The Light and the Half-Light (Teichmann, Roger)

Movements/SectionsMov'ts/Sec's Three
Composition Year 2013
Genre Categories Songs; For 4 voices, oboe, violin, viola, cello; Scores featuring the voice; Scores featuring the soprano voice; Scores featuring the alto voice; Scores featuring the baritone voice; Scores featuring the oboe; Scores featuring the violin; Scores featuring the viola; Scores featuring the cello; For voices with solo instruments; English language

Contents

Performances

Recordings

 Complete performance
#405453 - 8.84MB - 9:39 -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 64×⇩ - MP3 - Teichmann

MP3 file (audio)
Teichmann (2016/1/3)

Publisher Info. Roger Teichmann
Performers James Stickings and others
Copyright
Creative Commons Attribution-NonCommercial-ShareAlike 4.0 [tag/del]
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Sheet Music

Scores

 The Old Men Admiring Themselves in the Water
#403290 - 0.05MB, 4 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 82×⇩ - Teichmann

PDF typeset by composer
Teichmann (2015/12/17)

 The Fiddler of Dooney
#403291 - 0.09MB, 7 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 72×⇩ - Teichmann

PDF typeset by composer
Teichmann (2015/12/17)

 He Wishes for the Cloths of Heaven
#403292 - 0.06MB, 6 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 94×⇩ - Teichmann

PDF typeset by composer
Teichmann (2015/12/17)

Publisher. Info. Roger Teichmann
Copyright
Creative Commons Attribution-NonCommercial-ShareAlike 4.0 [tag/del/mrg]
Purchase
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General Information

Work Title The Light and the Half-Light
Alternative. Title
Composer Teichmann, Roger
I-Catalogue NumberI-Cat. No. IRT 6
Movements/SectionsMov'ts/Sec's Three
Year/Date of CompositionY/D of Comp. 2013
First Performance. 2013
Librettist William Butler Yeats (1865-1939)
Language English
Dedication To Brien O'Rourke
Composer Time PeriodComp. Period Modern
Piece Style Modern
Instrumentation baritone, oboe, violin, viola, cello, offstage vocal trio (soprano, soprano, alto)

Navigation etc.

The title comes from the third poem set, 'The Cloths of Gold'. The (preferably offstage) vocal trio is only heard in the third song. Parts available free on request: roger.teichmann@st-hildas.ox.ac.uk.

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