Toccate e partite d'intavolatura, Libro 2 (Frescobaldi, Girolamo)

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Movements/SectionsMov'ts/Sec's 40 pieces
Composition Year 1627 or before
Genre Categories Toccatas; Partitas; Canzonas; Magnificats; Religious works; Vespers; Galliards; Dances; Courantes; For organ; Scores featuring the organ; For 1 player; For harpsichord; Scores featuring the harpsichord

Contents

Performances

Recordings

Selections

 Toccata quarta per l'organo da sonarsi alla levatione, F 3.04
#248643 - 6.12MB - 6:40 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 2506×⇩ - MP3 - Rob Peters

MP3 file (audio)
Rob Peters (2012/8/30)

 Toccata sesta sopra i pedali per l'organo e senza, F 3.06
#248644 - 6.89MB - 7:31 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 1120×⇩ - MP3 - Rob Peters

MP3 file (audio)
Rob Peters (2012/8/30)

Publisher Info. Rob Peters
Performers Rob Peters (organ)
Copyright
Creative Commons Attribution Non-commercial Share Alike 3.0 [tag/del]
Misc. Notes Live-performance june 2 2002, H. Family Church, Landgraaf (Netherlands)
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 Toccata prima, F 3.01 (EU)
#731129 - 4.95MB - 3:48 -  0.0/10 2 4 6 8 10 (-) - V/68/V - 129×⇩ - MP3 - Lucas-coelho

MP3 file (audio)
Lucas-coelho (2021/9/12)

 Aria detta la Frescobalda, F 3.32 (EU)
#731130 - 6.42MB - 4:50 -  0.0/10 2 4 6 8 10 (-) - V/68/V - 213×⇩ - MP3 - Lucas-coelho

MP3 file (audio)
Lucas-coelho (2021/9/12)

Performer Pages Sylvia Marlowe (harpsichord)
Publisher Info. Capitol Records, 1956. P 8336.
Copyright
Public Domain - Non-PD US [tag/del]
Misc. Notes Source: Internet Archive
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TN-PMLP332078-02.01. Sonata In D Minor (L. 423)-586.png

Naxos

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Synthesized/MIDI

Selections

 Canzona prima, F3.13
#323966 - 0.01MB - 3:02 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 96×⇩ - MID - Hamstray

MID file (audio/video)
Hamstray (2014/5/5)

Publisher Info. Clemens Unterkofler
Performers Synthesized MIDI
Copyright
Creative Commons Attribution-ShareAlike 4.0 [tag/del]
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Sheet Music

Scores

1637 Revision

 Complete Score
#110973 - 14.83MB, 90 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 7609×⇩ - Irishmaestro

PDF scanned by F-Pn
Irishmaestro (2011/7/26)

 Complete Score (colour)
#323535 - 115.25MB, 98 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 661×⇩ - Irishmaestro

PDF scanned by D-Mbs
Irishmaestro (2014/4/30)

 Complete Score (monochrome)
#323534 - 4.21MB, 90 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 1060×⇩ - Irishmaestro

PDF scanned by D-Mbs
Irishmaestro (2014/4/30)

 Complete Score (reprint)
#388449 - 28.94MB, 99 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 387×⇩ - Vangi

PDF scanned by Daniel Van Gilst
Vangi (2015/8/5)

Editor Revised edition
Engraver Nicolo Borbone (fl.1618-1641)
Publisher. Info. Roma: Nicolò Borbone, 1637.
Reprinted Firenze: Edizioni Scelte, 1978 (#388449)
Copyright
Public Domain [tag/del/mrg]
Misc. Notes Bayerische Staatsbibliothek, Munich (D-Mbs): RISM A/I: F 1867
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 Complete Score
#39822 - 7.32MB, 99 pp. -  0.0/10 2 4 6 8 10 (-) - C*/V*/V* - 13987×⇩ - ctesibius

PDF scanned by uploader
ctesibius (2009/9/22)

Editor Pierre Pidoux (1905-2001)
Publisher. Info. Kassel: Bärenreiter, 1949. Plate BA 2204.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Public Domain [tag/del]
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Toccatas (from 1627 edition)

 Complete Score
#10811 - 8.18MB, 51 pp. -  0.0/10 2 4 6 8 10 (-) - V*/V/V* - 5729×⇩ - Arturo

PDF scanned by Unknown
Arturo (2007/7/26)

⇒ 4 more: Nos.1-2 • Nos.3-5 • Nos.6-8 • Nos.9-12

 Nos.1-2
#06987 - 10.58MB, 13 pp. -  0.0/10 2 4 6 8 10 (-) - V*/V/V* - 3111×⇩ - NachoBA

