fanciulla and Vergin tutt’ amore, are nothing but solfeggios to which texts and elaborate piano accompaniments were added in the 19th century." It is unclear whether the original would have had an accompaniment part; in Grove's work list, some of Durante's solfeggi have continuo accompaniment, others do not. Tagged as having a continuo accompaniment for now, but this is obviously subject to correction.

"Vergin tutt' amor" (thus!) ("Vergin tutto amor" is grammatically incorrect, although Vergin tutta amor is acceptable), initially published without even a title as a wordless solfeggio (tempo Andante in D minor) with a bass continuo accompaniment in Solfeges d'Italie,1772 no.128 to which text and harmony first time anonymously appeared only in Echos d'Italie vol.6,1874. In modern form with the romantic piano accompaniment it was published by A.Parisotti (1853-1913) in Arie Antiche