The Last Colour (Keyhani, Karen)

Movements/SectionsMov'ts/Sec's	7
Composition Year	2013
Genre Categories	Pieces; For flute, piano; Scores featuring the flute; Scores featuring the piano; For 2 players

1 Performances
- 1.1 Recordings
2 Sheet Music
- 2.1 Scores
3 General Information
4 Navigation etc.

Performances

Recordings

Complete recording
*#367075 - 15.17MB - 16:34 - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 296×⇩ - MP3 - Karenkeyhani

MP3 file (audio)
Karenkeyhani (2015/2/26)

Publisher Info.	Arghanoon
Performers	Mehrdad Gholami, Maryam Mehraban
Copyright	Creative Commons Attribution-NonCommercial-ShareAlike 4.0 [tag/del]
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Sheet Music

Scores

Complete score
*#367074 - 0.64MB, 32 pp. - 0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 506×⇩ - Karen Keyhani

PDF typeset by composer
Karen Keyhani (2015/2/26)

Publisher. Info.	Karen Keyhani
Copyright	Creative Commons Attribution-NonCommercial-ShareAlike 4.0 [tag/del]
Purchase	Javascript is required for this feature.

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General Information

Work Title	واپسین رنگ
Alternative. Title	The Last Colour
Composer	Keyhani, Karen
I-Catalogue NumberI-Cat. No.	IKK 3
Key	Atonal
Movements/SectionsMov'ts/Sec's	7
Year/Date of CompositionY/D of Comp.	2013
First Performance.	2013 in Tehran, Roudaki Hall
Dedication	Mehrdad Gholami & Maryam Mehraban
Average DurationAvg. Duration	17 minutes
Composer Time PeriodComp. Period	Modern
Piece Style	Modern
Instrumentation	flute, piano

Navigation etc.

•“The Last Color” (for Flute and Piano) (World Premiere) was composed in fall 2013 in seven movements. It is the last piece of the collection titled “Colorful Pieces”. The recurring poetic theme through the entire piece is the battle of good and evil and the constant recurrence of each in a new color on the palette of life till one does not distinguish them apart. In the final chord only a single color remains.

•"واپسین رَنگ"، برای دوئت فلوت و پیانو (پاییز 1391) - این دوئت، از هفت موومانِ کوتاه تشکیل شده و آخرین قطعه، از مجموعۀ قطعاتِ رَنگیِ آهنگساز به شمار می رود. جدالِ خیر و شر و حضور پیاپی هریک با رَنگی جدید و تشخیص ناپذیرشدن آنها در زندگی، در طول اثر دنبال می شود و در پایان، تنها یک رَنگ باقی می ماند . . . .