PDF scanned by Unknown
NachoBA (2007/6/4)

 Nos.3-5
#06988 - 12.04MB, 12 pp. -  0.0/10 2 4 6 8 10 (-) - V*/V/V* - 1468×⇩ - NachoBA

PDF scanned by Unknown
NachoBA (2007/6/4)

 Nos.6-8
#06989 - 10.38MB, 10 pp. -  0.0/10 2 4 6 8 10 (-) - V*/V/V* - 1383×⇩ - NachoBA

PDF scanned by Unknown
NachoBA (2007/6/4)

 Nos.9-12
#06998 - 15.10MB, 16 pp. -  0.0/10 2 4 6 8 10 (-) - V*/V/V* - 1714×⇩ - NachoBA

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NachoBA (2007/6/4)

Editor Fernando Germani (1906-1998)
Publisher. Info. Roma: Casa Musicale A. de Santis, 1951. Plate E.D.S. 491.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Public Domain [tag/del/mrg]
Misc. Notes Includes Toccata per organo, D minor (Vatican Library).
Cleaned scan, and prepared for printing. (#10811)
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 4 Inni (F 3.19-22)
#413844 - 0.39MB, 16 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 1945×⇩ - editor

PDF typeset by editor
editor (2016/3/3)

Editor Pierre Gouin - Contact
Publisher. Info. Montréal: Les Éditions Outremontaises, 2013
Copyright
Creative Commons Attribution-ShareAlike 4.0 [tag/del]
Misc. Notes Urtext edition after a facsimile of the original publication.
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General Information

Work Title Toccate e partite d'intavolatura, Libro 2
Alternative. Title Il secondo libro di toccate, canzone, versi d'hinni, Magnificat, gagliarde, correnti et altre partite d'intavolatura di cembalo et organo
Composer Frescobaldi, Girolamo
Opus/Catalogue NumberOp./Cat. No. F 3.01-40 ; RISM A/I: F 1866 (1627) and 1867 (1637)
I-Catalogue NumberI-Cat. No. None [force assignment]
Movements/SectionsMov'ts/Sec's 40 pieces (sometimes counted as 39)
  1. Toccata prima, F 3.01 (G minor)
  2. Toccata seconda, F 3.02 (G minor)
  3. Toccata terza per l'organo da sonarsi alla levatione, F 3.03 (D major)
  4. Toccata quarta per l'organo da sonarsi alla levatione, F 3.04 (A major)
  5. Toccata quinta sopra i pedali per l'organo e senza, F 3.05 (G major)
  6. Toccata sesta sopra i pedali per l'organo e senza, F 3.06 (F major)
  7. Toccata settima, F 3.07 (D minor)
  8. Toccata ottava di durezze e ligature, F 3.08 (F major)
  9. Toccata nona, F 3.09 (F major)
  10. Toccata decima, F 3.10 (D minor)
  11. Toccata undecima, F 3.11 (G minor)
  12. Ancidetimi Pur' d'Arcadelt passagiato, F 3.12
  13. Canzona prima, F 3.13
  14. Canzona seconda, F 3.14
  15. Canzona terza, F 3.15
  16. Canzona quarta, F 3.16
  17. Canzona quinta, F 3.17
  18. Canzona sesta, F 3.18
  19. Inno della Domenica, F 3.19
  20. Inno degli Apostoli, F 3.20
  21. Inno Iste confessor, F 3.21
  22. Inno Ave maris stella, F 3.22
  23. Magnificat primi toni, F 3.23
  24. Magnificat secundi toni, F 3.24
  25. Magnificat sexti toni, F 3.25
  26. Aria detta balletto, F 3.26 (8 sections)
  27. Gagliarda prima, F 3.27
  28. Gagliarda seconda, F 3.28
  29. Gagliarda terza, F 3.29
  30. Gagliarda quarta, F 3.30
  31. Gagliarda quinta, F 3.31
  32. Aria detta la Frescobalda, F 3.32
  33. Corrente prima, F 3.33
  34. Corrente seconda, F 3.34
  35. Corrente seconda alio modo, F 3.35
  36. Corrente quarta, F 3.36
  37. Corrente quinta, F 3.37
  38. Corrente sesta, F 3.38
  39. Partite sopra ciaccona, F 3.39*
  40. Partite sopra passacagli, F 3.40*
*39 and 40 were removed from the 1637 edition
Year/Date of CompositionY/D of Comp. 1627 or before
First Publication. 1627 - Roma: Nicolo Borboni, reissued 1637.
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation harpsichord or organ
External Links Frescobaldi Thematic Catalog
Extra Information Contents of 1627 edition
Contents of 1637 edition
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