Trio for Flute, Clarinet and Bassoon (Drehmer, Earl Richard)

Contents 1 Performances 1.1 Videos 1.2 Synthesized/MIDI 2 Sheet Music 2.1 Scores 3 General Information 4 Navigation etc.

Performances

• Recordings (0)
• Accompaniments (0)
• Videos (1)
• Synthesized/MIDI (1)

Videos

 Synthesized Performance
*#888439 - 31.53MB - 3:24 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 21×⇩ - MP4 - Pseudotonal

MP4 file (audio/video)
Pseudotonal (2023/12/15)

Publisher Info. Earl Richard Drehmer, 2011. Performers Finale 2008 Copyright Creative Commons Zero 1.0 [tag/del] Misc. Notes score performed by Finale, recorded by Audacity, video created with Windows Movie Maker Purchase Javascript is required for this feature.

Synthesized/MIDI

 Synthesized Performance
*#888438 - 4.12MB - 3:05 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 12×⇩ - MP3 - Pseudotonal

MP3 file (audio)
Pseudotonal (2023/12/15)

Publisher Info. Earl Richard Drehmer, 2011. Performers Finale 2008 Copyright Creative Commons Zero 1.0 [tag/del] Misc. Notes score performed by Finale and recorded by Audacity Purchase Javascript is required for this feature.

Sheet Music

• Scores (1)
• Parts (0)
• Arrangements and Transcriptions (0)
• Libretti (0)
• Other (0)
• Source Files (0)

Scores

 Complete Score
*#888437 - 0.21MB, 6 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 99×⇩ - Pseudotonal

PDF typeset by composer
Pseudotonal (2023/12/15)

Publisher. Info. Earl Richard Drehmer, 2011. Copyright Creative Commons Zero 1.0 [tag/del] Misc. Notes notated in Finale Purchase Javascript is required for this feature.

General Information

Navigation etc.

I began this piece in 1974 as a project for my Music Composition lessons in college. Decades later I found it and finished it. The piece is based on a repeated chromatic chord progression. It's first entrance is in measure 3. The Clarinet holds onto the F# while the Flute rises and the Bassoon descends by half steps. At the end of the piece they contract. I sneaked a few quotes into the fabric of the music: 1. the opening bass line from John Lennon's Come Together 2. the opening oboe line from Bela Bartok's Concerto for Orchestra 4th Movement 3. the first orchestral snippet from Paul McCartney's Live and Let Die 4. the theme of Dmitri Shostakovich's Fugue no. 5 in D Major from the 24 Preludes and Fugues, op. 87.