Trio Sonata in F major, GB-Lam. MS.168 (Pepusch, John Christopher)

Sheet Music

• Scores and Parts (4)
• Arrangements and Transcriptions (1)
• Libretti (0)
• Other (0)
• Source Files (0)

Scores and Parts

 Complete Score
*#377377 - 0.08MB, 6 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 3041×⇩ - Rarus

PDF typeset by editor
Rarus (2015/5/9)

Editor Rarus Publisher. Info. Rarus Copyright Creative Commons Attribution-NonCommercial-ShareAlike 4.0 [tag/del] Misc. Notes see remarks below Purchase Javascript is required for this feature.

 Flute 1
*#505787 - 0.21MB, 3 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 505×⇩ - Celline

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Celline (2017/12/21)

 Flute 2
*#505788 - 0.19MB, 3 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 295×⇩ - Celline

PDF typeset by editor
Celline (2017/12/21)

 Cello
*#505789 - 0.14MB, 2 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 305×⇩ - Celline

PDF typeset by editor
Celline (2017/12/21)

Editor Celline Publisher. Info. Celline Copyright Creative Commons Attribution-NonCommercial-ShareAlike 4.0 [tag/del/mrg] Purchase Javascript is required for this feature.

Arrangements and Transcriptions

For 3 Violins (Rarus)

 Complete Score
*#377378 - 0.08MB, 6 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 845×⇩ - Rarus

PDF typeset by arranger
Rarus (2015/5/9)

Arranger Rarus Publisher. Info. Rarus Copyright Creative Commons Attribution-NonCommercial-ShareAlike 4.0 [tag/del] Purchase Javascript is required for this feature.

General Information

Navigation etc.

The typeset #377377 follows the edition Schott & Co. Ltd. London 1942, which bears the only editorial remark »Edited by MARYLIN WAILES from a manuscript in Christ Church Library, Oxford«. The instrumentation is 2 treble recorders and violoncello (i.e. basso continuo). The bass has no figures. Editorial additions (articulation, trills, phrasing) are omitted here. – According to RISM (see Mss Sources above) the same composition is to be found in a manuscript in the Royal Academy of Music, London, here declared an organ piece. The high register of the second part and the fact that in the London source the bass is figured prompt the conclusion that the recorder version is the original.