Tríptico Floral (Siccardi, Honorio)

This work has been identified as being in the public domain in Canada, as well as countries where the copyright term is life+50 years. However, this work is probably still protected by copyright in the United States, as well as in countries where the copyright term is life+70 years (including all EU countries), unless an exception applies. See public domain for details.
This work may not be in the public domain in all countries. Please check the copyright laws of your country.

Sheet Music

Scores

PDF scanned by Proyecto Honori...
Proyecto H. Sic... (2026/2/13)

Publisher. Info. Buenos Aires: Publicaciones de la Comisión nacional de cultura, 1944.
Copyright
Misc. Notes De la Antología de compositores argentinos - Fasículo VI - Compositores contemporáneos
Purchase
Javascript is required for this feature.

Javascript is required to submit files.

General Information

Work Title Tríptico Floral
Alternative. Title
Composer Siccardi, Honorio
Internal Reference NumberInternal Ref. No. None [force assignment]
Movements/SectionsMov'ts/Sec's 3 piezas:
1. Flor de tuna
2. Flor de durazno
3. Flor de ceibo
Year/Date of CompositionY/D of Comp. 1940
First Performance. 1940
First Publication. 1944
Librettist Justo G. Dessein Merlo (1893 — 1956)
Language Spanish, Italian
Average DurationAvg. Duration 2.00 minutes
Composer Time PeriodComp. Period Early 20th century
Piece Style Modern
Instrumentation voice, piano
Extra Information Editado por la Comisión Nacional de Cultura en 1944 (incluye versión en italiano). La obra se interpretó cuatro veces en los Conciertos del Grupo Renovación (1940–1941), siempre con Gabriela Moner (voz): dos con Donato Oscar Colacelli (piano) y dos con Orestes Castronuovo (piano). El registro sonoro más antiguo localizado hasta el momento corresponde a una transmisión de 1983 por LS5 Radio Rivadavia, con Roberto Britos (tenor) y Susana Bonora (piano); el programa se presentó bajo el título Antología de la música argentina para canto y piano, con locución de Antonio Carrizo sobre textos de Rodolfo Arizaga. En 1954, el autor realizó un arreglo para voz, arpa, órgano, piano y cuerdas.

Navigation etc.

An ongoing project is currently underway to survey, study, systematize, and enhance the value of the musical scores preserved at the Archivo Histórico Musical “Honorio Siccardi”, located in the city of Dolores, Province of Buenos Aires, Argentina. This work is being carried out collaboratively by the Equipo de archivo y estudio, composed of María Gabriela Siccardi, Ana María Otero, Lucio Bruno-Videla, Sebastián Arancibia Navarro, and Gerardo Delgado. The aim of this project is to preserve, document, undertake a critical review, and disseminate the work of Honorio Siccardi, respecting historical sources and promoting public access to his music.