The London Spring Annual for 1834 (Ball, William)

Movements/SectionsMov'ts/Sec's see below
First Publication 1834
Genre Categories Songs; Secular hymns; Hymns; Secular cantatas; Cantatas; For voice, piano; For voices with keyboard; Scores featuring the voice; Scores featuring the piano; For 3 voices, piano; For voice, mixed chorus, piano; For voices and chorus with keyboard; Scores featuring mixed chorus; For voice, guitar; For voices with solo instruments; Scores featuring the guitar; For 2 voices, guitar; Scores featuring the soprano voice; English language; German language; French language; Italian language; Waltzes; Dances; Quadrilles; Galops; For piano; For 1 player

Sheet Music

Scores

 Complete Book
#756668 - 89.14MB, 117 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 46×⇩ - Fynnjamin

PDF scanned by GB-Lbl
Fynnjamin (2022/1/8)

Publisher. Info. London: J. Dickinson, 1834.
Copyright
Public Domain [tag/del]
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General Information

Work Title The London Spring Annual for 1834
Alternative. Title The London Spring Annual, Lyrical & Pictorial, for 1834
Composer Ball, William
I-Catalogue NumberI-Cat. No. None [force assignment]
Movements/SectionsMov'ts/Sec's see below
  1. William Ball: National Hymn for the Royal Family of England. Ruler of all that live!
  2. Henry Forbes: The Triumph of Oberon. Floating through the balmy air
  3. John Henry Griesbach: Canzonet. Her lute she touch'd with gentle hand
  4. Elizabeth Mounsey: The Doves. Beside a crystal fountain
  5. Carl Maria von Weber: Die gefangenen Sänger, J.197. Vöglein einsam in dem Bauer / Bird, that newly leav'st the bow'r!
  6. William Ball: Air. Beauteous flow'r!
  7. Ann Mounsey Bartholomew: Mignon's Song. Kennst du das Land, wo die Citronen blühn / Know'st thou the land, the citron's blooming home
  8. Elizabeth Mounsey: Cantata. We will not part again. The hour was sad when last we met
  9. unattributed [arranged by Elizabeth Mounsey and Ferdinand Pelzer]: Caterina (Neapolitan Melody). Where, oh! where is Caterina?
  10. S.W. Ketell (Samuel Walker Ketell) Song. Our hearts were link'd together
  11. Charles Guynemer: Ballad. Rest, rest, thou gentle sea
  12. arranged by Ferdinand Pelzer: Spanish Air. Tho' time, in its flight hath bereft us
  13. John Leman Brownsmith: The Rose of Affection. The blossoms of hope, they are faded
  14. Wilhelm Neuland: Romance. The Bridal Hour. Aline, encore un jour laisse moi t'adorer / Aline! oh, yet but hear me, receive my farewell sigh. (Included in the category Vocal Ornamentation.)
  15. unattributed [arranged by William Ball?]: Arietta (Italian Melody). Oh come sul mattino / Along the sparkling waters
  16. arranged by William Ball: Scottish Melody [Auld Lang Syne]. The Braw Auld Scottish Gentleman. Oh! some will sing, wi' sore lament
  17. unattributed [arranged by Elizabeth Mounsey and Ferdinand Pelzer]: French Air. Montjoy. It was Montjoy, of lineage brave and high
  18. George Forbes: La Violette. Waltz in A♭ major
  19. George Forbes: La Fete Champêtre Quadrilles (5 movements)
  20. J. Paine: Galope in D major
First Publication. 1834
Librettist see below
1-2, 4, 9-10, 12-13, 15-17 William Ball (1784–1869)
3. Rev. H. Butterfield
5. Max von Schenkendorf (1783–1817), with translation by William Ball
6. the late Lady Cameron
7. Johann Wolfgang von Goethe (1749–1832), with translation by William Ball
8. E. J. J.
11. C. Knight, Esq.
14. L. Lacour, with translation by William Ball
Language English, German, French, Italian
Dedication Duchess of Kent
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation voice, piano; 3 voices, piano (or voice, mixed chorus, piano); voice, guitar; 2 soprano voices, guitar; piano solo
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