Trio in D major, F.47 (Bach, Wilhelm Friedemann)

Movements/SectionsMov'ts/Sec's 3 Movements
Composition Year 1740 ca. (not later than ca.1763; see below)
Genre Categories Sonatas; Trios; For 2 flutes, continuo; Scores featuring the flute; Scores with basso continuo; For 2 players with continuo

Contents

Performances

Sheet Music

Scores and Parts

 Complete Score
#323465 - 2.65MB, 15 pp. -  0.0/10 2 4 6 8 10 (-) - V/C*/V* - 2554×⇩ - Wilson Music Library

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Wilson Music Library (2014/4/28)

 Flute 1
#323466 - 0.96MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - V*/C*/V* - 923×⇩ - Wilson Music Library

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Wilson Music Library (2014/4/28)

 Flute 2
#323467 - 0.96MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - V*/C*/V* - 529×⇩ - Wilson Music Library

PDF scanned by US-Nau
Wilson Music Library (2014/4/28)

Editor Ary van Leeuwen (1875-1953)
Publisher. Info. Sonate für 2 Flöten und Klavier.
Leipzig: Wilhelm Zimmermann, n.d.(1933). Plate Z. 11582.
Reprinted Frankfurt, n.d.(after 1950). Catalog ZM 1094
Copyright
Public Domain [tag/del/mrg]
Misc. Notes 600 dpi. Mentioned in Acta Musicologica - Volumes 6-7 - Page 45 (1934) as having been published in 1933.
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 Cello
#381834 - 0.05MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 692×⇩ - Waldo

PDF typeset by editor
Waldo (2015/6/14)

Editor Waldo F. Temporal
Publisher. Info. Waldo F. Temporal
Copyright
Creative Commons Attribution-ShareAlike 4.0 [tag/del]
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General Information

Work Title Trio in D major
Alternative. Title Sonata; Trio a 2 Flauti e Cembalo Sigr W. F. Bach (from an early copy)
Composer Bach, Wilhelm Friedemann
Opus/Catalogue NumberOp./Cat. No. F.47 / B13
I-Catalogue NumberI-Cat. No. IWB 52
Key D major
Movements/SectionsMov'ts/Sec's 3 Movements
Year/Date of CompositionY/D of Comp. 1740 ca. (not later than ca.1763; see below)
First Publication. 1933
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation 2 Flutes and Continuo
Manuscript Sources mss copy of the parts, partially anonymous/unknown, partially by F. Baumann
18th-century copy LOC
ca.1763 mss copy by Johann Christian Bach and "Copyist of Halle"

Navigation etc.

Most Baroque works we call "trio sonatas" were (it seems) called "sonatas" by their composers, and absent good evidence that "trio" was a contemporary name for them and not a later attachment, this is how we tag them. The early (18th-century, judges the Library of Congress) copy that does in fact so name it is probably sufficient to the task, though; the ca.1763 copy made partially by his brother Johann Christian, partially by an anonymous Halle copyist, held by S.A. Berlin, even moreso. - Schissel (note: the Zimmermann edition is mentioned as having been used for a concert in 1935 or so, in a contemporary (that is, 1935-or-so) issue of "The Sinfonian of Phi Mu Alpha".)

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